{"id":71542,"date":"2021-09-19T18:47:41","date_gmt":"2021-09-19T16:47:41","guid":{"rendered":"https:\/\/fjala.info\/?p=71542"},"modified":"2021-09-19T18:55:21","modified_gmt":"2021-09-19T16:55:21","slug":"thellesite-e-introspeksionit-lirik","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/thellesite-e-introspeksionit-lirik\/","title":{"rendered":"THELL\u00cbSIT\u00cb E INTROSPEKSIONIT LIRIK"},"content":{"rendered":"

Prend BUZHALA<\/strong><\/p>\n

(Mehmetali Rexhepi: “Vetullat e maj\u00ebbor\u00ebs\u201d, poezi, 2021)<\/em><\/strong><\/p>\n

Libri me poezi “VETULLAT E MAJ\u00cbBOR\u00cbS” i Mehmetali Rexhepit, e shtrin tekstin poetik me an\u00eb procedimesh metapoetike: riintepretime t\u00eb lirik\u00ebs autobiografike protagonist\u00eb letrar\u00eb dhe historik\u00eb, si\u00e7 thuren te poezia q\u00eb i prin v\u00ebllimit (Dit\u00eblindja ime e gjasht\u00ebdhjet\u00eb e tet\u00eb<\/em>) – v\u00ebshtrimi kah vetvetja; dhe tek dy ciklet e para “Urtari i zhvarrosur pushon n\u00eb simbole<\/em>” (cik\u00ebl-poem\u00eb) dhe “Anames sinonimesh<\/em>” (kundrime poetike kah t\u00eb tjer\u00ebt). Dihet q\u00eb te leximi i nj\u00eb romani, bie fjala, lexuesi p\u00ebrjeton dhe jeton jet\u00ebt e panum\u00ebrta t\u00eb personazheve t\u00eb panum\u00ebrt, shum\u00eb hap\u00ebsira t\u00eb njohura e t\u00eb panjohura, larg\u00ebsi t\u00eb pamatshme horizontesh etj. etj. pra, e p\u00ebrjeton bot\u00ebn q\u00eb autori e drejton kah t\u00eb tjer\u00ebt; te tekstet poetike ndodh e kund\u00ebrta: p\u00ebrqendrimi tek vetvetja, tek loja ligj\u00ebrimore semantike e figurative, me aventur\u00ebn e imagjinat\u00ebs vetjake; autori i k\u00ebtij v\u00ebllimi d\u00ebshiron ta dekonstrukoj\u00eb edhe k\u00ebt\u00eb aspekt tekstual proz\u00eb\/poezi. K\u00ebsisoj, n\u00eb ciklet tjera “Shijet vrastare”, “Litar kambane”, “Shkallareve t\u00eb lajthitjes”, “Djerrina e \u00e7asteve t\u00eb praruara”, \u201cT\u00eb hedh\u00ebsh mehlem aty ku dhemb<\/em>” dhe n\u00eb ciklin-poem\u00eb “Loti dyll\u00eb i ngrir\u00eb<\/em>“, tashm\u00eb krijuesi kalon n\u00eb nj\u00eb sfer\u00eb k\u00ebndimi, ku komunikimi poetik sugjeron edhe abstraksionin poetik, edhe thurjen e shenjave dhe semantizimit t\u00eb mesazheve q\u00eb jepen dhe merren, si p\u00ebrvoja t\u00eb ekzistenc\u00ebs dhe jet\u00ebs, historis\u00eb dhe miteve, p\u00ebrditshm\u00ebris\u00eb dhe dimensionit t\u00eb p\u00ebrshpirtsh\u00ebm t\u00eb jet\u00ebs.<\/p>\n

    \n
  1. Autobiografia shpirt\u00ebrore lirike <\/strong><\/li>\n<\/ol>\n

    P\u00ebrkufizimet aq t\u00eb p\u00ebrdorura moderniz\u00ebm\/postmoderniz\u00ebm pak gj\u00eb na thon\u00eb p\u00ebrball\u00eb alternativave t\u00eb shumta krijuese q\u00eb t\u2019i ofron vet\u00eb arti poetik. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, poezia e M. Rexhepit lexohet pasi do ta kesh shijuar bukurin\u00eb e saj n\u00eb alternimin e imazheve, rendit metaforik, epitetizimeve, risemantizimeve (vet\u00eb titulli \u201cVetullat e maj\u00ebbor\u00ebs\u201d na vjen nga proza e tij e nga krijimet e p\u00ebrparshme), nxitjes s\u00eb ideve, p\u00ebrshtypjeve dhe meditimeve t\u00eb ngritura mbi temat e r\u00ebnda. Nuk \u00ebsht\u00eb e habitshme p\u00ebrse, duke b\u00ebr\u00eb p\u00ebrpjekje q\u00eb ta nj\u00ebsoj\u00eb intimen me realitetin e jasht\u00ebm, sikur p\u00ebrkufizimi p\u00ebr lirik\u00ebn q\u00eb nd\u00ebrlidhet vet\u00ebm me intimen, bie posht\u00eb, shk\u00ebrmoqet, meq\u00eb poezia e sotme (n\u00eb da\u00e7 moderne a postmoderne, nuk ka r\u00ebnd\u00ebsi), pik\u00ebsynon larushin\u00eb, qoft\u00eb edhe duke iu p\u00ebrafruar proz\u00ebs, rimtit t\u00eb saj, narratives s\u00eb saj, si poezi-rr\u00ebfime, apo qoft\u00eb edhe si poezi-ese.<\/p>\n

    Poezin\u00eb e par\u00eb \u201cDit\u00eblindja ime e gjasht\u00ebdhjet\u00eb e tet\u00eb<\/em>\u201d \u00a0dhe poezin\u00eb e fundit \u201cMosha e kallinjve\u201d <\/em>(70 vjetori i dit\u00eblindjes), le t\u2019i lexojm\u00eb si tekste poetike q\u00eb ng\u00ebrthejn\u00eb elemente t\u00eb narratives n\u00eb g\u00ebrshet me metaforizimet dhe kontekstet jet\u00ebsore e historike n\u00eb t\u00eb cilat kaloi jeta e autorit (ish i burgosur politik).<\/p>\n

    n\u00ebna Z m\u00eb lindi kur drapri korrte grur\u00eb dhe njer\u00ebz
    \n<\/em>rrodhi shum\u00eb\u00e7ka mbi mua e harkun tim tash e gjasht\u00ebdhjet\u00eb e tet\u00eb vjet
    \n<\/em>ishin shkrir\u00eb plazma t\u00eb gjakut n\u00ebn Ur\u00ebn e Maskatarit
    \n<\/em>mandej kund\u00ebrmuan jasht\u00ebqitjet dhe mbetjet e \u201cpazarit\u201d
    \n<\/em>kos\u00ebtari im Prijatari i afshit t\u00eb barit
    \n<\/em>m\u00eb d\u00ebftonte \u201cbir nuk e kemi dit\u00eb \u00e7ka asht e keshmja
    \n<\/em>mas djegies n\u00eb Kaush\u00eb t\u00eb Mulla Idriz Gjilanit\u201d
    \n<\/em>e thoshte af\u00ebr stuf\u00ebs s\u00eb zjarrit<\/em><\/p>\n

