{"id":71550,"date":"2021-09-20T00:16:05","date_gmt":"2021-09-19T22:16:05","guid":{"rendered":"https:\/\/fjala.info\/?p=71550"},"modified":"2021-09-20T00:16:05","modified_gmt":"2021-09-19T22:16:05","slug":"pozita-dhe-fati-i-gruas-ne-veprat-e-nazmi-rrahmanit","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/pozita-dhe-fati-i-gruas-ne-veprat-e-nazmi-rrahmanit\/","title":{"rendered":"POZITA DHE FATI I GRUAS N\u00cb VEPRAT E NAZMI RRAHMANIT"},"content":{"rendered":"

Lulzana Aliti, Studime pasdiplomike – cikli i dyt\u00eb. Programi studimor: Let\u00ebrsi e sotme shqipe. Teza: \u201cPozita dhe fati i gruas n\u00eb veprat e Nazmi Rrahmanit\u201d, Mentori: Prof. dr. Hamit Xhaferi, Universiteti i Europ\u00ebs Juglindore, Tetov\u00eb, 2019. (Studimi i autor\u00ebs \u00ebsht\u00eb marr\u00eb si referenc\u00eb shkencore, n\u00eb trajtimin e Karakterit dhe Arketipit n\u00eb romanin “Mal\u00ebsorja t\u00eb Nazmi Rrahmani\u201d, dhe s\u2019ka t\u00eb b\u00ebj\u00eb me vler\u00ebsimin akademik, por ka t\u00eb b\u00ebj\u00eb me aspekte letrare rreth rolit t\u00eb Hajries n\u00eb romanin Mal\u00ebsorja).<\/em><\/p>\n

Shkruan: Shefqet DIBRANI<\/strong><\/p>\n

Tipari si ve\u00e7ori letrare<\/strong><\/p>\n

Lulzana Aliti, ka b\u00ebr\u00eb nj\u00eb studim t\u00eb ve\u00e7ant\u00eb, interesant dhe mjaft\u00eb t\u00eb kompletuar p\u00ebr romanet e Nazmi Rrahmanit. Objekt studimi i tez\u00ebs s\u00eb masterit ka qen\u00eb \u201cPozita dhe fati i gruas n\u00eb veprat e Nazmi Rrahmanit.\u201d Tema \u00ebsht\u00eb kundruar nga ky priz\u00ebm gjith\u00ebp\u00ebrfshir\u00ebs, por thelbi i qasjes s\u00eb saj \u00ebsht\u00eb koncentruar kryesisht mbi romanin Mal\u00ebsorja, megjithat\u00eb ajo ka arritur p\u00ebr ta arsyetuar studimin e saj, ve\u00e7mas pasi shihet se \u201cpozita dhe fati i gruas\u201d n\u00eb romanet e tjer\u00eb \u00ebsht\u00eb kundruar p\u00ebrciptas. Natyrisht p\u00ebr t\u00eb kompletuar studimin, hulumtimet i ka zgjeruar n\u00eb vepra studimore nga autor t\u00eb tjer\u00eb, t\u00eb cil\u00ebt jan\u00eb marr\u00eb, qoft\u00eb direkt me romanet e Nazmi Rrahmanit, ose si studime t\u00eb tjera tematike, p\u00ebr t\u00eb cilat ajo ka pasur nevoj\u00eb p\u00ebr ta kompletuar m\u00eb mir\u00eb, m\u00eb sakt\u00eb dhe m\u00eb bindsh\u00ebm studimin e saj.<\/p>\n

