{"id":74869,"date":"2021-12-27T00:25:53","date_gmt":"2021-12-26T23:25:53","guid":{"rendered":"https:\/\/fjala.info\/?p=74869"},"modified":"2021-12-27T00:25:53","modified_gmt":"2021-12-26T23:25:53","slug":"ideali-atdhetar-metafore-e-lidhur-nyje","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/ideali-atdhetar-metafore-e-lidhur-nyje\/","title":{"rendered":"IDEALI ATDHETAR – METAFOR\u00cb E LIDHUR NYJE"},"content":{"rendered":"

Kritik\u00eb letrare<\/em><\/strong><\/p>\n

Mentor Thaqi, “TRUNGU”, poezi, botoi \u00abLENA\u00bb, Prishtin\u00eb, 2018, faqe 140. ISBN 978-9951-755-89-4.<\/em><\/p><\/blockquote>\n

Nga Shefqet DIBRANI<\/strong><\/p>\n

Vargu \u201cP\u00ebr k\u00ebt\u00eb Tok\u00eb, t\u00eb lidhur nyje<\/em>\u201d, nuk \u00ebsht\u00eb vet\u00ebm metafor\u00eb lirike, \u00ebsht\u00eb tog\u00ebfjal\u00ebsh, n\u00eb let\u00ebrsi quhet syntagm\u00eb, dhe k\u00ebshtu \u201clidhur nyje<\/em>\u201d, materializon idealizmin e poetit Mentor Thaqi<\/em>. Ky q\u00ebllim i lart\u00eb patriotik, \u00ebsht\u00eb preokupimi i tij jet\u00ebsor dhe angazhim i p\u00ebrhersh\u00ebm, s\u00ebk\u00ebndejmi, n\u00eb planin krijues \u00ebsht\u00eb shnd\u00ebrruar n\u00eb pik\u00ebsynim kryesor p\u00ebr t\u2019i ruajtur vlerat, zakonet dhe tradit\u00ebn, p\u00ebrpjekje k\u00ebto q\u00eb lexohen n\u00eb secilin varg t\u00eb autorit. Andaj, vargu lirik, \u00ebsht\u00eb jehu i k\u00ebng\u00ebs s\u00eb tij p\u00ebr atdheun, vargje k\u00ebto q\u00eb shprehin edhe shqet\u00ebsimin e p\u00ebrgjithsh\u00ebm intelektual, shqet\u00ebsimin e tij komb\u00ebtar. N\u00eb nj\u00eb nuanc\u00eb tjet\u00ebr edhe m\u00ebrgimi \u00ebsht\u00eb breng\u00eb e p\u00ebrhershme poetit, k\u00ebt\u00eb e d\u00ebshmon me vargjet: \u201cBaba iku n\u00eb pakthim, un\u00eb ika n\u00eb m\u00ebrgim\/ Shelnja aty n\u00eb rranj\u00eb t\u00eb veta mbet\/ Mo\u00e7nisun, por po mbahet\/ Edhe pse vetmis\u00eb po i kjahet<\/em>\u201d, (faqe 37).<\/p>\n

Kjo metafora epike, \u00ebsht\u00eb po aq tragjike, megjithat\u00eb mbetet lajtmotiv tematik p\u00ebr m\u00ebrgimin. Si struktur\u00eb poetike, \u00ebsht\u00eb vargu artistik i sforcuar me shprehje lokale \u2013 dialektikore, q\u00eb p\u00ebrb\u00ebjn\u00eb nj\u00ebr\u00ebn nga figurat m\u00eb t\u00eb fuqishme stilistike, e trajtuar edhe nga poet\u00eb t\u00eb tjer\u00eb, ndon\u00ebse te \u201cTrungu<\/em>\u201d i Mentor Thaqit<\/em>, \u00ebsht\u00eb tem\u00eb obsesive e kapur p\u00ebr\u00eb \u201cRr\u00ebnj\u00ebt<\/em>\u201d, nj\u00eb tjet\u00ebr vep\u00ebr e k\u00ebtij autori.<\/p>\n