    ose:<\/p>\n

    korriku \u00ebsht\u00eb dor\u00ebzani i k\u00ebrthiz\u00ebs sime
    \n<\/em>me t\u00eb gjitha lakesat e ngarkesave n\u00eb mua
    \n<\/em>m\u00eb vizatoi dhe vijat e hullive
    \n<\/em>nuk i mbushi me t\u00eb gjitha ngjyrat e p\u00ebrziera
    \n<\/em>le t\u00eb mos jem i ngaz\u00ebllyer nga e p\u00ebrzgjedhura
    \n<\/em>tashm\u00eb p\u00ebr mua e ka ve\u00e7se k\u00ebt\u00eb ligj k\u00ebt\u00eb ngjyr\u00eb
    \n<\/em>p\u00ebr \u00e7do dit\u00eb m\u00eb del n\u00eb prit\u00eb:
    \n<\/em>q\u00eb nga k\u00ebrthiza t\u00eb pikturoja
    \n<\/em>n\u00eb galerit\u00eb tua pamjet t’i ekspozoja
    \n<\/em>\u00e7far\u00eb m\u00eb k\u00ebrkon fare mos e prit
    \n<\/em>p\u00ebr ty\u00a0 e kam vet\u00ebm t\u00eb grunjt\u00ebn
    \n<\/em>dhe pigmente kafeje
    \n<\/em>n\u00eb oaz\u00ebn e dikurshme gjith\u00e7ka t\u00eb mbeti
    \n<\/em>rikthehu n\u00ebse mund ta kalosh mosh\u00ebn e nj\u00eb deti<\/em><\/p>\n

    K\u00ebshtu ligj\u00ebron poeti te nj\u00ebsia e par\u00eb tekstuale e k\u00ebsaj poezie dhe te nj\u00ebsia e dyt\u00eb e poezis\u00eb s\u00eb dyt\u00eb. Aty lexojm\u00eb referencat familjare, rurale, t\u00eb ng\u00ebrthyera n\u00eb ato nacionale, historike, t\u00eb tragjedive q\u00eb p\u00ebsuan k\u00ebto an\u00eb (t\u00eb vendlindjes s\u00eb autorit), si\u00e7 jan\u00eb Ura e Maskatarit (nj\u00eb topos poetik aq i k\u00ebnduar e i k\u00ebrkuar te krijuesit gjilanas, aty ku ka ndodhur edhe nj\u00eb masak\u00ebr), me tragjedin\u00eb e idealistit Mulla Idriz Gjilanit, etj… Lexojm\u00eb mikro-biografi t\u00eb mprehta lirike jo t\u00eb pakta, jo vet\u00ebm brenda poezis\u00eb n\u00eb shqyrtim, po edhe p\u00ebrgjat\u00eb t\u00ebr\u00eb v\u00ebllimit (nj\u00eb z\u00eb hyjnor ai i Va\u00e7e Zel\u00ebs; I P\u00ebrndritshmi Ipeshk\u00ebv i Bibliotek\u00ebs Pjet\u00ebr Bogdani e Prish-Stina; shk\u00ebrmoqej hija e (n)gurt\u00eb e Hasan Prishtin\u00ebs; Oda Universiteti Urt\u00ebsia Akademia; gurra e gjakut t\u00eb Jasharajve; ver\u00eb e Beq\u00ebs k\u00ebmb\u00eb zbathur n\u00eb pyllin \u201cBukuria e Zez\u00eb\u201d..<\/em>.). \u201cDit\u00eblindja…\u201d<\/em> \u00ebsht\u00eb nj\u00eb lirik\u00eb autobiografike, ku, p\u00ebrpos biografemave referenciale artistike, shqiptohen edhe ndjesit\u00eb, gjakimet, shqet\u00ebsimet, idealet e pik\u00ebsynimet e autorit.<\/p>\n

    Kjo do t\u00eb thot\u00eb q\u00eb autori e sheh historin\u00eb (t\u00eb djeshmen) bot\u00ebn p\u00ebrreth (t\u00eb sotmen), si\u00e7 \u00ebsht\u00eb vetvetja, si di\u00e7ka t\u00eb veten, t\u00eb pandar\u00eb, t\u00eb nj\u00ebnj\u00ebshme. Vetvetja \u00ebsht\u00eb gjith\u00e7ka q\u00eb lexojm\u00eb te kjo poezi. Historia dhe bota jan\u00eb vet\u00eb autori. Jan\u00eb autobiografia e tij. N\u00eb vend t\u00eb dokumentit, flasin toposet e njohura poetike- emra personalitetesh, ngjarjesh, vendesh. E, po u shk\u00ebrmoq\u00ebn ato q\u00eb lexohen si nj\u00ebjt\u00ebsi t\u00eb paprekshme, shk\u00ebrmoqet edhe vet\u00eb bota e autorit. Por jo! Ato jan\u00eb t\u00eb pazhdukshme, si pirgu vet\u00ebflijues i Jasharajve:<\/p>\n

    mbi mua rrodhi Oda Universiteti Urt\u00ebsia Akademia
    \n<\/em>Vatra e nj\u00eb galerie fytyrash drit\u00eb-praruara
    \n<\/em>iu shtruan hullive t’i mbillnin t’iu \u00e7elnin mbi akuj pem\u00ebt drunjt\u00eb e jet\u00ebs
    \n<\/em>ngjyr\u00ebn m\u00eb t\u00eb bollshme e kishin t\u00eb kuqen lule-gjakun mb\u00ebltuar
    \n<\/em>hija e shqiponj\u00ebs dykrer\u00ebshe krah-hapur i varej \u00e7erdhes p\u00ebr t\u00eb mos e p\u00ebrv\u00ebluar
    \n<\/em>sip\u00ebr meje ran\u00eb pika rrjedhke edhe gurra e gjakut t\u00eb Jasharajve
    \n<\/em>nj\u00eb gj\u00ebm\u00eb pa lot
    \n<\/em>q\u00eb t\u00eb madh\u00ebrishmen e flijimit e ngjiti n\u00eb Pirgun m\u00eb t\u00eb lart\u00eb n\u00eb bot\u00eb<\/em><\/p>\n

    Trajta apologjike e k\u00ebndimit nd\u00ebrthuret me introspeksionin, kurse kujtimet si element autobiografik, pleksen me faktografin\u00eb familjare e me at\u00eb historike. Trajt\u00ebn ritmike t\u00eb proz\u00ebs e kusht\u00ebzon teksti retrospektiv. Nuk ka tekst retrospektiv (n\u00eb k\u00ebt\u00eb rast: dit\u00eblindja si evokim i t\u00ebr\u00ebsish\u00ebm i jet\u00ebs) pa narrativen historike, ashtu sikund\u00ebr nuk ka evokim autobiografik pa paraqitjen e jet\u00ebs personale dhe pa historin\u00eb e zhvillimit t\u00eb personalitetit, si\u00e7 do t\u00eb v\u00ebrente Philippe Lejeune te vepra e tij \u201cLe Pacte autobiographique\u201d.<\/p>\n