T\u00ebr\u00ebsia e tekstit letrar<\/strong><\/p>\n

Si\u00e7 shkruan autorja, tema \u00ebsht\u00eb p\u00ebrqendruar tek romanet: Mal\u00ebsorja, Pas vdekjes, Tymi i votr\u00ebs s\u00eb fikun 1969, Toka e p\u00ebrgjakur, I-II, 1973, Rruga e sht\u00ebpis\u00eb sime 1978, etj., por si\u00e7 tham\u00eb n\u00eb epiqend\u00ebr t\u00eb studimit ka mbetur romani Mal\u00ebsorja, qasje me t\u00eb cil\u00ebn ka t\u00eb b\u00ebj\u00eb edhe studimi yn\u00eb, andaj karakteret dhe arketipat e personazheve t\u00eb k\u00ebtij romani ne i kemi kundruar nga prizmi i “psikanaliz\u00ebs” por kjo qasje n\u00eb studimin e k\u00ebsaj autoreje plot\u00ebson edhe di\u00e7ka m\u00eb shum\u00eb n\u00eb hulumtimin ton\u00eb p\u00ebrkitazi me romanin Mal\u00ebsorja, pa dashur t\u2019ia fragmentarizojm\u00eb m\u00ebnyr\u00ebn e b\u00ebrjes s\u00eb k\u00ebtij studimi, (q\u00eb \u00ebsht\u00eb m\u00eb i gjer\u00eb,) i shtrir\u00eb mbi t\u00ebr\u00eb opusin letrar t\u00eb Nazmi Rrahmanit: \u201cVeprat letrare t\u00eb tij mund t\u00eb studiohen si t\u00ebr\u00ebsi, apo ve\u00e7 e ve\u00e7, me qasje t\u00eb ve\u00e7anta dhe prej perspektivave t\u00eb ndryshme\u201d por \u201cp\u00ebr t\u00eb krijuar nj\u00eb baz\u00eb t\u00eb q\u00ebndrueshme mbi k\u00ebt\u00eb tem\u00eb, (punimi i saj,) ka qasje gjith\u00ebp\u00ebrfshir\u00ebse dhe \u00ebsht\u00eb i konceptuar n\u00eb linj\u00eb me nevojat e identifikuara t\u00eb tem\u00ebs dhe i nd\u00ebrtuar p\u00ebr t\u00eb nxjerr\u00eb p\u00ebrfundime t\u00eb r\u00ebnd\u00ebsishme.\u201d<\/p>\n

Tashm\u00eb dihet se p\u00ebr t\u00eb shkruar romanin Mal\u00ebsorja, si dhe romanet e tjera, autori zgjodhi t\u00eb folmen e ambientit kosovar, duke p\u00ebrshkruar ngjarjet sa m\u00eb thjesht, ashtu si\u00e7 \u00ebsht\u00eb e thjesht\u00eb vet\u00eb jeta e p\u00ebrditshme, natyrisht me nj\u00eb p\u00ebrkushtim ndaj asaj q\u00eb e njihte m\u00eb s\u00eb miri. Lulzana Aliti, shkrimtarin Nazmi Rrahmani, e kategorizon si nj\u00ebrin nga shkrimtar\u00ebt e \u201crealizmit klasik\u201d i cili n\u00eb \u201cn\u00eb veprat e tij e ka rim\u00ebk\u00ebmbur gjithashtu edhe dram\u00ebn ton\u00eb artistike duke e reflektuar at\u00eb nga n\u00ebnshtrimi i eg\u00ebr serb\u201d andaj, si\u00e7 shkruan ajo, \u201ckrijimtaria artistike e letrare e tij ka shum\u00eb forma, dhe si e till\u00eb arti i fjal\u00ebs, historis\u00eb dhe politik\u00ebs \u00ebsht\u00eb i thell\u00eb, kompleks dhe me nj\u00eb narrativ t\u00eb jasht\u00ebzakonsh\u00ebm\u201d dhe p\u00ebr ta forcuar edhe m\u00eb tej mendimin e saj, theksojm\u00eb se romanet kan\u00eb qen\u00eb nj\u00eb lloj proteste kund\u00ebr pushtimit serb.<\/p>\n

Sigurisht kundrimi i ngjarjes nga ky priz\u00ebm, ka b\u00ebr\u00eb q\u00eb ajo t\u00eb shkruaj\u00eb se \u201cshikuar nga aspekti i kontekstit kohor kur jan\u00eb shkruajtur… v\u00ebrehen qart\u00eb q\u00ebndrimet e Nazmi Rrahmanit p\u00ebrball\u00eb zhvillimeve politike serbe n\u00eb Kosov\u00eb\u201d dhe p\u00ebr ta bartur mendimin kritik n\u00eb aspektet letrare, q\u00eb p\u00ebrkon me korniz\u00ebn studimore t\u00eb k\u00ebsaj teme, autorin e cil\u00ebson \u201ct\u00eb ve\u00e7ant\u00eb dhe i jasht\u00ebzakonsh\u00ebm\u201d ve\u00e7an\u00ebrisht, pasi ky autor \u201ci dha nj\u00eb z\u00eb t\u00eb fuqish\u00ebm dhe k\u00ebndv\u00ebshtrim t\u00eb ri tem\u00ebs s\u00eb tij letrare, t\u00eb cil\u00ebn e parap\u00eblqeu nga fillimi duke e kultivuar vazhdimisht, sidomos figur\u00ebn e gruas s\u00eb fshatrave kosovare\u201d qasje kjo e sakt\u00eb, pasi \u00ebsht\u00eb kundruar nga roli i gruas n\u00eb ato zhvillime, shikuar \u201cnga aspekti social dhe moral.\u201d<\/p>\n