Pa e njohur mir\u00eb tradit\u00ebn e Dukagjinit, dhe t\u00eb folm\u00ebn alegorike t\u00eb saj, jo rrall\u00eb vargu t\u00eb hamend, m\u00eb e pakta t\u00eb detyron t\u2019i rikthehesh s\u00eb lexuari disa her\u00eb, dhe kjo p\u00ebr mua \u00ebsht\u00eb art m\u00eb vete, t\u00eb cilin secili poet nuk mund ta shkruaj e thot\u00eb, as nuk mund ta shpreh\u00eb kaq bujsh\u00ebm. N\u00eb an\u00ebn tjet\u00ebr t\u00eb gjitha k\u00ebto shprehje n\u00eb let\u00ebrsi kategorizohen n\u00eb dy grupe: Figura letrare<\/em> alegoria e hiperbiola nd\u00ebrsa stilistike <\/em>jan\u00eb ironia dhe epiteti.<\/p>\n

K\u00ebto figura letrare, e kan\u00eb b\u00ebr\u00eb lirik\u00ebn m\u00eb t\u00eb dendur dhe her\u00eb t\u00eb tjera me figuracion karakteristik. Gjith\u00ebsesi, poezia \u00ebsht\u00eb art i perspektiv\u00ebs, i progresit, i human\u00ebs dhe njer\u00ebzores nj\u00ebkoh\u00ebsisht, prandaj poeti pretendon se, \u201cKull\u00ebn mbi ato hatlla do ta maroj\/ E kateve sall hatllat ua shtoj<\/em>\u201d, (faqe 12). Si\u00e7 shihet, \u201cKull\u00ebn\u201d, poeti e ka shnd\u00ebrruar simbol n\u00eb poezi, por at\u00eb \u2013 Kull\u00ebn, ia la amanet \u201cp\u00ebrtegjyshi\u201d, p\u00ebrkat\u00ebsisht st\u00ebrgjyshi i cili kull\u00ebs: \u201cU vuri edhe \u00e7upri e dyreq\/ P\u00ebr dimra t\u00eb zi e mot t\u00eb keq<\/em>\u201d, nj\u00eb p\u00ebrdredhje e ve\u00e7ant\u00eb artistike, nj\u00eb shprehje e lart\u00eb poetike. Gjithashtu poeti shprehetse ka \u201c… gjithmon\u00eb n\u00eb kujtes\u00eb katragjyshin Xhe\u00e7<\/em>\u201d, (faqe 12).<\/p>\n

Metafora e k\u00ebsaj poezie sforcohet edhe me vargjet: \u201cVerra t\u2019Dukagjinit\/ Autokton\u00eb, heret a von\u00eb<\/em>\u201d, p\u00ebr kujtes\u00eb historike ka p\u00ebrjetim magjik, dhe kurdoher\u00eb: \u201cN\u00eb kujtes\u00eb m\u00eb ka mbetur\/ Kajusha n\u2019ato deg\u00eb\/ Kasoll\u00eb p\u00ebr gjasht\u00eb muaj ver\u00eb<\/em>\u201d, (faqe 13). Kjo nd\u00ebrthurje p\u00ebrb\u00ebn mozaikun e p\u00ebrgjithsh\u00ebm t\u00eb t\u00eb gjitha shtres\u00ebzimeve kulturore e historike n\u00eb mes gjeneratave, gjer\u00eb tek poeti Mentor Thaqi<\/em>. \u201cTevona… edhe v\u00ebllai u tha e ra\/ Than\u00eb se reja n\u2019shpirt e kish vra\/ Bashk\u00eb me t\u2019v\u00ebllan\u00eb… varr\u2019t\u00eb pa ia pa<\/em>\u201d, (faqe 14). Mbase kjo ndodhi, sa tragjike po aq \u00ebsht\u00eb trash\u00ebgimi zakonore e kulturore, e cila u bart nga brezi n\u00eb brez, nd\u00ebrsa poeti yn\u00eb paska vendosur p\u00ebr t\u2019i l\u00ebn\u00eb t\u00eb shkruara n\u00eb librin \u201cTrungu<\/em>\u201d, q\u00eb duket t\u00eb jet\u00eb unaz\u00eb lidh\u00ebse me \u201cRr\u00ebnj\u00ebt<\/em>\u201d, q\u00eb p\u00ebrkon me titullin e nj\u00eb libri paraprak. Trungu i tanish\u00ebm \u00ebsht\u00eb nd\u00ebrmjet\u00ebs n\u00eb mes rr\u00ebnj\u00ebve dhe kuror\u00ebs, ku hipotetikisht mund t\u2019ia llogarisim librat tjer\u00eb se jan\u00eb kurora e angazhimeve poetike.<\/p>\n