    Ndryshe, lirika e tipit t\u00eb till\u00eb te M. Rexhepi k\u00ebrkohen gjakimet, e ep\u00ebrmja (me asociacionet e loj\u00ebs gjuh\u00ebsore etimologjike Epir, Epi, lasht\u00ebsia) deri te e sotmja q\u00eb shkakton vet\u00ebm revolt\u00eb, shqet\u00ebsim dhe t\u00ebhuaj\u00ebsime. N\u00eb fund, prandaj, poeti ndien nevoj\u00eb q\u00eb t\u2019i drejtohet nj\u00eb bote t\u00eb virgj\u00ebr p\u00ebr shp\u00ebtimin e nostalgjis\u00eb personale e t\u00eb vlerave t\u00eb patjet\u00ebrsueshme, si\u00e7 jan\u00eb f\u00ebmij\u00ebt dhe hiret tereziane:<\/p>\n

    Lirin\u00eb nuk e paskemi dashur t\u00eb veshur
    \n<\/em>kot i k\u00ebrkuake lumenjt\u00eb e f\u00ebmij\u00ebris\u00eb
    \n<\/em>jan\u00eb arratisur e fshihen tek ret\u00eb
    \n<\/em>rrjedhin qiellit vet\u00ebm nga hiri i Sh\u00ebn Terez\u00ebs
    \n<\/em>p\u00ebr bot\u00ebn langore pa sherre t\u00eb bebes<\/em><\/p>\n

    kur p\u00ebrmendim k\u00ebtu aspektin autobiografik t\u00eb k\u00ebsaj poezie, ndryshe nga ve\u00e7orit\u00eb intime t\u00eb lirik\u00ebs p\u00ebrgjith\u00ebsisht, p\u00ebrvijohet me nd\u00ebrthurjen e teksteve ekpresive e vet\u00ebrr\u00ebfyese me ato autobiografike, personale.<\/p>\n

    Sado q\u00eb tipi i lirik\u00ebs s\u00eb till\u00eb mund t\u2019iu reshtet vlerave estetike, autori e ruan sensin e tij t\u00eb mas\u00ebs e t\u00eb drejtpeshimit; pothuajse secili varg tujget me lirizmin e k\u00ebrkuar, me lirizmin q\u00eb korrespondon me funksionin shpreh\u00ebs dhe emocional t\u00eb ligj\u00ebrimit poetik. \u00cbsht\u00eb ajo shprehje lirike poetike q\u00eb pik\u00ebsynon t\u00eb shp\u00ebrthej\u00eb p\u00ebrtej intimitetit, p\u00ebrtej sentimentales. Ky pik\u00ebsynim ka t\u00eb b\u00ebj\u00eb me thell\u00ebsit\u00eb e k\u00ebrkuara t\u00eb fjal\u00ebs. Nuk \u00ebsht\u00eb e habitshme p\u00ebrse poezin\u00eb e sotme, nganj\u00ebher\u00eb, e lexojm\u00eb si aventur\u00eb t\u00eb fjal\u00ebs, si impuls krijues, me imazhe, ritme, figura e tinguj, p\u00ebr ta arritur sublimen, p\u00ebrsosm\u00ebrin\u00eb, magjin\u00eb e th\u00ebnies.<\/p>\n

    \u00cbsht\u00eb ajo prirje, e shfaqur edhe me an\u00eb t\u00eb ligj\u00ebrimit diskursiv, si\u00e7 \u00ebsht\u00eb v\u00ebllimi \u201c\u201cEnigma e magjikes\u201d (ese, 2011). Aso kohe, p\u00ebr k\u00ebt\u00eb v\u00ebllim pata theksuar: \u201cRexhepi \u00ebsht\u00eb kritik i pasionit k\u00ebrkues t\u00eb t\u00eb bukur\u00ebs dhe vlerave. Tekstet e tij jan\u00eb sh\u00ebnime t\u00eb leximit pasionant, t\u00eb hapur p\u00ebr horizontet e ndryshme t\u00eb kuptimit, kurse burimin e tyre e kan\u00eb tek leximi dhe tek mendimi krijues, aty ku ai shquan nd\u00ebrlidhjen e k\u00ebtyre teksteve tek fushat e ndryshme t\u00eb librit letrar, publicistik, shkencor a eseistik. Dhe, p\u00ebr ta dh\u00ebn\u00eb k\u00ebt\u00eb shum\u00ebsi shkrimore e kuptimore, autori detyrohet t\u00eb jet\u00eb edhe njoh\u00ebs i traditave letrare e religjioze, i mendimit politik dhe atij dituror, historik dhe albanologjik.\u201d<\/p>\n

      \n
    1. Profilet shpirt\u00ebrore n\u00eb k\u00ebndimet lirike <\/strong><\/li>\n<\/ol>\n

      Me k\u00ebt\u00eb pasion k\u00ebrkimesh ai vazhdon edhe n\u00eb fush\u00ebn e artit poetik. Porse ky k\u00ebrkim, nd\u00ebr t\u00eb tjera, ka t\u00eb b\u00ebj\u00eb edhe me gjetjet e vlerave sublime jo vet\u00ebm n\u00eb artin poetik, po edhe t\u00eb personaliteteve e ngjarjeve historike. K\u00ebsisoj, te cikli i par\u00eb \u201cUrtari i zhvarrosur pushon n\u00eb simbole\u201d lexojm\u00eb poem\u00ebn \u201cShkrinte plumbin e mendjes\u201d, kushtuar Pjet\u00ebr Bogdanit, kurse n\u00eb ciklin \u201cAnames sinonimesh\u201d<\/em> lexojm\u00eb t\u00ebr\u00ebsi t\u00eb tilla poetike kushtuar P\u00ebrvjetorit t\u00eb Urtarit B (si\u00e7 e quan Beqir Musliun), Musa Ramadanit, Alush Canajt, Frederik Rreshpjes, Agim Ramadanit, Nexhmije Pagarush\u00ebs dhe Kelmend Jasharit. Jan\u00eb personalitete t\u00eb tradit\u00ebs son\u00eb (si Pjet\u00ebr Bogdani), krijues gjilanas q\u00eb tashm\u00eb jan\u00eb n\u00eb amshim e q\u00eb lan\u00eb gjurm\u00eb n\u00eb artin letrar, apo krijues emblematik\u00eb si Frederik Rreshpja dhe personalitete q\u00eb personifikojn\u00eb vlerat e ep\u00ebrme t\u00eb s\u00eb bukur\u00ebs n\u00eb artin muzikor, si N. Pagarusha.<\/p>\n

