{"id":73206,"date":"2021-11-24T20:50:41","date_gmt":"2021-11-24T18:50:41","guid":{"rendered":"https:\/\/fjala.info\/?p=73206"},"modified":"2021-11-24T20:50:41","modified_gmt":"2021-11-24T18:50:41","slug":"sintagma-e-xhelozise-ne-nje-krijim-lirik","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/sintagma-e-xhelozise-ne-nje-krijim-lirik\/","title":{"rendered":"SINTAGMA E XHELOZIS\u00cb N\u00cb NJ\u00cb KRIJIM LIRIK"},"content":{"rendered":"

Kritik\u00eb letrare<\/em><\/p>\n

Q\u00ebndres\u00eb Shala, \u201cPRITJA JOTE JAM\u201c, poezi, botoi Sht\u00ebpia Botuese \u201cBEQIR MUSLIU\u201d, Gjilan 2014. faqe 80. ISBN 978-9951-594-55-4<\/p><\/blockquote>\n

Poezia e Q\u00ebndres\u00eb Shal\u00ebs, e p\u00ebrmbledhur tek libri \u201cPRITJA JOTE JAM\u201d sjell segmente lirike n\u00eb k\u00ebrkim t\u00eb form\u00ebs, edhe asaj poetike, p\u00ebrkat\u00ebsisht t\u00eb metodave shpreh\u00ebse me t\u00eb cilat nd\u00ebrtohet poezia, \u201cve\u00e7an\u00ebrisht ajo shquhet p\u00ebr kultivimin e lirikave origjinale\u201d, ka theksuar poeti dhe kritiku letrar Ramadan Musliu.<\/p>\n

Librat e par\u00eb mbeten shprehja m\u00eb e sinqert\u00eb e krijimit poetik, ata kan\u00eb thjesht\u00ebsi dhe \u00e7ilt\u00ebrsi poetike. Librat vijues, kryesisht jan\u00eb shprehje t\u00eb avancuara, m\u00eb t\u00eb p\u00ebrsosura, dhe nivel t\u00eb sforcuar, por s\u2019kan brisht\u00ebsin\u00eb q\u00eb e ndeshim n\u00eb librat e par\u00eb, t\u00eb cil\u00ebt jan\u00eb m\u00eb t\u00eb dashur p\u00ebr autor\u00ebt, prandaj mendohet se poeteshat (por edhe poet\u00ebt), t\u00eb v\u00ebrtet\u00eb jan\u00eb n\u00eb librat e par\u00eb, ashtu si\u00e7 mbetet n\u00eb kujtimet e secilit dashuria ose puthja e par\u00eb. T\u00eb tjerat jan\u00eb p\u00ebrvoja t\u00eb krijimit poetik!<\/p>\n

P\u00ebrmbledhja \u201cPRITJA JOTE JAM\u201d e Q\u00ebndres\u00eb Shal\u00ebs, mund t\u00eb karakterizohet si qasje p\u00ebr sentenc\u00ebn lirike dhe p\u00ebr lirik\u00ebn e dashuris\u00eb, poezi k\u00ebto t\u00eb cilat jan\u00eb shkruar pa sforcime t\u00eb m\u00ebdha por kan\u00eb n\u00eb vete metafor\u00eb p\u00ebrjetuese: \u201cTi m\u00eb shkruan rrall\u00eb\/ mungesa ime t\u00eb l\u00eb pa fjal\u00eb\u201d, (faqe 7); \u201cpik\u00ebllimi i munges\u00ebs\/ edhe gurin thermon\u201d, (faqe 9); \u201ci dashur harresat nuk i dua\/ pres t\u00eb \u00e7lodhem mes buz\u00ebve tua…\u201d, (faqe 13),etj.<\/p>\n

Kjo poezi ka mendim t\u00eb thjesht\u00eb dhe shprehje t\u00eb \u00e7ilt\u00ebrt q\u00eb p\u00ebrhapin n\u00eb et\u00ebr sekuenca lirike, e lirika t\u00eb dashuris\u00eb q\u00eb i p\u00ebrkasin mosh\u00ebs s\u00eb saj, dhe koh\u00ebs s\u00eb saj. Si t\u00eb themi, t\u00ebr\u00eb poezia duket k\u00ebrkim p\u00ebr poezi, gjithsesi nj\u00eb univers udh\u00ebtimi transdimensional dhe i vazhduesh\u00ebm. K\u00ebto shprehje qesin n\u00eb pah an\u00ebn shpirt\u00ebrore me preokupime t\u00eb gjithanshme, pa i harruar sentencat dhe nuancat e lirik\u00ebs erotike, me shpres\u00ebn p\u00ebr t\u00eb ardhme edhe m\u00eb t\u00eb mir\u00eb, p\u00ebr fjal\u00eb t\u00eb sinqerta nga gjenerata n\u00eb k\u00ebrkim, si perceptim i kundruar n\u00eb drit\u00ebn e perspektiv\u00ebs dhe t\u00eb ngadh\u00ebnjimit.<\/p>\n