Ky \u00ebsht\u00eb Mentor Thaqi<\/em>, poezia e tij \u00ebsht\u00eb kjo, por p\u00ebr vete \u00ebsht\u00eb shnd\u00ebrruar n\u00eb personalitet dhe figur\u00eb e njohur n\u00eb fush\u00ebn e kultur\u00ebs dhe t\u00eb let\u00ebrsis\u00eb, t\u00eb sken\u00ebs dhe skem\u00ebs kulturore, kudo dhe kurdo, i gatsh\u00ebm, i pap\u00ebrtuesh\u00ebm dhe bujar, epitete q\u00eb nd\u00ebrthuren me tradit\u00ebn e tij familjare, por edhe me individualitetin krijues, s\u00eb k\u00ebndejmi edhe me tipin dhe motivin e poezis\u00eb q\u00eb krijon, t\u00eb cilat s\u00eb bashku form\u00ebsojn\u00eb sentenc\u00ebn lirike, e cila shpesh duket sikur t\u00eb ishte fragment p\u00ebr pjes\u00eb teatrale, p\u00ebr recital a deklamim skenik, art t\u00eb cilin Mentor Thaqi<\/em>, ve\u00e7 edhe m\u00eb shum\u00eb se sa poezin\u00eb, e zot\u00ebron dhe e ka pasion m\u00eb mir\u00eb se kushdo tjet\u00ebr, ve\u00e7mas brenda arqipelagut t\u00eb krijuesve shqiptar\u00eb n\u00eb m\u00ebrgat\u00eb.<\/p>\n

MEN\u2019O M\u2019THA<\/strong><\/p>\n

(Mendo m\u00eb tha)<\/em><\/p>\n

Fjala e bab\u00ebs
\n<\/em>N\u00eb frym\u00ebn e fundit
\n<\/em>\u201cBiro, rri n\u2019kam\u00eb tua
\n<\/em>Edhe kur t\u2019zezat dalin maje kreje
\n<\/em>Meno p\u00ebr ata mas teje\u201d<\/em><\/p>\n

Mora frym\u00eb
\n<\/em>T\u00eb dyt\u00eb n\u00eb ecje hym\u00eb<\/em><\/p>\n

U mundua t\u2019i mbyllte syt\u00eb
\n<\/em>Po jo t\u00eb dyt\u00eb
\n<\/em>Mua m\u00eb mbet fryma e tij
\n<\/em>Ende e mbaj n\u00eb gji
\n<\/em>Sot e p\u00ebr pleq\u00ebri<\/em><\/p>\n

Faqe 10.<\/p>\n

Poezia e Mentor Thaqit<\/em>, n\u00eb p\u00ebrmbajtje, p\u00ebrve\u00e7 mesazhit t\u00eb fuqish\u00ebm patriotik, ka q\u00ebllim nd\u00ebrgjegj\u00ebsimi dhe emancipimi. Tamam si\u00e7 \u00ebsht\u00eb shprehur n\u00eb poezin\u00eb epitaf p\u00ebr \u201cPLEQT\u00cb E LLUK\u00cbS\u201d, poezi kjo q\u00eb gjat\u00eb do t\u00eb mbahet mend, prandaj ne po shk\u00ebpusim dy strofa t\u00eb cilat i p\u00ebrjetuam m\u00eb thell\u00eb:<\/p>\n

PLEQT\u00cb E LLUK\u00cbS<\/strong><\/p>\n

Te tan\u00eb t\u00eb nj\u00eb mase, te tan\u00eb t\u00eb nj\u00eb pamje
\n<\/em>Te nj\u00eb gjeni, t\u00eb nj\u00eb gjaku, t\u00eb nj\u00eb dere
\n<\/em>Te nj\u00eb gjuhe, t\u00eb nj\u00eb gjaku, t\u00eb nj\u00eb pragu
\n<\/em>Te tan\u00eb tha\u00e7jan\u00eb, shaljan\u00eb llukjan\u00eb
\n<\/em>…
\n<\/em>Pleqt\u00eb e lluk\u00ebs, urtak\u00eb shekulli
\n<\/em>Pushojn\u00eb n\u00eb rraj\u00eb t\u00eb veta mbushur nderi
\n<\/em>Me ball\u00eb prej veri
\n<\/em>Me nj\u00eb epitaf i p\u00ebrthekon te tan\u00eb
\n<\/em>\u201cVul\u00eb kjen\u00ebsie ishin dhe jan\u00eb
\n<\/em>Nder\u00eb pat\u00ebn e nder\u00eb na lan\u00eb\u201d<\/em>!<\/p>\n