Aspekti dramatik i tekstit letrar<\/strong><\/p>\n

Nga nj\u00eb priz\u00ebm tjet\u00ebr, duket se ky studim \u00ebsht\u00eb par\u00eb nga aspekte dramatike n\u00ebp\u00ebr t\u00eb cilat kalonte shoq\u00ebria kosovare e cila p\u00ebrballej me format e kurdisura, q\u00eb i kishte sajuar \u201csundimtari djall\u00ebzor serb.\u201d N\u00eb k\u00ebt\u00eb pik\u00eb duket se kulmon mendimi kritik t\u00eb cilin ajo e kap mir\u00eb, nd\u00ebrsa l\u00ebnd\u00ebn studimore e v\u00eb n\u00eb kontekstin historik dhe t\u00eb rrethanave shoq\u00ebrore e politike q\u00eb ishin n\u00eb at\u00eb koh\u00eb, si veprime q\u00eb kan\u00eb kund\u00ebrshtuar heshturazi at\u00eb sistem, pastaj lart\u00ebson virtytin e intelektualit n\u00eb ato rrethana, ve\u00e7mas p\u00ebr q\u00ebndrimin e shkrimtarit q\u00eb duhej t\u00eb mbante karshi atyre raporteve, karshi dhun\u00ebs fizike t\u00eb asaj politike, karshi shp\u00ebrnguljeve dhe t\u00eb vobekt\u00ebsis\u00eb arsimore e varf\u00ebris\u00eb s\u00eb skajshme. K\u00ebto jan\u00eb vet\u00ebm disa nga temat q\u00eb kjo studiuese i ka trajtuar me sukses, par\u00eb nga prizmi i studimeve p\u00ebr romanet e Nazmi Rrahmanit, por gjithmon\u00eb duke dashur ta fokusoj\u00eb hulumtimin e saj n\u00eb raport me pozit\u00ebn dhe fatin e gruas n\u00eb ato rrethana, ajo sjell p\u00ebrfundime me interes edhe p\u00ebr rolin e shkrimtarit karshi gruas n\u00ebp\u00ebr veprat e tij.<\/p>\n

Tragjikja e Hajries si rezultat i rrethanave<\/strong><\/p>\n

Fatin e Hajries tek romani Mal\u00ebsorja, kjo studiuese nuk e paraqet t\u00ebr\u00ebsisht si veprim patriarkal dhe as i cytur nga motive krejt\u00ebsisht t\u00eb ul\u00ebta, por m\u00eb shum\u00eb e sheh si rezultat i marr\u00ebdh\u00ebnieve politike n\u00eb t\u00eb cil\u00ebn protagonistja e romanit Mal\u00ebsorja, \u201cbie viktim\u00eb e pik\u00ebpamjeve reaksionare t\u00eb cilat i ka synuar pushtuesi i eg\u00ebr serb i cili n\u00eb realitet n\u00eb faqet e k\u00ebsaj vepre na del si djall\u00ebzori kryesor.\u201d E, n\u00ebse nga ky priz\u00ebm i shqyrtojm\u00eb ato raporte do t\u00eb bindemi se ajo gjenerat\u00eb, ai brez, si t\u00ebr\u00ebsi etnike, ishin avangard\u00eb e ndryshimeve t\u00eb suksesshme edhe brenda atyre rrethanave dhe t\u00eb atij sistemi shoq\u00ebror e politik. Si duket \u201cn\u00eb k\u00ebto rrethana dhe n\u00eb k\u00ebt\u00eb ambient t\u00eb kthyer me kok\u00ebn posht\u00eb\u201d fati dhe pozita e gruas mund t\u00eb ket\u00eb qen\u00eb edhe m\u00eb e r\u00ebnd\u00eb se sa ajo pozit\u00eb q\u00eb mund ta ket\u00eb paraqitur n\u00eb m\u00ebnyr\u00eb artistike n\u00ebp\u00ebr romanet e tij shkrimtari Nazmi Rrahmani.<\/p>\n

Shikuar n\u00eb fokusin e atyre zhvillimeve sociopolitike disa t\u00eb dh\u00ebna reale na i japin edhe romanet e k\u00ebtij autori i cili duke u marr\u00eb me tem\u00ebn e karakterit social ka realizuar synimin e tij patriotik e intelektual p\u00ebr t\u2019iu kund\u00ebrv\u00ebn\u00eb sistemit n\u00eb fuqi, me t\u00eb cilin nuk ka shprehur kund\u00ebrshti, por ka pasqyruar realitetin sociokulturor i cili ishte pasqyr\u00eb e qeverisjes dhe e sistemit t\u00eb ndotur ideologjik. K\u00ebto romane, si\u00e7 shprehet edhe vet\u00eb autorja e k\u00ebtij studimi, \u201cmund t\u00eb lexohen edhe jasht\u00eb kontekstit historik ose politik\u201d prandaj edhe studimi i saj trajtohet kryesisht mbi koncepte dhe nocione letrare, par\u00eb n\u00eb kontekstin kohor, n\u00eb rrethanat sociale e patriarkale kur jan\u00eb zhvilluar ato ngjarje, p\u00ebrkat\u00ebsisht kur jan\u00eb botuar ato vepra letrare.<\/p>\n