      Tekstet e tilla lexohen si natura naturata,<\/em> si shpalim i bot\u00ebs artistike t\u00eb personalitetit t\u00eb rik\u00ebnduar n\u00eb poezi, p\u00ebrmes aktit estetik t\u00eb krijuesit letrar, do t\u00eb na \u00e7onte tek ligj\u00ebratat e filozofit m\u00eb t\u00eb njohur \u00e7ifut, Spinoz\u00ebs, i cili, n\u00eb ag t\u00eb koh\u00ebve moderne, i mbante ato n\u00eb katedrat e Sinagog\u00ebs s\u00eb Amsterdamit: Deus sive Natura (Hyji ose Natyra); Hyji dhe Njeriu p\u00ebrb\u00ebjn\u00eb nj\u00eb nj\u00ebsi t\u00eb p\u00ebrbashk\u00ebt krijuese; natura naturans,<\/em> natyr\u00eb bot\u00ebkrijuese. Metaforikisht: krijuesi letrar konsiderohej me natyr\u00eb bot\u00ebkrijuese, po edhe si natura naturata (p\u00ebrs\u00ebri simbas Spinoz\u00ebs), pra natyr\u00eb e krijuar.<\/p>\n

      P\u00ebr k\u00ebt\u00eb \u201cnatyr\u00eb t\u00eb artit\u201d<\/em> flasin edhe At\u00eb Gjergj Fishta dhe Mjedja, kurse Lasgushi yn\u00eb k\u00ebt\u00eb \u201cnatur\u00eb krijonj\u00ebse\u201d e p\u00ebrkufizon si \u201cfrym\u00eb\u201d, \u201cmagji-dh\u00ebmb\u00ebse\u201d, \u201ctransfigurim\u201d, \u201ctronditje shpirt\u00ebrore\u201d, \u201ckrijim i ri prej l\u00ebnd\u00ebs s\u00eb vjet\u00ebr\u201d.<\/em> S\u00eb k\u00ebndejmi, end\u00ebzohet nj\u00eb hipertekst. E pra, shqiptimi i mesazhit letrar, si natura naturans<\/em>, tash bartet tek krijimet e poet\u00ebve tjer\u00eb bashk\u00ebkoh\u00ebs, si natura naturata. N\u00eb komunikimin modern letrar poeti tashm\u00eb hyn si aktant i struktur\u00ebs s\u00eb nd\u00ebrsjell\u00eb aktanciale (nocione sipas teoricienit fr\u00ebng, A. J. Greimas: \u201cLes Actants, les Acteurs et les Figures\u201d)…<\/p>\n

      E ve\u00e7ova k\u00ebt\u00eb kundrim timin personal, t\u00eb m\u00ebhersh\u00ebm, p\u00ebr t\u00eb hyr\u00eb n\u00eb bot\u00ebn e till\u00eb poetike t\u00eb k\u00ebtyre dy cikleve.<\/p>\n

      n\u00eb dy udh\u00eb i shteronte dita mbi shenja q\u00eb nuk i kishte shqipja
      \n<\/em>karrige tavolin\u00eb eshtrash papiruse trek\u00ebnd\u00ebsh me t\u00eb gjallin vertikalin e udh\u00ebs s\u00eb mbyllur
      \n<\/em>qet\u00ebsi e trillit e shpjer\u00eb n\u00ebp\u00ebr nat\u00eb p\u00ebr t\u00eb q\u00ebmtuar deri n\u00eb t\u00eb gdhir\u00eb
      \n<\/em>sy t\u00eb kuq\u00ebrremt\u00eb qepur mbi rrokje t\u00eb zverdhura me fije ib\u00ebrshimesh t\u00eb zeza
      \n<\/em>ngultas lypin rreze t\u00eb mos e shuante zbehja urtin\u00eb e ngrir\u00eb
      \n<\/em>ato shkronja t\u00eb ngurosura me vula urtar\u00ebsh t\u00eb mpiksura
      \n<\/em>gjeje fitilin dhe f\u00ebrkoje mes gur\u00ebsh t\u00eb Hasit shih si do ta \u00e7aj\u00eb shk\u00ebndija terrin
      \n<\/em>thoshte Pjetri i Bogdanajve vet\u00ebm p\u00ebr barbar\u00ebt dielli
      \n<\/em>nuk e derdh drit\u00ebn
      \n<\/em>e lypin t\u00eb verbrit e lypin yjt\u00eb m\u00eb tej do t\u00eb shteroj\u00eb kah larg\u00ebsit\u00eb
      \n<\/em>anemikut parasysh do t`i treten dhuntit\u00eb e shkunden kallinjt\u00eb<\/em><\/p>\n

      \u00cbsht\u00eb k\u00ebndimi nacional i Kultit t\u00eb Bardit, i Kultit t\u00eb Poetit, i Poetit Hero e bard nacional. \u00cbsht\u00eb poem\u00eb q\u00eb paraqet profilin shpirt\u00ebror t\u00eb Bogdanit q\u00eb komunikon me koh\u00ebn ton\u00eb; paraqet rolin e tij n\u00eb laboratorin vetjak krijues, kundruall tradit\u00ebs son\u00eb, \u00ebsht\u00eb k\u00ebndimi i misionit t\u00eb tij n\u00ebp\u00ebrmes nj\u00eb vizioni poetik personal.<\/p>\n

      Me t\u00eb tilla p\u00ebrve\u00e7ime t\u00eb energjis\u00eb t\u00eb frym\u00ebs shpirt\u00ebrore k\u00ebndohen edhe personalitetet tjera, ku uniteti i mendimit, vullnetit, p\u00ebrqendrimit dhe intuit\u00ebs, p\u00ebrqendrohet te biografia e till\u00eb poetike shpirt\u00ebrore. Zaten k\u00ebrkimi pasionant p\u00ebr ta ve\u00e7uar t\u00eb jasht\u00ebzakonshmen te bota e p\u00ebrjet\u00ebsis\u00eb s\u00eb tyre, lexohen edhe si homazhe poetike a si lirika p\u00ebrkushtimore, si k\u00ebng\u00eb mbi k\u00ebng\u00ebt. \u00cbsht\u00eb lirik\u00eb e biografis\u00eb shpirt\u00ebrore. Ata jan\u00eb personifikime t\u00eb vet\u00ebdijes s\u00eb zgjuar artistike e historike, jan\u00eb sinonime q\u00eb bartin nj\u00eb SHENJ\u00cb ESTETIKE, nj\u00eb SHENJ\u00cb KOHE E ARTI.<\/p>\n

      kok\u00ebs prej fijesh bleroshe
      \n<\/em>fjal\u00ebt nuk ia prit\u00ebn aktin e zverdhjes
      \n<\/em>n\u00ebp\u00ebr deg\u00eb tropesh kameleon\u00ebt i zhvishte cullak me trasta ngjyrash n\u00ebn vetulla
      \n<\/em>n\u00ebn cip\u00ebn e klorofilit Tij ng\u00ebrthente prejardhjen bukuria
      \n<\/em>intuita me duart e prekjeve magjike i d\u00ebftonte poemave etjen n\u00eb uj\u00ebvarat kozmike<\/em>fotosinteza e fjal\u00ebve i hapte petale dhe piketonte pigmente n\u00eb hi
      \n<\/em>pikave nevralgjike gjymtyr\u00ebt prej metafore i forconte ajri i kondensuar
      \n<\/em>mushk\u00ebrit\u00eb e Tija vegjetonin n\u00eb tymin e cigareve t\u00eb idhujtar\u00ebve
      \n<\/em>tok\u00ebs s\u00eb zez\u00eb i q\u00ebronte far\u00ebn e bardh\u00eb t\u00eb lozes
      \n<\/em>ve\u00e7se p\u00ebr ngjitje t\u00eb th\u00ebnies n\u00eb maj\u00ebn e malit t\u00eb bor\u00ebs <\/em><\/p>\n