Poezia, PLEQT\u00cb E LLUK\u00cbS, Faqe 17.<\/p>\n

Ky portretizim p\u00ebr t\u00eb par\u00ebt e vet, \u00ebsht\u00eb virtyt, prandaj poeti shkon gjer\u00eb n\u00eb sakrifikim t\u00eb lirik\u00ebs p\u00ebr tradit\u00ebn patriotike, syntagm\u00eb (togfjal\u00ebsh<\/em>), e dukshme dhe e p\u00ebrjetuar edhe n\u00eb k\u00ebt\u00eb lib\u00ebr poetik, nga i cili m\u00ebsojm\u00eb se \u201cPremt\u00eb Mema i Lluks\u00eb\/…\/ Dy or\u00eb rrug\u00eb prej vrapit t\u2019kalit\/ Gjysma e rrug\u00ebs hijeve t\u2019malit<\/em>\/…\/ U rikthye me prarim t\u00eb diellit<\/em>\u201d, dhe bashk\u00eb me Premt\u00eb Mem\u00ebn e Lluks\u00eb, e zez\u00eb dita p\u00ebr shekuj me radh\u00eb mbuloi Dardanin\u00eb, por: \u201cE zez\u00eb dita tha, kur e pvet\u00ebn\/ Yn\u00eb Zot Pjet\u00ebr Bogdani nuk e fitoi luft\u00ebn\/ Fitoi nj\u00eb p\u00ebll\u00ebmb\u00eb t\u00eb tok\u00ebs s\u00eb vet\/ Do djem tan\u00eb bashk\u00eb me te na ran\u00eb n\u00eb Prishtin\u00eb<\/em>\u201d, (faqe 18).<\/p>\n

V\u00ebrtet\u00eb poezia ka figuracion magjik, nd\u00ebrsa vet poeti ka frym\u00ebn dhe arsyen e vet, pse nuk merakoset aq p\u00ebr form\u00ebn e lirik\u00ebs, kur nga shpati duket se poezin\u00eb fillimisht e ka mision e pastaj pasion, prandaj e krijon vet\u00ebm p\u00ebr shpirtin e vet dhe m\u00eb pas edhe p\u00ebr shpirtin e t\u00eb par\u00ebve t\u2019vet, dhe kjo \u00ebsht\u00eb tradicionale, \u00ebsht\u00eb edhe patriotike, k\u00ebshtu si askush tjet\u00ebr ka mbushur amanetin e Babait dhe t\u00eb par\u00ebve t\u00eb vet.<\/p>\n

Poezit\u00eb n\u00eb librin “TRUNGU”, q\u00ebndrojn\u00eb stoike t\u00eb mb\u00ebshtetura mbi \u201cRR\u00cbNJ\u00cbT\u201d e veta. N\u00eb aspektin letrar, shihet se motivi ideor \u00ebsht\u00eb vazhdim\u00ebsi e librit “RR\u00cbNJ\u00cbT”, dhe bashk\u00eb me librat tjer\u00eb, si\u00e7 e theksuam edhe m\u00eb par\u00eb, poeti e ka nd\u00ebrtuar kuror\u00ebn, jo vet\u00ebm si zbukurim artistik, por ka b\u00ebr\u00eb pem\u00ebn gjenealogjike t\u00eb t\u00eb par\u00ebve t\u00eb vet, e sforcuar kjo p\u00ebrmes poezis\u00eb, pasi ruan motivin e tradit\u00ebs patriotike, duke u b\u00ebr\u00eb m\u00eb e dashur, m\u00eb e kapshme dhe m\u00eb e pranueshme, andaj ky sforcim pozitiv shihet nga poezia n\u00eb poezi.<\/p>\n