\"\"<\/p>\n

Romani trajton fatin e nj\u00eb mal\u00ebsoreje tipike e fshatit shqiptar n\u00eb Kosov\u00eb, epitetet tjera q\u00eb i jepen protagonistes Hajries, jan\u00eb pjes\u00eb artistike e vepr\u00ebs letrare, sikurse edhe t\u00ebr\u00eb rr\u00ebfimi q\u00eb lidhet me nj\u00eb ndodhi t\u00eb papritur, por q\u00eb do t\u00eb jet\u00eb ndikues dhe p\u00ebrcaktues i fatit dhe jet\u00ebs s\u00eb saj. Rr\u00ebfimi b\u00ebhet n\u00eb vet\u00ebn e tret\u00eb, kurse autori ka pozicionin e narratorit q\u00eb rr\u00ebfen ngjarjen duke q\u00ebndruar n\u00eb distanc\u00eb si objekt rr\u00ebfyes. Ngjarjet shpjegohen rrjedhsh\u00ebm, kuptuesh\u00ebm dhe pa sforcime t\u00eb shumta stilistike e figurative, madje shpesh duket se kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb ngjarje reale t\u00eb asaj kohe, prandaj vepra ashtu si\u00e7 \u00ebsht\u00eb shkruar \u201cng\u00ebrthen n\u00eb vete nj\u00eb motiv mjaft t\u00ebrheq\u00ebs i cili zanafill\u00ebn e ka nga jeta bashk\u00ebkoh\u00ebse n\u00eb fshatin shqiptar n\u00eb Kosov\u00eb\u201d, \u201cq\u00eb zanafill\u00ebn e saj e ka nga ndodhit\u00eb t\u00eb cilat bashk\u00ebrisht krijojn\u00eb pamjen e v\u00ebrtet\u00eb t\u00eb nj\u00eb ambienti tipik kosovar nd\u00ebrmjet dy luft\u00ebrave bot\u00ebrore.\u201d<\/p>\n

Nga ky pasus, ashtu si\u00e7 e ndeshim pothuajse n\u00eb t\u00eb gjith\u00eb literatur\u00ebn e gjertanishme shkollore dhe n\u00eb kritikat dhe studimet e tjera q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me k\u00ebt\u00eb roman, edhe Lulzana Aliti, ngjarjen e romanit Mal\u00ebsorja e vendos n\u00eb mes dy luft\u00ebrave bot\u00ebrore.<\/p>\n

Personaliteti i gruas dhe emancipimi i shoq\u00ebris\u00eb<\/strong><\/p>\n

Personaliteti i gruas, trajtohet si \u201cindivid q\u00eb jetonte n\u00eb harmoni me ndjenjat e saj m\u00eb t\u00eb thella\u201d p\u00ebrkat\u00ebsisht trajtohet pozita dhe fati i saj, qoft\u00eb n\u00eb romanet e Nazmi Rrahmanit apo n\u00eb studimet e tjera, s\u00eb k\u00ebndejmi edhe n\u00eb k\u00ebt\u00eb studim, trajtohet n\u00eb m\u00ebnyr\u00eb t\u00eb drejt\u00eb, me respekt dhe n\u00eb aspektin pozitiv, gj\u00eb q\u00eb d\u00ebshmon se qasja e let\u00ebrsis\u00eb ndaj pozit\u00ebs dhe fatit t\u00eb gruas, kurdoher\u00eb dhe n\u00eb t\u00eb gjitha rrethanat ka pasur prirje progresive, emancipuese dhe afirmuese, duke barazuar k\u00ebt\u00eb koncept trajtimi i nj\u00ebjt\u00eb si n\u00eb shoq\u00ebrit\u00eb e p\u00ebrparuara, n\u00eb raport me gruan dhe rolin e saj n\u00eb shoq\u00ebri. Gjithmon\u00eb epitetet e bukura q\u00eb i jepen gruas n\u00eb romanet e Nazmi Rrahmanit, jan\u00eb n\u00eb funksion t\u00eb k\u00ebtij angazhimi q\u00eb ka nj\u00eb shoq\u00ebri n\u00eb ndryshim, emancipim t\u00eb vler\u00ebs morale, humane e njer\u00ebzore. S\u00eb k\u00ebndejmi k\u00ebto vlera letrare pasqyrojn\u00eb m\u00eb mir\u00eb, m\u00eb sakt\u00eb edhe raportin shoq\u00ebror n\u00eb familje, t\u00eb cilat kudo jan\u00eb p\u00ebrshkruar me respekt dhe pietet nga Nazmi Rrahmani.<\/p>\n