      K\u00ebta personalitete t\u00eb ligj\u00ebruara poetikisht, bartin e p\u00ebrcjellin nga nj\u00eb SHENJ\u00cb t\u00eb VET\u00cbDIJES son\u00eb t\u00eb zgjuar. Secili na shfaqet si portret i p\u00ebrve\u00e7\u00ebm i secilit prej nesh dhe si portret yni i p\u00ebrbashk\u00ebt, i identitetit historik, nacional, kulturor e letrar. N\u00eb k\u00ebt\u00eb rast, si shenj\u00eb e identitetit t\u00eb nj\u00eb mjedisi, si\u00e7 \u00ebsht\u00eb Gjilani.<\/p>\n

      Lexohen edhe si nd\u00ebrthurje e teksteve t\u00eb k\u00ebtyre autor\u00ebve me mitet, historin\u00eb,\u00a0studiuesve t\u00eb ardhsh\u00ebm; prandaj, u mbetet t\u2019i shohin lidhjet e proz\u00ebs s\u00eb letr\u00ebs me mite, si nd\u00ebrthurje e poetik\u00ebs postmoderne, hiperteksteve me tekstet artistike. Secili prej tyre \u00ebsht\u00eb nj\u00eb spiritus movens, q\u00eb v\u00eb n\u00eb l\u00ebvizje nxitjet e brendshme krijuese e t\u00eb bot\u00ebs s\u00eb ideve t\u00eb autorit. Se cili \u00ebsht\u00eb ky motivim, nxit\u00ebs a shkas i paduksh\u00ebm, cili \u00ebsht\u00eb ky spiritus movens, q\u00eb nxit k\u00ebt\u00eb potencial krijues t\u00eb poet\u00ebve, a k\u00ebng\u00ebtar\u00ebve, p\u00ebrgjith\u00ebsisht t\u00eb artist\u00ebve; estet\u00ebt p\u00ebrpiqen t’i kodifikojn\u00eb disa ligje nga fusha e estetik\u00ebs.<\/p>\n

      Spiritus movens \u00ebsht\u00eb ai l\u00ebviz\u00ebsi i brendsh\u00ebm, shpirt\u00ebror, nxit\u00ebsi i veprimtaris\u00eb, “shpirti” i nj\u00eb p\u00ebrpjekjeje (B. Klai\u00e7, Fjalor i fjal\u00ebve t\u00eb huaja); “n\u00eb nj\u00eb bised\u00eb, spiritus movens (spiritus agens) \u00ebsht\u00eb ai q\u00eb ideon, inicion dhe organizon (zakonisht n\u00eb nj\u00eb projekt t\u00eb madh). Sipas disa fjalor\u00ebve, spiritus movens \u00ebsht\u00eb nj\u00eb udh\u00ebheq\u00ebs shpirt\u00ebror. Kanti e filozof\u00ebt tjer\u00eb duan t\u00eb n\u00ebnvizojn\u00eb prirjen e aft\u00ebsin\u00eb e racionalitetit njer\u00ebzor q\u00eb prodhon edhe spontanen.<\/p>\n

      \u201cEugjenika e tri deteve\u201d
      \n<\/em>ftoi muzat t\u00eb shp\u00ebrfaqnin mij\u00ebra derte<\/em><\/p>\n

      *
      \n<\/em>e rr\u00ebzuam edhe nj\u00eb Mur Gjaku Maestro
      \n<\/em>*
      \n<\/em>mund t\u00eb na z\u00ebr\u00eb Muri i Republik\u00ebs s\u00eb vaktit
      \n<\/em>ai q\u00eb po ngrihet venave tona t\u00eb m\u00ebris\u00eb s\u00eb gjakut
      \n<\/em>Ti e d\u00ebftoje aktin
      \n<\/em>\u201cSatana ma vodhi gurin e urtis\u00eb\u201d<\/em><\/p>\n

      K\u00ebsisoj, procesi krijues p\u00ebrshkruhet si misterioz dhe me natyr\u00eb sekrete, me natyr\u00eb t\u00eb nd\u00ebrliqshme… e q\u00eb na vjen nga koh\u00ebt antike, kur fuqit\u00eb mbinatyrore sjellin frym\u00ebzimet artistike dhe frym\u00ebzimet e mendimeve. Poet\u00ebt jan\u00eb edhe t\u00eb revoltuarit e koh\u00ebs. Shenja e tyre e jet\u00ebs \u00ebsht\u00eb kryengritja e shpirtit:<\/p>\n

      po deshe provo t\u00eb hysh labirinteve
      \n<\/em>k\u00ebshtjell\u00ebs s\u00eb nj\u00eb rebeli
      \n<\/em>p\u00ebr t`ia gjetur thesarin e dhimbjeve
      \n<\/em>pos Files
      \n<\/em>zbeht\u00ebsi e h\u00ebn\u00ebs
      \n<\/em>dhe hiles<\/em><\/p>\n

      pa syt\u00eb e Tij mos e m\u00ebsyj at\u00eb vetmi
      \n<\/em>pa zjarrin e Tij mos e ndez asnj\u00eb shk\u00ebndij\u00eb
      \n<\/em>(…)
      \n<\/em>t\u00eb jesh nj\u00eb Frederik Rreshpja
      \n<\/em>dhimbja do t\u00eb thoshte mir\u00eb se t\u00eb gjeta
      \n<\/em>(…)
      \n<\/em>m\u00eb af\u00ebr se vdekjen veshte k\u00ebmish\u00ebn
      \n<\/em>t\u00eb fismen e jet\u00ebs dhe grishjen<\/em><\/p>\n

      Muzat e arteve kan\u00eb nderimin e estet\u00ebve dhe krijuesve. M. Rexhepi ata i nderon me th\u00ebnien sublime t\u00eb artit t\u00eb fjal\u00ebs.<\/p>\n

        \n
      1. Rendi i nd\u00ebrliqsh\u00ebm i leksemave lirike <\/strong><\/li>\n<\/ol>\n