VET\u00cbM KUR M\u00cb KE PRAN\u00cb <\/strong><\/p>\n

T\u00eb kam ikur nga mendja<\/em>
\nUdh\u00ebve diku m\u00eb ke harruar <\/em><\/p>\n

Asnj\u00eb fjal\u00eb n\u00eb let\u00ebr<\/em>
\nAsnj\u00eb p\u00ebshp\u00ebrim\u00eb n\u00eb eter<\/em><\/p>\n

E m\u00eb thoje i yti jam<\/em>
\nMos m\u00eb kujto<\/em>
\nVet\u00ebm kur m\u00eb ke pran\u00eb<\/em><\/p>\n

Faqe 19<\/strong>.<\/p>\n

PRITJA JOTE JAM <\/strong><\/p>\n

Jam aty<\/em>
\nKu ti symbyllas m\u00eb gjen\u00eb <\/em><\/p>\n

I dashur mos u vono<\/em><\/p>\n

Nata m\u00eb lodhi<\/em>
\nP\u00ebrmes \u00ebndrrash<\/em><\/p>\n

Dita tek buz\u00ebt t\u2019ua s\u2019m\u00eb \u00e7el\u00eb<\/em><\/p>\n

E un\u00eb<\/em>
\nMall\u00eb t\u00eb kam<\/em><\/p>\n

Pritja jote jam<\/em><\/p>\n

Faqe 17<\/strong>.<\/p>\n

Sille kah ta sillesh edhe poezia \u00ebsht\u00eb nj\u00eb \u00ebnd\u00ebrr e cila shprehet p\u00ebrmes ndjenj\u00ebs dhe p\u00ebrjetimit t\u00eb dukurive q\u00eb ajo i percepton, edhe n\u00eb aspektin pozherativ, kur flet p\u00ebr harres\u00ebn, braktisjen, tradhtin\u00eb t\u00eb cilave nuk u b\u00ebn\u00eb qasje aq negative, por i percepton si dukuri n\u00ebn optik\u00ebn e nj\u00eb xhelozie, sa naive po aq personale e q\u00eb ng\u00ebrthen nj\u00eb fenomen specifik n\u00eb t\u00ebr\u00eb konceptin krijues, kurse dukurit\u00eb q\u00eb vrojtohen vet\u00ebm n\u00ebn prizmin e xhelozis\u00eb dihet se p\u00ebrfundimin kan\u00eb d\u00ebshp\u00ebrues:<\/p>\n

un\u00eb xhelozja e pakorrigjueshme
\nkur po t\u00eb shoh me t\u00eb tjera
\nn\u00eb tjet\u00ebr bot\u00eb po bie <\/em><\/p>\n

Poezia: PO RREZON N\u00cb MUA, faqe 6.<\/strong><\/p>\n

Ky element i dyshimit a shikimit t\u00eb gabimeve n\u00ebn prizmin e xhelozis\u00eb her\u00eb vjen i sforcuar e her\u00eb me naivitet t\u00eb theksuar, madje sa her\u00eb e fajson vet\u00ebn pse \u201cjam xheloz dhe n\u00eb syt\u00eb e mi\/ pse nuk t\u00eb shohin vet\u00ebm ty\u201d, por me prirje t\u00eb nj\u00eb koncepti n\u00eb t\u00eb cilin poetesha procesin e mashtrimit dhe at\u00eb t\u00eb dyshimit sikur i percepton n\u00eb mesazhin origjinal, ku do t\u00eb shprehet:<\/p>\n