K\u00ebto elemente i ka pikasur edhe studiuesja n\u00eb trajtimin e saj mjaft mbres\u00ebl\u00ebn\u00ebs, duke potencuar bukurit\u00eb, t\u00eb metat, forc\u00ebn dhe dob\u00ebsis\u00eb t\u00eb cilat mund t\u2019i ket\u00eb edhe gruaja si qenie njer\u00ebzore, prandaj edhe studimi i saj duket t\u00eb ket\u00eb k\u00ebt\u00eb synim, k\u00ebt\u00eb q\u00ebllim, nj\u00eb vrojtim profesional q\u00eb m\u00ebton p\u00ebr ngritjen e vet\u00ebdijes shoq\u00ebrore n\u00eb sh\u00ebrbim t\u00eb shkenc\u00ebs, let\u00ebrsis\u00eb dhe kultur\u00eb shqiptare n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n

Jan\u00eb k\u00ebto disa arsye t\u00eb cilat kan\u00eb ndikuar n\u00eb bindjen e k\u00ebsaj studiueseje se \u201cveprat e k\u00ebtij romancieri jan\u00eb mjaft aktuale, p\u00ebr arsye se n\u00eb k\u00ebto b\u00ebhet fjal\u00eb haptas mbi \u00e7\u00ebshtjet intime morale, ndjeshm\u00ebrin\u00eb e k\u00ebtyre, naivitetin dhe \u00e7ilt\u00ebrin\u00eb, duke e shfaqur nj\u00eb bot\u00eb t\u00eb v\u00ebrtet\u00eb ku ata jetojn\u00eb dhe operojn\u00eb n\u00eb nj\u00eb koh\u00eb t\u00eb v\u00ebshtir\u00eb t\u00eb sundimit serb.\u201d E ne mendojm\u00eb se k\u00ebtu q\u00ebndron esenca e studimit, si lajtmotiv i k\u00ebrkimit t\u00eb shkaseve p\u00ebr pozit\u00ebn dhe fatin e gruas n\u00eb nj\u00eb shoq\u00ebri, e cila si t\u00ebr\u00ebsi etnike rrezikohej nga nj\u00eb sundim i ashp\u00ebr, element ky t\u00eb cilin kjo studiuese arrin ta kap qoft\u00eb si nuanc\u00eb e atyre romaneve q\u00eb jan\u00eb shkruar n\u00eb ato rrethana, ose si q\u00ebndrim intelektual i autorit n\u00eb kuad\u00ebr t\u00eb atij sistemi politik, ku ka gjall\u00ebruar, refuzuar dhe paska kund\u00ebrshtuar me mjaft\u00eb sukses.<\/p>\n

Kjo nuk ka asnj\u00eb dyshim, pasi kudo n\u00eb bot\u00eb sistemi politik p\u00ebr\u00e7akton edhe struktur\u00ebn intelektuale dhe \u00ebsht\u00eb ndikues i drejtp\u00ebrdrejt edhe n\u00eb sistemin shkollor, kulturor e letrar t\u00eb nj\u00eb vendi, por m\u00eb mir\u00eb se ky konstatim yni, ka potencuar vet\u00eb studiuesja se \u201ckuptimi letrar dhe artistik \u00ebsht\u00eb l\u00ebvizje e p\u00ebrhershme midis gjuh\u00ebs dhe tekstit dhe rrjet\u00ebs s\u00eb n\u00ebntekstit, q\u00eb nuk jan\u00eb n\u00eb vep\u00ebr, po jan\u00eb thelbor\u00eb p\u00ebr ta kuptuar at\u00eb.\u201d M\u00eb duket se ky lloj empirie e k\u00ebtij studimi letrar \u00ebsht\u00eb koherenc\u00eb e sakt\u00eb, p\u00ebr qasje m\u00eb ndryshe (t\u00eb reja) t\u00eb studimeve letrare n\u00eb mes t\u00eb realitetit t\u00eb at\u00ebhersh\u00ebm dhe fiksionit p\u00ebr at\u00eb periudh\u00eb, si nj\u00eb \u201cvegim, ku shfaqen \u00ebndrrat e shpirtit t\u00eb gruas\u201d q\u00eb paska ecur e gjall\u00ebruar n\u00eb k\u00ebt\u00eb ambient, ashtu si\u00e7 duket t\u00eb ken\u00eb vepruar edhe shkrimtar\u00ebt \u201c…n\u00eb lidhje me krijimet e tyre letrare t\u00eb cilat kan\u00eb p\u00ebr q\u00ebllim reflektimin e nj\u00eb rrethi shoq\u00ebror komunist me shum\u00eb v\u00ebshtir\u00ebsi, m\u00ebdyshje dhe fsheht\u00ebsi.\u201d<\/p>\n