        Ciklet tjera na sjellin nj\u00eb bot\u00eb m\u00eb t\u00eb nuancuar, m\u00eb t\u00eb larmishme e m\u00eb t\u00eb nd\u00ebrliqshme poetike. Dhe ky nuancim lirikash lexohet n\u00eb form\u00ebn e nj\u00eb shqiptimi t\u00eb v\u00ebrtet\u00eb poetik \u201cme fije shpirti n\u00eb nj\u00eb furk\u00eb t\u00eb durimit\u201d. Leksema shpirt<\/em> zbulohet e lakohet n\u00eb bot\u00ebn e pasur, duke marr\u00eb konotacione t\u00eb shumta lirike. N\u00ebse n\u00eb vargun e m\u00ebsip\u00ebrm kjo leksem\u00eb identifikohet a mish\u00ebrohet me mitin e krijimit, m\u00eb tutje ajo her\u00eb kumtohet si\u00a0 varg i vuajtjeve e her\u00eb si varg q\u00eb kap\u00ebrcen dhimbjet:<\/p>\n

        tashm\u00eb shpirti farkohet p\u00ebr shporrje t\u00eb dhimbjes
        \n<\/em>arti nga fytyra zbriti n\u00eb shal\u00eb vithesh<\/em><\/p>\n

        Te poezia \u201cMotive shkodrane<\/strong>\u201d lexojm\u00eb:<\/p>\n

        testamentin e shpirtit gjakoja si borxhi m\u00eb i lir\u00eb
        \n<\/em>t’i varej deg\u00ebs pem\u00ebs Saj n\u00eb qiell<\/em><\/p>\n

        Ndryshe, nuk mund t\u00eb gjendet nj\u00eb tjet\u00ebr k\u00ebrkim i k\u00ebsaj fjale p\u00ebr ta kumtuar at\u00eb testament motivesh t\u00eb tilla, dhembshurisht t\u00eb gjakuar. Rrjedh\u00ebn e lumit e lexojm\u00eb si nj\u00eb imazh t\u00eb gjetur poetik: \u201cpiktur\u00eb e shpirtit i fanit rrjedh\u00ebn<\/em>\u201d, kurse \u201cpoeti m\u00ebtoi shtratin e shpirtit t`ia l\u00ebshonte rrjedh\u00ebs<\/em>\u201d (poezia \u201cArratisja e lumit\u201d). Te poezia \u201cThethi\u201d \u201cmes uj\u00ebvar\u00ebs dhe shpirtit shk\u00ebndijon dehja\u201d, kurse te \u201cNj\u00eb litar kambane\u201d, tashm\u00eb e lexojm\u00eb antinomin\u00eb e saj si \u201csfungjer\u00eb vigan\u00eb thithnin avuj shpirtrash t\u00eb k\u00ebqij\u201d ose: \u201cti shpirt militarist je fare i brisht\u00eb\u201d.<\/em> Diku tjet\u00ebr si lektisje, mandej si brisht\u00ebsi, kurse te poezia \u201cShiu reum\u00eb malli\u201d, n\u00ebp\u00ebrmes pamjeve t\u00eb vagullta e t\u00eb zymta surrealiste me avuj, er\u00eb e shi, funksioni konotativ gjen shprehjen e vet te mesazhet, q\u00eb vendosen p\u00ebr ta zgjeruar e thelluar komunikimin:<\/p>\n

        shpirti t\u00eb lidhet nyj\u00eb n\u00eb fyt dend\u00ebsohen ret\u00eb jasht\u00eb e n\u00eb ty
        \n<\/em>pasqyr\u00eb e dit\u00ebs avullohet p\u00ebrhitet
        \n<\/em>thesi mall\u00ebngjyes zgjidh\u00a0 gryk\u00ebn<\/em><\/p>\n

        Te poemat a lirikat si \u201cDeg\u00ebt\u201d, \u201cNj\u00eb litar kambane\u201d, \u201cHiret kllapia dhe es\u00ebllti e Gjilanit\u201d dhe \u201cThethi\u201d, k\u00ebndohen t\u00eb tilla, si k\u00ebng\u00eb e shpirtit. Kjo do t\u00eb thot\u00eb q\u00eb poemat e tilla korrespondojn\u00eb me funksionin e tyre testamentar, ekspresiv, si\u00e7 shprehet Roman Jakobson “Poezia e till\u00eb e synon nj\u00eb shprehje t\u00eb drejtp\u00ebrdrejt\u00eb t\u00eb q\u00ebndrimit t\u00eb subjektit ndaj asaj p\u00ebr t\u00eb cil\u00ebn flet ajo” (te studimi \u201cLinguistika dhe poetika\u201d).<\/p>\n

        Her\u00eb-her\u00eb shtr\u00ebngohemi t\u2019i ndjekim shenjat e ndryshme t\u00eb nj\u00eb loje makabre t\u00eb historis\u00eb e t\u00eb koh\u00ebs, ose t\u00eb nj\u00eb force t\u00eb padukshme t\u00eb fatit:<\/p>\n

        teatri im ji i v\u00ebrtet\u00eb
        \n<\/em>kur me l\u00ebngun t\u00ebnd shpirtin ngjesh\u00eb
        \n<\/em>dhe nxjerr djallin tim
        \n<\/em>p\u00ebrmes djallit t\u00ebnd me vija njeriu
        \n<\/em>nga skutina t\u00eb paprekura
        \n<\/em>me loj\u00ebn mjesht\u00ebrore djajt\u00eb nga kurthet e buta dalin<\/em><\/p>\n

        N\u00eb fakt, loj\u00ebn poeti e dekosntrukton si dometh\u00ebnie metafizike, diku tjet\u00ebr si pjes\u00eb ontologjike t\u00eb qenies njer\u00ebzore. N\u00ebse Emanuel Kanti e pik\u00ebshikonte n\u00eb aspektin estetik, si nj\u00eb \u201cveprimi q\u00eb \u00ebsht\u00eb i k\u00ebndsh\u00ebm dhe fisnik n\u00eb vetvete\u201d, n\u00ebse F. Schiller e konsideronte\u00a0 \u201cnj\u00eb m\u00ebnyr\u00eb p\u00ebr t’u marr\u00eb me t\u00eb bukur\u00ebn\u201d, n\u00ebse L. Wittgenstein e zb\u00ebrthente si \u201cloj\u00eb n\u00eb aspektin gjuh\u00ebsor\u201c, poezia e b\u00ebn nj\u00eb hap m\u00eb tutje, duke i dh\u00ebn\u00eb asaj kuptimet e ironis\u00eb s\u00eb fatit e t\u00eb \u00e7menduris\u00eb s\u00eb absurditetit njer\u00ebzor n\u00eb teatrin tragjik t\u00eb saj:<\/p>\n

        me kafshime gjarpri raki kumbullash e helmin e mendjes
        \n<\/em>dhe ujin do ta digjnin me trupa\u00a0 njer\u00ebzish p\u00ebr loj\u00ebn e \u00e7mendjes<\/em><\/p>\n