N\u00ebse jam drita jote<\/em>
\nmos prit m\u00eb <\/em><\/p>\n

mbyte xhelozin\u00eb time<\/em>
\nme t\u00ebnden dashuri<\/em><\/p>\n

Poezia: MBYTE XHELOZIN\u00cb TIME, faqe 63.<\/strong><\/p>\n

N\u00eb k\u00ebt\u00eb rast, n\u00ebse \u201cxhelozia\u201d \u00ebsht\u00eb fajtore p\u00ebr dyshimet, at\u00ebher\u00eb duhet t\u00eb dal\u00eb mesazhi p\u00ebr t\u00eb mos gjykuar kur jemi t\u00eb nxitur a ndikuar nga veset e k\u00ebqija, sepse edhe gjykimi si gjykim, por edhe p\u00ebrfundimi do t\u00eb jet\u00eb i shtremb\u00ebt dhe me konotacione negative.<\/p>\n

E theksova k\u00ebt\u00eb element i cili m\u00eb duket se \u00ebsht\u00eb mjaft\u00eb indikativ pasi e hap perspektiv\u00eb vrojtimi me sugjerime pozitive. Si t\u00eb themi k\u00ebtu kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb lloj prozitiviteti, pasi nuk niset nga q\u00ebllimi i keq. Edhe brenda librit, fenomeni i xhelozis\u00eb, ve\u00e7mas n\u00eb dashuri \u00ebsht\u00eb shnd\u00ebrruar n\u00eb simbolik\u00eb, ndoshta pik\u00ebrisht p\u00ebrmes k\u00ebtij prizmi mund t\u00eb zb\u00ebrthehen e interpretohen edhe dukuri t\u00eb tjera q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me dyshimin, tradhtin\u00eb, vetmin\u00eb, harres\u00ebn e gjer n\u00eb braktisje e fundme t\u00eb cilat n\u00eb m\u00ebnyr\u00eb t\u00eb metaforove sjellin nj\u00eb bot\u00eb m\u00eb vete: \u201cI dashur\/ hajt ta zgjasim dit\u00ebn\/ edhe pak\u201d, (faqe 18); \u201cNes\u00ebr nisem p\u00ebr t\u00eb saten her\u00eb\/ n\u00eb repartin e riparimit t\u00eb asaj pjese q\u00eb\/ harron nganj\u00ebher\u00eb p\u00ebr t\u00eb t\u00eb kujtuar\u201d,(faqe 36);\u201cAi zog mali\/ le t\u00eb dehet prej ngaz\u00ebllimi\u201d,(faqe 45);\u201cAfromi buz\u00ebt\/ ta shuaj k\u00ebt\u00eb etje\/ m\u00ebngjesin e s\u00eb nes\u00ebrmes\/ ta fal\u00eb me buzqeshje\u201d, (faqe 51);\u201cedhe n\u00eb lajmin q\u00eb shpirtin therr\u00eb\/ me buz\u00ebqesh p\u00ebrher\u00eb\/\/ buzqeshja jote\/ \u00ebsht\u00eb krejt pranver\u00eb\u201d,(faqe 70), sepse \u201cvet\u00ebm ti\/ n\u00eb zemr\u00ebn time\/ banor i vet\u00ebm je\u201d,(faqe 75), etj.<\/p>\n

Poetesha Q\u00ebndres\u00eb Shala, k\u00ebto dukuri i ka v\u00ebn\u00eb n\u00eb nj\u00eb thjerr\u00ebz tjet\u00ebr ku p\u00ebrmes shprehjes idilotrike ajo jep shembullin e mir\u00eb p\u00ebr t\u00eb falur, (pasi sipas poezis\u00eb s\u00eb saj?!), gj\u00ebrat q\u00eb gjykohen kur jemi t\u00eb dehur nga frika dhe xhelozia sjellin p\u00ebrfundime jo aq t\u00eb sakta, prandaj si vese jan\u00eb t\u00eb d\u00ebmshme dhe negative t\u00eb cilave nuk duhet besuar edhe aq?!…<\/p>\n