Nga ky priz\u00ebm, romanet e Nazmi Rrahmanit, jo vet\u00ebm se japin njohuri p\u00ebr pozit\u00ebn dhe rolin e gruas n\u00eb shoq\u00ebri, por n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb pasqyrojn\u00eb edhe sfidat e intelektualit n\u00eb ato rrethana socio-politike, nd\u00ebrsa \u201cvepra letrare Mal\u00ebsorja p\u00ebrngjan edhe si himn i vyer ndaj Jet\u00ebs\u201d q\u00eb duket t\u00eb jet\u00eb p\u00ebrkufizimi m\u00eb shemb\u00ebllyes i nj\u00eb studiueseje p\u00ebr nj\u00eb vep\u00ebr letrare dhe p\u00ebr mesazhin historik q\u00eb bart ajo.<\/p>\n

Faktor\u00ebt ndikues<\/strong><\/p>\n

Autorja mendon se \u201ckushtet historike\u201d dhe ato socio-politike do t\u00eb ken\u00eb ndikuar n\u00eb formimin dhe bot\u00ebkuptimin letrar, nd\u00ebrsa krahasimet me shkrimtar\u00ebt n\u00eb sistemet e tilla totalitare e plot\u00ebson edhe m\u00eb mir\u00eb k\u00ebt\u00eb mendim, sidomos kur thekson koh\u00ebn e formimit t\u00eb Ismail Kadares\u00eb si shkrimtar, pastaj shpjegimi p\u00ebr nocione t\u00eb caktuar t\u00eb cilat nuk reflektojn\u00eb dhe nuk pranohen nj\u00ebsoj nga dh\u00ebn\u00ebsi-autori dhe marr\u00ebsi-lexuesi, raport ky sa i nd\u00ebrsjell\u00eb po aq me nj\u00eb interes t\u00eb theksuar specifik, i cili mund t\u00eb ndodh t\u00eb jet\u00eb relacion i err\u00ebt p\u00ebr t\u00eb dyja pal\u00ebt.<\/p>\n

N\u00eb k\u00ebt\u00eb plan, po aq i q\u00ebndruesh\u00ebm m\u00eb duket t\u00eb jet\u00eb konstatimi se vepr\u00ebn letrare Nazmi Rrahmani, e ka t\u00eb nd\u00ebrtuar mbi baza t\u00eb forta dramatike, si n\u00eb aspektin e krijimit t\u00eb fabul\u00ebs, zhvillimit t\u00eb ngjarjes, nd\u00ebrtimit dhe rrjedh\u00ebs s\u00eb ngjarjeve t\u00eb karaktereve t\u00eb personazheve, gjuh\u00ebs n\u00eb k\u00ebt\u00eb vep\u00ebr dhe veprimeve t\u00eb tyre, sikurse i q\u00ebndruesh\u00ebm \u00ebsht\u00eb vler\u00ebsimi q\u00eb studiuesja i b\u00ebn\u00eb edhe autorit t\u00eb romaneve duke e cil\u00ebsuar vepr\u00ebn dhe veprimin e tij me pesh\u00eb dhe t\u00eb r\u00ebnd\u00ebsishme p\u00ebr shoq\u00ebrin\u00eb, kurse vepr\u00ebs i jep kuptim letrar dhe estetik, prandaj \u00ebsht\u00eb i dashur dhe i pranuar p\u00ebr shkenc\u00ebn, let\u00ebrsin\u00eb dhe lexuesin e veprave t\u00eb tij, sepse \u201cNazmi Rrahmani ka prirje t\u00eb ve\u00e7ant\u00eb p\u00ebr t\u00eb pik\u00ebzuar secil\u00ebn rrethan\u00eb morale n\u00eb t\u00eb cil\u00ebn shkon gruaja shqiptare, duke u mb\u00ebshtetur n\u00eb emocionet e veta shpirt\u00ebrore dhe t\u00eb njer\u00ebzishme.\u201d<\/p>\n