        Simbolikisht, loja e till\u00eb sh\u00ebnjon a z\u00ebvend\u00ebson \u201cobjektet\u201d, ngjarjet, b\u00ebmat, por edhe nd\u00ebrliq\u00ebsin\u00eb e zhd\u00ebrvjellt\u00ebsin\u00eb e intelektit krijues. Vet\u00eb qenia njer\u00ebzore sikur ng\u00ebrthehet n\u00eb l\u00ebmshin e kontradiktave t\u00eb pafund, n\u00eb at\u00eb gjendjen \u201cose ose\u201d t\u00eb filozofis\u00eb s\u00eb Kjerkegordit a n\u00eb bot\u00ebn e absurdit modern q\u00eb e gjurmon me k\u00ebmb\u00ebngulje lirika moderne. Nuk \u00ebsht\u00eb e rastit p\u00ebrse fol\u00ebsi lirik i k\u00ebsaj poezie, n\u00eb k\u00ebt\u00eb vorbull kund\u00ebrth\u00ebniesh, e sheh veten si viktim\u00eb e fatit (poezia \u201cTirania e fatit\u201d), si qenie q\u00eb vuan pafund\u00ebsisht mbi k\u00ebt\u00eb hendek bot\u00ebsh e koh\u00ebsh:<\/p>\n

        fati gjeti shtegun p\u00ebr t\u00eb m\u00eb goditur
        \n<\/em>\u00e7do\u00a0 shteg-mbyllje arkitektur\u00ebn prej llastiku
        \n<\/em>ia katapultoja t\u00eb tkurrur t’i shtrihej tej kufiri
        \n<\/em>m’i lypte p\u00ebruljet lutej p\u00ebr vart\u00ebsi
        \n<\/em>i thosha
        \n<\/em>kam detin me dhunti pse mos t’i shijosh dhe ti
        \n<\/em>k\u00ebtij p\u00ebrjet\u00ebsimi hynin er\u00ebrat
        \n<\/em>ngjarje ndodhi data t\u00eb mbufatura
        \n<\/em>as dyer as gardh pos pore t\u00eb hapura
        \n<\/em>ai hynte me aureol\u00eb<\/em><\/p>\n

        m`i shporrte n\u00eb hon shurdh\u00ebrie melodit\u00eb e zamares
        \n<\/em>lypte t\u00eb ngopej mbi shijen e hises nism\u00ebtaren e membran\u00ebs
        \n<\/em>le t\u00eb pajtohej ose mos t\u00eb kishte\u00a0 ndjesi
        \n<\/em>sikurse uni me d\u00ebneset e shfryrjes mike
        \n<\/em>kur plagosej me barutin e mllefit \u00e7ilt\u00ebrsia e stin\u00ebs
        \n<\/em>rrudhur e kapja p\u00ebr dore
        \n<\/em>i trazuar i p\u00ebrbuzur
        \n<\/em>e bartja mbi shpin\u00ebn time qelqore<\/em><\/p>\n

        N\u00eb lirikat e tilla fol\u00ebsi lirik ligj\u00ebron n\u00eb veten e par\u00eb, si shenj\u00eb e identifikimit personal me th\u00ebnien lirike. Uni lirik nuk ka se si t\u00eb jet\u00eb i ndar\u00eb nga ky fat, ani se mund t\u00eb shfaqet i cop\u00ebtuar, i \u00e7ar\u00eb, gjithnj\u00eb me barr\u00ebn e shqet\u00ebsimit p\u00ebr t\u2019i gjetur rrug\u00ebdaljet. Tashm\u00eb e lexojm\u00eb at\u00eb lirik\u00ebn e v\u00ebrtet\u00eb konfesionale, q\u00eb e p\u00ebrmend\u00ebm diku kah fillimi. Lirika e till\u00eb dallon nga intimja. Intimja ka t\u00eb b\u00ebj\u00eb me ndjesit\u00eb e brendshme, kurse vet\u00ebrr\u00ebfimi, konfesionalja, ka t\u00eb b\u00ebj\u00eb me dram\u00ebn e jet\u00ebs, me reliktin, me p\u00ebrplasjet e ekzistenc\u00ebs.<\/p>\n

        dehja l\u00ebndin\u00eb shtati yt violin\u00eb
        \n<\/em>lakohej telave t\u00eb shtrir\u00eb
        \n<\/em>n\u00ebn gisht\u00ebrinj maestroje dridheshin ngjyra
        \n<\/em>hamshorit iu fale nuk tundohej m\u00eb \u00ebndsh\u00ebm l\u00ebndina
        \n<\/em>me tela t\u00eb k\u00ebputur ofshante violina
        \n<\/em>udh\u00ebs shtruar me shina rr\u00ebshqitas e ndesh
        \n<\/em>fatin t\u00ebnd udh\u00ebkryqesh\u00a0 e pakuror\u00ebzuar l\u00ebnesh\u00eb
        \n<\/em>p\u00ebrpij e l\u00ebpij ende di\u00e7ka t\u00ebnden<\/em><\/p>\n

        Vet\u00ebrr\u00ebfimi lirik augustinian (asociacion nga vepra \u201cVet\u00ebrr\u00ebfimet<\/strong>\u201d e Sh\u00ebn Augustinit\u201d), shnd\u00ebrrohet n\u00eb bashk\u00ebbisedim a n\u00eb fol\u00ebsin lirik, q\u00eb i drejtohet qenies tjet\u00ebr, n\u00eb veten e dyt\u00eb (si te vargjet e m\u00ebsip\u00ebrme t\u00eb poezis\u00eb \u201cL\u00ebnesha violin\u00eb e \u00e7akorduar\u201d). N\u00eb litar\u00ebt e till\u00eb q\u00eb t\u00ebrhiqen skajeve (\u201cLitar kambane\u201d), pamund\u00ebsia p\u00ebr ta kap\u00ebrcyer dallimin midis subjektit dhe objektit (K. KJaspers), pra midis realitetit e njeriut idealist, midis bot\u00ebs subjektive, personale dhe realitetit objektiv; e detyron k\u00ebt\u00eb fol\u00ebs lirik ta mbaj\u00eb gjithnj\u00eb t\u00eb tundur k\u00ebt\u00eb kamban\u00eb alarmi, p\u00ebr ta shqiptuar revolt\u00ebn e tij:<\/p>\n

        i harruari Zoti i Paqes
        \n<\/em>mos vall\u00eb dhe Ai
        \n<\/em>nuk denjoi t\u00eb shfaqet
        \n<\/em>pa i lar\u00eb faqet<\/em><\/p>\n

        n\u00eb k\u00ebso rastesh poezia nuk ka se \u00e7ka t\u00eb racionalizoj\u00eb, pasi realitetet e ankthit shum\u00ebfishohen. Nuk thoshte m\u00eb kot Ni\u00e7e se \u201cvet\u00ebm arti \u00ebsht\u00eb nj\u00eb rrug\u00eb e suksesshme kund\u00ebr absurdit, sepse p\u00ebr nga natyra e tij ai \u00ebsht\u00eb nj\u00eb rebelim\u201d.<\/p>\n