Ky fenomen duket m\u00eb shum\u00eb si thirrje poetike p\u00ebr t\u00eb mos i par\u00eb gj\u00ebrat n\u00ebn\u00eb thjerr\u00ebz\u00ebn e xhelozis\u00eb, smir\u00ebs dhe inatit, pasi p\u00ebrfundimet jan\u00eb t\u00eb gabueshme d.m.th. Q\u00ebndres\u00eb Shala, pa ndonj\u00eb paragjykim \u00ebsht\u00eb shprehur me modesti letrare e cila \u00ebsht\u00eb vler\u00eb q\u00eb do t\u00eb duhej t\u00eb shnd\u00ebrrohej n\u00eb synim krijues, p\u00ebr t\u2019i dh\u00ebn\u00eb pastaj poezis\u00eb frym\u00ebzim m\u00eb t\u00eb p\u00ebrsosur, mendim m\u00eb t\u00eb sforcuar, qoft\u00eb n\u00eb planin poetik ose si koncept filozofik, vler\u00eb kjo e dallueshme tek poezit\u00eb: \u201cPritja jote jam\u201d; \u201cVet\u00ebm kur m\u00eb ke pran\u00eb\u201d; \u201cKa dit\u00eb\u201d; \u201cMbr\u00ebm\u00eb t\u00eb pash\u00eb \u00ebnd\u00ebrr\u201d; \u201cMos mendo q\u00eb nuk t\u00eb shoh\u201d; \u201cA jam te ti\u201d; \u201cPo shkoj\u201d; \u201cK\u00ebt\u00eb nat\u00eb\u201d; \u201cDo t\u00eb gjej\u201d; \u201cShtegut\u201d; \u201cDhurat\u00eb zemre\u201d; \u201cM\u00eb pyesin\u201d; \u201cK\u00ebt\u00eb mbr\u00ebmje\u201d; \u201cT\u00eb k\u00ebrkoj\u00eb n\u00eb tim\u00ebn zem\u00ebr\u201d; \u201cMbyte xhelozin\u00eb time\u201d; \u201cPo t\u00eb kisha af\u00ebr\u201d; \u201cBuz\u00ebqesh\u201d; \u201cK\u00ebtij zogu n\u2019fluturim\u201d; \u201cN\u00eb k\u00ebt\u00eb mbr\u00ebmje\u201d; \u201cDo t\u00eb kthehem\u201d, dhe ndonj\u00eb tjet\u00ebr q\u00eb nuk arrit\u00ebm p\u00ebr ta theksuar.<\/p>\n

Natyrisht, poezia e k\u00ebtij v\u00ebllimi \u00ebsht\u00eb k\u00ebrkim i shprehjes poetike, p\u00ebrpjekje p\u00ebr artikulim poetik q\u00eb ndikohet nga proceset e ndryshme, qofshin ato t\u00eb ndijimeve apo t\u00eb faktor\u00ebve sociokulturor q\u00eb e rrethojn\u00eb. N\u00ebp\u00ebr shum\u00eb poezi gjejm\u00eb nuanca poetike t\u00eb latuara mir\u00eb, p\u00ebr \u00e7ka mendojm\u00eb se autorja (n\u00eb k\u00ebt\u00eb plan) e ka artikuluar m\u00ebnyr\u00ebn shpreh\u00ebse, me shenja n\u00eb k\u00ebrkim t\u00eb teknikave e metodave p\u00ebr kuptim real ose aty k\u00ebtu edhe p\u00ebr fjalorin specifik: er\u00ebmon, p\u00ebrpush\u00eb, aromsh\u00ebm, brafulloj,ka\u00e7ub\u00eb p\u00ebr g\u00ebmush\u00eb, rrug\u00ebtuarp\u00ebr udh\u00ebtuar etj.<\/p>\n

T\u00eb shpresojm\u00eb se rreth lirikave \u00ebsht\u00eb th\u00ebn\u00eb mjaft\u00eb, prandaj e pash m\u00eb t\u00eb udh\u00ebs t\u00eb trajtoj disa kostalacione konceptesh, p\u00ebr t\u00eb par\u00eb se si autorja p\u00ebrmes poezis\u00eb ka arritur t\u2019i p\u00ebrshkruaj fenomenet q\u00eb i theksuam m\u00eb lart t\u00eb cilat shtyhen e nxiten qoft\u00eb nga fobia, qoft\u00eb nga dyshimi, dhe me kalimin e koh\u00ebs shnd\u00ebrrohen xhelozi q\u00eb pastaj p\u00ebrfundojn\u00eb n\u00eb ves me shenja t\u00eb \u201czeza\u201d e ku gjith\u00e7ka dyshohet… nd\u00ebrsa n\u00eb k\u00ebto raste, trazimet shpirt\u00ebrore nuk stimulojn\u00eb mendimin e mbar, por kryesisht reflektojn\u00eb t\u00eb kund\u00ebrt\u00ebn e saj.<\/p>\n