N\u00eb k\u00ebt\u00eb studim autorja, mjaft\u00eb sakt\u00eb i ka p\u00ebrcaktuar faktor\u00ebt ndikues, rrethanat socio-politike q\u00eb kan\u00eb ndikuar, nivelin arsimor, pastaj tradit\u00ebn dhe zakonet, q\u00eb kan\u00eb l\u00ebn\u00eb vrag\u00eb p\u00ebr at\u00eb prapambetje, sikurse kur potencon se autori \u00ebsht\u00eb p\u00ebrshkrues i sakt\u00eb i realitetit ekzistues dhe vler\u00ebsues real i pozit\u00ebs s\u00eb gruas, ku sh\u00ebmb\u00eblltyr\u00ebn e saj, si nj\u00eb bot\u00eb fem\u00ebrore me ndjenja melankolike, gjithmon\u00eb e ka cil\u00ebsuar drejt, pasi si\u00e7 kuptojm\u00eb edhe nga k\u00ebto romane, gruaja ka ushtruar ndikimin e saj dhe shpesh ka pasur rolin ndikues n\u00eb procese dhe p\u00ebrgjith\u00ebsisht n\u00eb shoq\u00ebri, pra edhe n\u00eb ato rrethana kur \u00ebsht\u00eb shkruar a imagjinuar romani Mal\u00ebsorja.<\/p>\n

Koncepti progresiv i kund\u00ebrvihet atij patriarkal<\/strong><\/p>\n

N\u00eb qasjen e saj studimore, Lulzana Aliti, ka theksuar se n\u00eb romanin Mal\u00ebsorja t\u00eb Nazmi Rrahmanit, jan\u00eb dh\u00ebn\u00eb dy koncepte, ai patriarkal dhe koncepti progresiv, e ky i fundit ka filluar n\u00eb momentin kur Hajria ngrit z\u00ebrin ndaj shtremb\u00ebrimeve dhe padrejt\u00ebsive t\u00eb shumta shoq\u00ebrore, sidomos kund\u00ebr atyre q\u00eb kishin t\u00eb b\u00ebnin me rolin e gruas n\u00eb shoq\u00ebri. As gruaja shqiptare, si t\u00eb tjerat, n\u00ebp\u00ebr shekuj nuk ka mundur ta ket\u00eb rolin e merituar n\u00eb shoq\u00ebri, edhe pse pa t\u00eb, as shoq\u00ebria e asaj kohe nuk mund t\u00eb zhvillohej, por ishin rrethana, ishin adete q\u00eb kishin kufizuar rolin e gruas n\u00eb shoq\u00ebri.<\/p>\n

Padrejt\u00ebsit\u00eb tjera mjaft\u00eb t\u00eb sh\u00ebmtuara, b\u00ebheshin sidomos kur rritej dhe do t\u00eb duhej t\u00eb p\u00ebrcaktohej p\u00ebr fatin e vet. Pik\u00ebrisht n\u00eb ato rrethana fati i saj mbetej n\u00eb m\u00ebshir\u00ebn e burrave t\u00eb cil\u00ebt jo rrall\u00eb kan\u00eb vepruar n\u00eb kund\u00ebrshtim me vlerat morale edhe t\u00eb asaj kohe, e ky veprim manifestohej m\u00eb shum\u00eb kund\u00ebr atyre vajzave q\u00eb nuk kishin prind\u00ebr, nd\u00ebrsa fatkeq\u00ebsi e dyfisht\u00eb p\u00ebr to do t\u00eb ishte vdekja e burrit si\u00e7 kishte ndodhur rasti me protagonisten e romanit Mal\u00ebsorja, t\u00eb cil\u00ebn jasht\u00eb vullnetit t\u00eb saj e ndajn\u00eb nga djali i saj p\u00ebr ta martuar dhunsh\u00ebm me nj\u00eb burr\u00eb tjet\u00ebr t\u00eb moshuar, nd\u00ebrsa Hajria, sikur e kishte rolin e nj\u00eb fabrike p\u00ebr t\u00eb prodhuar f\u00ebmij\u00eb, p\u00ebrkat\u00ebsisht djal\u00eb, pasi vet\u00ebm djali n\u00eb ato rrethana konsiderohej trash\u00ebgimtar i real i pron\u00ebs dhe pasuris\u00eb.<\/p>\n