        N\u00ebp\u00ebr vargje shpesh p\u00ebrmendet leksema metaforike \u201cvetull\u201d.<\/em> Madje, ajo shfaqet si kryeleksem\u00eb (q\u00eb n\u00eb titullin e vepr\u00ebs), p\u00ebr t\u00eb mos th\u00ebn\u00eb q\u00eb lexohet si kryefigur\u00eb. Shenja e par\u00eb e saj figurative \u00ebsht\u00eb komunikimi joverbal. Nga ana tjet\u00ebr ajo thur\u00eb imazhet e saj n\u00eb natyr\u00eb dhe n\u00eb vizionet poetike, p\u00ebr t\u00eb shprehur fest\u00ebn e mbresave dhe t\u00eb bukuris\u00eb s\u00eb emocionit, reagimet e ndryshme emocionale, shfaqen si shenj\u00eb edhe e mosbesimit, shqet\u00ebsimit, mospajtimit, dyshimit, befasis\u00eb a habis\u00eb, q\u00eb mund t\u00eb ndiejm\u00eb n\u00eb nj\u00eb situat\u00eb. N\u00eb simbologjin\u00eb bot\u00ebrore ato sh\u00ebnjojn\u00eb \u201crespektin dhe dinjitetin p\u00ebr veten.\u201d<\/p>\n

        Mir\u00ebpo, poeti p\u00ebrmes k\u00ebsaj metafore t\u00eb epitetizuar n\u00eb nj\u00eb neologjiz\u00ebm lirike (maj\u00ebbor\u00eb<\/em>), k\u00ebt\u00eb fytyr\u00eb a pamje t\u00eb fytyr\u00ebs s\u00eb vet (personale a kolektive) e sheh t\u00eb shp\u00ebrfaqur si imazh n\u00eb nj\u00eb epik\u00eb natyrore: vetullat e maj\u00ebbor\u00ebs. \u00cbsht\u00eb nj\u00eb ndjesi romantike (ekziston romantika e p\u00ebrjetshme e shpirtit njer\u00ebzor, q\u00eb kumton gjakimet e identifikimet e b\u00ebra nj\u00ebsh me rrethin, vendlindjen, t\u00eb ep\u00ebrmen, epik\u00ebn, si\u00e7 ta sugjeron titulli. Mir\u00ebpo, p\u00ebrgjat\u00eb vepr\u00ebs, p\u00ebrdorimi metaforik i\u201cvetullave\u201d<\/em> rik\u00ebndohet si shenj\u00eb e s\u00eb bukur\u00ebs s\u00eb bot\u00ebs fem\u00ebrore, si mit i bukuris\u00eb e shitimit t\u00eb saj:<\/p>\n

        qilima melodie\u00a0 shtronte\u00a0 kur\u00a0 bredhja udh\u00ebs
        \n<\/em>i shartoi faqe vetulla e sy\u00a0 Rozaf\u00ebs Tanush\u00ebs
        \n<\/em>pas tet\u00ebdhjet\u00eb e gjasht\u00eb Sh\u00ebn Gjergjash
        \n<\/em>Syt\u00eb\u00a0 p\u00ebr ty i kam t\u00eb njom\u00eb<\/em><\/p>\n

        (Poezia \u201cTejzave t\u00eb \u00ebndjes<\/strong>\u201d – Nexhmije Pagarush\u00ebs: \u201cBilbili i Kosov\u00ebs\u201d)<\/p>\n

        Apo si referenc\u00eb lirike e mallit dhe nostalgjis\u00eb:<\/p>\n

        malli nj\u00ebr\u00ebs i l\u00eb nj\u00eb vetull tjetr\u00ebs shp\u00ebrthimin e qeshjes
        \n<\/em>zhvendos tiparet faqet prapa shpin\u00ebs dhe dy sy<\/em><\/p>\n

        (\u201cShiu reum\u00eb malli<\/strong>\u201d)<\/p>\n

        Nd\u00ebrkaq te poezia \u201cRelievi i letr\u00ebs\u201d<\/em> rrjeti asociativ-kuotimor i k\u00ebsaj figure zgjerohet, duke i pleksur n\u00eb nj\u00eb realitet totalisht t\u00eb tjet\u00ebrsuar m\u00ebrzie, ftoht\u00ebsie e mpiksjeje t\u00eb ekzistenc\u00ebs:<\/p>\n

        m\u00eb her\u00ebt nata n\u00ebn shtrojer\u00eb vetullash
        \n<\/em>zuri shtegun me vrushkuj t\u00eb zinj t\u00eb atht\u00ebsis\u00eb
        \n<\/em>ngjyr\u00ebs t\u00eb zez\u00ebs i fali besnik\u00ebri si vetja
        \n<\/em>eliksir n\u00eb nj\u00eb shk\u00eblqim bardh\u00ebsie
        \n<\/em>teh thike n\u00eb dor\u00ebn e \u00e7astit
        \n<\/em>gjak a ven\u00eb rrjedhin shiritave t\u00eb kllapis\u00eb
        \n<\/em>ftoht\u00ebsi e \u00e7doditshme\u00a0 k\u00ebmish\u00eb e shqyer
        \n<\/em>l\u00ebkur\u00eb e saj diell i kuq i mpiksur <\/em><\/p>\n

        Sikund\u00ebr e pam\u00eb, p\u00ebrdorimi i nj\u00eb vargu tem\u00eb-figurash, dhe ide-k\u00ebndimesh, m\u00ebton ta strukturoj\u00eb nj\u00eb unitet t\u00eb brendsh\u00ebm lirik n\u00eb t\u00ebr\u00eb vepr\u00ebn e tij poetike. L\u00ebnda komplekse dhe format e pasura lirike, \u201cideali\u201d dhe \u201cimazhi\u201d (hegelian), me holl\u00ebsit\u00eb e tilla figurative, tematike e ideore; e integrojn\u00eb vepr\u00ebn brenda konceptit krijues t\u00eb autorit.<\/p>\n

        Korrik 2021<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

        Prend BUZHALA (Mehmetali Rexhepi: “Vetullat e maj\u00ebbor\u00ebs\u201d, poezi, 2021) Libri me poezi “VETULLAT E MAJ\u00cbBOR\u00cbS” i Mehmetali Rexhepit, e shtrin tekstin poetik me an\u00eb procedimesh metapoetike: riintepretime t\u00eb lirik\u00ebs autobiografike protagonist\u00eb letrar\u00eb dhe historik\u00eb, si\u00e7 thuren te poezia q\u00eb i prin v\u00ebllimit (Dit\u00eblindja ime e gjasht\u00ebdhjet\u00eb e tet\u00eb) – v\u00ebshtrimi kah vetvetja; dhe tek dy […]<\/p>\n","protected":false},"author":1,"featured_media":71543,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,35,8,10],"tags":[],"class_list":["post-71542","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-kulture","category-letersi","category-poezi"],"yoast_head":"\nTHELL\u00cbSIT\u00cb E INTROSPEKSIONIT LIRIK - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/thellesite-e-introspeksionit-lirik\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THELL\u00cbSIT\u00cb E INTROSPEKSIONIT LIRIK - 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