N\u00eb k\u00ebt\u00eb plan, poezia e Q\u00ebndres\u00eb Shal\u00ebs ka nj\u00eb bot\u00ebkuptim pozitiv: \u201cNuk je aq i keq sa t\u00eb m\u00eb harrosh\/ diku tjet\u00ebr puthje t\u00eb k\u00ebrkosh\/\/ Sa her\u00eb ta p\u00ebrs\u00ebris\u00eb\/ Edhe n`shkofsha nga kjo bot\u00eb\/ Nj\u00eb jet\u00eb tjet\u00ebr p\u00ebr ty nis<\/em>\u201d, (faqe 31). K\u00ebt\u00eb fenomen e ka v\u00ebrejtur edhe poeti e kritiku Nexhat Rexha i cili mendon se \u201cpritja karakterizon ankthin e dridhjeve n\u00eb momentet e shkrirjeve n\u00ebp\u00ebr t\u00eb gjitha fijet e flokut t\u00eb t\u00eb dashuruarve\u201d, ku \u201c\u00e7astet trazuese k\u00ebrkojn\u00eb amshimin e rrezeve t\u00eb jet\u00ebs, gjithnj\u00eb n\u00eb k\u00ebrkim t\u00eb k\u00ebsaj pritjeje si lajtmotiv n\u00eb mes dashuris\u00eb dhe xhelozis\u00eb\u201d. Me nj\u00eb fjal\u00ebpoezia e Q\u00ebndres\u00eb Shal\u00ebs, \u201ckonsiston n\u00eb vargun e shkurt\u00ebr, me nj\u00eb narracioni t\u00eb leht\u00eb poetik. Ajo krijon poezi p\u00ebr brezin q\u00eb i p\u00ebrket p\u00ebr t\u00eb sfiduar n\u00eb p\u00ebrditshm\u00ebrin\u00eb ton\u00eb triviale\u201d, ka th\u00ebn\u00eb p\u00ebr k\u00ebt\u00eb poezi Hasan Bunjaku.<\/p>\n

N\u00eb k\u00ebto rrethana, ne mendojm\u00eb se nuk \u00ebsht\u00eb faktor vendimtar p\u00ebr vet\u00ebdijesim vet\u00ebm fenomeni i dashuris\u00eb, as durimet e gjata (si tematik\u00eb) p\u00ebr puthjet emocionale, t\u00eb cilat duken si kuror\u00ebzim, si materializim i nj\u00eb koncepti figurativ. N\u00eb k\u00ebt\u00eb rast m\u00eb shum\u00eb duket si p\u00ebrshkrim i sakt\u00eb i realitetit t\u00eb gjith\u00ebmbarsh\u00ebm ku fenomeni i durimit dhe shpres\u00ebs se \u201cdo t\u00eb b\u00ebhet mir\u00eb?!\u201d, ka ndikuar duksh\u00ebm edhe tek elementi poetik q\u00eb b\u00ebhet fjal\u00eb, p\u00ebr besimin n\u00eb dik\u00eb, p\u00ebr p\u00ebrgjegj\u00ebsin\u00eb e fjal\u00ebs s\u00eb dh\u00ebn\u00eb, p\u00ebr fjal\u00ebn dhe premtimin e papeshuar \u201cn\u00ebp\u00ebr vargjet e saj\u201d ashtu si\u00e7 \u00ebsht\u00eb shprehur edhe Adem Salihu, i cili mendon se \u201cajo ka shprehur bukur ndjenj\u00ebn e saj p\u00ebrmes lirikave dhe krahasimeve t\u00eb ndryshme\u201d, t\u00eb cilat i trajton karakteret duke i perceptuar n\u00ebn prizmin e nj\u00eb dashurie, madje aty k\u00ebtu duket se ka kallje, dalldisje dhe miklime t\u00eb shumta n\u00eb nj\u00ebr\u00ebn an\u00eb, kurse n\u00eb an\u00ebn tjet\u00ebr duke i pasqyruar edhe t\u00eb kund\u00ebrtat e k\u00ebtyre proceseve q\u00eb ilustrohen me pritjen, me dyshimin, me xhelozin\u00eb ajo ka arritur me sukses t\u00eb b\u00ebhet m\u00ebkuese e sh\u00ebruese, pasi veset i miklon me shpres\u00ebn dhe ngadh\u00ebnjimin.<\/p>\n