Lulzana Aliti, \u00ebsht\u00eb e bindur se “let\u00ebrsia q\u00eb shkruan Nazmi Rrahmani \u00ebsht\u00eb e angazhuar n\u00eb kuptimin e mir\u00eb t\u00eb fjal\u00ebs, angazhim me sens t\u00eb humanizmit dhe t\u00eb marr\u00ebdh\u00ebnieve mes njer\u00ebzve” pasi n\u00eb vepr\u00ebn letrare, n\u00eb romanet e Nazmi Rrahmanit, \u00ebsht\u00eb nj\u00eb “shkall\u00eb e p\u00ebrngjasimit me realitetin” q\u00eb do t\u00eb merr nj\u00eb trajt\u00eb subjektive, p\u00ebrkat\u00ebsisht si q\u00ebndrim i individit, i cili nuk rrin indiferent ndaj realitetit socio-politik, por ato ngjarje i kthen n\u00eb personazhe me t\u00eb cilat i nd\u00ebrton karakteret dhe arketipat t\u00eb cilave iu jep ngjyrim e ngjasim t\u00eb realitetit jet\u00ebsor. Kurse p\u00ebrshkrimin e pamjes s\u00eb gruas, q\u00eb ia b\u00ebn\u00eb Nazmi Rrahmani, “i p\u00ebrshtatet personalitetit fem\u00ebror me hijeshin\u00eb shpirt\u00ebrore q\u00eb ka, sepse kjo \u00ebsht\u00eb nj\u00eb magji q\u00eb t\u00eb magjeps dhe t\u00eb mban\u00eb peng\u201d \u00ebsht\u00eb shprehur n\u00eb studimin e saj akademik, studiuesja e re Lulzana Aliti.<\/p>\n

P\u00ebrfundim<\/strong><\/p>\n

Natyra e k\u00ebtij studimi, nuk ka toleruar mund\u00ebsi m\u00eb t\u00eb m\u00ebdha zgjerimi, sepse detyrimet akademike determinojn\u00eb kufizime t\u00eb tilla, por studimi n\u00eb fjal\u00eb, p\u00ebrve\u00e7 me aspektet letrare, nd\u00ebrlidhet edhe me \u201csubjektin e k\u00ebtij punimi akademik,\u201d ka shkruar ajo. E studimi letrar bazohet mbi t\u00eb v\u00ebrtet\u00ebn q\u00eb e determinon fakti shkencor, nd\u00ebrsa krijimi letrar \u00ebsht\u00eb art, \u00ebsht\u00eb imagjinat\u00eb, nj\u00eb interpretim artistik i s\u00eb bukures. Derisa interpretimi artistik i jep mund\u00ebsi shkrimtarit sa m\u00eb shum\u00eb t\u00eb manipuloj me fjal\u00ebt e shumta artistike, d.m.th. “n\u00eb p\u00ebrputhje me nevojat artistike t\u00eb vepr\u00ebs, (lejohen t\u00eb) p\u00ebrdoren edhe dialektizmat”, shkenca studiuesin e v\u00eb p\u00ebrball\u00eb rregullave q\u00eb domosdoshm\u00ebrisht duhet t\u2019iu p\u00ebrmbahet.<\/p>\n

Gjithsesi ky studim, ky hulumtim, dhe kjo qasje \u00ebsht\u00eb pa dyshim nj\u00eb realizim i suksessh\u00ebm, (kuptohet brenda nivelit t\u00eb studimit akademik), nd\u00ebrsa autorja duhet t\u00eb vazhdoj\u00eb me angazhime t\u00eb tilla, sepse e p\u00ebrforcon pozit\u00ebn e saj n\u00eb fush\u00ebn e studimeve letrare, po m\u00eb shum\u00eb e p\u00ebrforcon rolin e gruas brenda shoq\u00ebris\u00eb q\u00eb aspiron p\u00ebr ndryshim dhe emancipim!…<\/p>\n

*Marr\u00eb me shkurtime nga libri i autorit \u201cKarakteri dhe Arketipi n\u00eb romanin Mal\u00ebsorja\u201d, Prishtin\u00eb 2021.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Lulzana Aliti, Studime pasdiplomike – cikli i dyt\u00eb. Programi studimor: Let\u00ebrsi e sotme shqipe. Teza: \u201cPozita dhe fati i gruas n\u00eb veprat e Nazmi Rrahmanit\u201d, Mentori: Prof. dr. Hamit Xhaferi, Universiteti i Europ\u00ebs Juglindore, Tetov\u00eb, 2019. (Studimi i autor\u00ebs \u00ebsht\u00eb marr\u00eb si referenc\u00eb shkencore, n\u00eb trajtimin e Karakterit dhe Arketipit n\u00eb romanin “Mal\u00ebsorja t\u00eb Nazmi […]<\/p>\n","protected":false},"author":1,"featured_media":69482,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,8,11],"tags":[],"class_list":["post-71550","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-letersi","category-roman"],"yoast_head":"\nPOZITA DHE FATI I GRUAS N\u00cb VEPRAT E NAZMI RRAHMANIT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/pozita-dhe-fati-i-gruas-ne-veprat-e-nazmi-rrahmanit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"POZITA DHE FATI I GRUAS N\u00cb VEPRAT E NAZMI RRAHMANIT - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Lulzana Aliti, Studime pasdiplomike – cikli i dyt\u00eb. 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