N\u00ebse poezit\u00eb i shohim nga ky priz\u00ebm, duket sikur elementet e dyshimit, d\u00ebshtimit dhe ngecjes kan\u00eb p\u00ebr baz\u00eb zhvillimet sociopolitike, sociokulturore t\u00eb nj\u00eb shoq\u00ebrie si t\u00ebrsi etnokulturore, nd\u00ebrsa elementi figurativ q\u00eb ndesh\u00ebt n\u00eb poezin\u00eb e k\u00ebtij libri jan\u00eb sforcime q\u00eb trajtohen si fenomen poliedrik, tamam ashtu si\u00e7 \u00ebsht\u00eb jeta me dallg\u00ebt q\u00eb t\u00eb p\u00ebrplasin gjithandej. K\u00ebt\u00eb mendim figurativ, na e s\u2019forcon m\u00eb shum\u00eb poezia \u201cM\u00cb PYESIN\u201d, n\u00eb t\u00eb cil\u00ebn ajo shprehet:<\/p>\n

M\u00eb pyesin miq
\ndhe t\u00eb tjer\u00eb kureshtar\u00eb
\nku e ke at\u00eb t\u00eb dashur
\nsi nuk ta kemi par\u00eb… <\/em><\/p>\n

Poezia: M\u00cb PYESIN, faqe 50.<\/strong><\/p>\n

Nga kjo poezi mund t\u00eb besohet p\u00ebr dashuri t\u00eb pap\u00ebrcaktuar dhe disa dyshime t\u00eb tjera poetike q\u00eb i paska ngritur autorja, p\u00ebr vuajtje e pritje t\u00eb gjata, por jo p\u00ebr kompliksiteti lirik q\u00eb t\u00eb krijon p\u00ebrshtypjen e trillimit erotik. Por, poetesha figurativisht m\u00eb shum\u00eb e prezanton realitetin p\u00ebrjetues me t\u00eb gjitha kompleksitet e saj.<\/p>\n

Q\u00ebndres\u00eb Shala, duke i par\u00eb k\u00ebto fenomene dhe zhvillime n\u00ebn prizmin e lirik\u00ebs dhe erotik\u00ebs poetike e ka krijuar mozaikun letrar si peizazh natyror mbi t\u00eb cilin g\u00ebrshetohen bukurit\u00eb e shumta t\u00eb cilat kundrohen fenomenet natyrore, nj\u00eb lloj diskursi idilik, di\u00e7ka n\u00eb mes p\u00ebrjetimit emocional dhe sentencave artistike.<\/p>\n

E gjith\u00eb poezia e k\u00ebsaj p\u00ebrmbledhjeje \u00ebsht\u00eb nj\u00eb imagjinat\u00eb e kundruar mbi obsesionin idilik, nj\u00eb lloj idiolatrie q\u00eb ka krijuar harmoni mjaft\u00eb t\u00eb mir\u00eb dhe m\u00ebnyr\u00eb t\u00eb realizuar n\u00eb vargun poetik.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kritik\u00eb letrare Q\u00ebndres\u00eb Shala, \u201cPRITJA JOTE JAM\u201c, poezi, botoi Sht\u00ebpia Botuese \u201cBEQIR MUSLIU\u201d, Gjilan 2014. faqe 80. ISBN 978-9951-594-55-4 Poezia e Q\u00ebndres\u00eb Shal\u00ebs, e p\u00ebrmbledhur tek libri \u201cPRITJA JOTE JAM\u201d sjell segmente lirike n\u00eb k\u00ebrkim t\u00eb form\u00ebs, edhe asaj poetike, p\u00ebrkat\u00ebsisht t\u00eb metodave shpreh\u00ebse me t\u00eb cilat nd\u00ebrtohet poezia, \u201cve\u00e7an\u00ebrisht ajo shquhet p\u00ebr kultivimin e […]<\/p>\n","protected":false},"author":1,"featured_media":73207,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":["post-73206","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-poezi"],"yoast_head":"\nSINTAGMA E XHELOZIS\u00cb N\u00cb NJ\u00cb KRIJIM LIRIK - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/sintagma-e-xhelozise-ne-nje-krijim-lirik\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SINTAGMA E XHELOZIS\u00cb N\u00cb NJ\u00cb KRIJIM LIRIK - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Kritik\u00eb letrare Q\u00ebndres\u00eb Shala, \u201cPRITJA JOTE JAM\u201c, poezi, botoi Sht\u00ebpia Botuese \u201cBEQIR MUSLIU\u201d, Gjilan 2014. faqe 80. 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