…
\nE Rrasa, p\u00ebrball\u00eb d\u00ebshmitare
\n<\/em>Datat e trishta kall\u00eb
\n<\/em>Ah! Po k\u00ebtu i thon\u00eb Koshare<\/em><\/p>\n

Do t\u00eb doja t\u2019i mbledh nj\u00eb dor\u00eb lulevere
\n<\/em>Shpatijeve t\u00eb mbjellura me plumba
\n<\/em>N\u00ebnqiellit t\u00eb v\u00ebrshuar me p\u00ebllumba
\n<\/em>Drejt, drejt te ato Lapidare t\u00eb Liris\u00eb
\n<\/em>Koshare e Dardanis\u00eb, e Shqipnis\u00eb
\n<\/em>E t\u2019iu them
\n<\/em>O Heronjt\u00eb e mi
\n<\/em>Ju jeni kushtrimi q\u00eb jehon, q\u00eb s\u2019pushon
\n<\/em>Ju, Ju po po, Ju trim\u00ebri q\u00eb bulon
\n<\/em><\/p>\n

Poezia \u201cKOSHARE SHQIPTARE\u201d, faqe 48<\/p>\n

N\u00eb nj\u00eb rast tjet\u00ebr poeti shkruan: \u201cSy e vesh \u00e7ikat, shpatijeve n\u00eb bjeshk\u00eb\/ Harruan xherxhefet dhe k\u00ebrrabzat n\u00eb xhublet\u00eb\/ K\u00ebnga e dashuris\u00eb, shpirtin sikur eshk\u00eb\/ Ndezur n\u00eb zemra, n\u00eb dashuri na ishin tret\u00eb<\/em>\u201d, (faqe 76). Ky motiv, \u00ebsht\u00eb tregues se poezia \u00ebsht\u00eb art i tranzicionit t\u00eb brendsh\u00ebm kulturor. \u00cbsht\u00eb vet\u00ebvetja! \u00cbsht\u00eb vet Mentor Thaqi<\/em>, dhe m\u00eb n\u00eb fund themi se \u00ebsht\u00eb edhe \u201cK\u00cbNGA E BARDH DUKAGJINIT\u201d, ku poeti e paska derdhur t\u00ebr\u00eb elanin poetik:<\/p>\n

– O Bardh Dukagjini, mos e ndal balad\u00ebn
\n<\/em>Gjejm\u00eb bashk\u00eb zgjidhjen p\u00ebr at\u00eb tel t\u2019lahut\u00ebs
\n<\/em>O Kreshnik legjendash, qe ku e ke dad\u00ebn
\n<\/em>Tel sot e kje k\u00ebt\u00eb fije floku t\u2019Tanush\u00ebs
\n<\/em>I hoq dy fije floku, t\u00eb gjata plot nj\u00eb pash
\n<\/em>I b\u00ebri dredh\u00eb, Bardhit n\u00eb dor\u00eb ia dha
\n<\/em>Vazhdoi Bardhi k\u00ebng\u00ebn edhe m\u00eb me afsh
\n<\/em><\/p>\n

Ah sa jehuan shpatijet dhe Lugu i Lum\u00ebbardhit<\/em><\/p>\n

Faqe 76-77.<\/p>\n

Jo vet\u00ebm poezia si krijim lirik, por edhe vargjet ngjasojn\u00eb me baladat, jan\u00eb pjes\u00eb e procesit, dinamik\u00eb e cila krah p\u00ebr krah zhvillimeve t\u00eb gjithmbarshme nacionale, transformohet, jo vet\u00ebm si art letrar e si kultur\u00eb letrare, por edhe si kultur\u00eb politike e shprehje e lart\u00eb poetike e realizuar n\u00eb k\u00ebto lirika!… Poezia \u201cPESHA E FJAL\u00cbS\u201d e materializon mendimin ton\u00eb t\u00eb shprehur p\u00ebr poezin\u00eb n\u00eb fjal\u00eb.<\/p>\n

E shoshit\u00ebn, e sit\u00ebn, e bluan
\n<\/em>Sa im, eg\u00ebr, e but\u00eb
\n<\/em>guri as vul\u00eb s\u2019un i vnuan<\/em><\/p>\n

E tjerr\u00ebn, e herr\u00ebn, e djerr\u00ebn, e bjerr\u00ebn
\n<\/em>Po ec e b\u00ebje pe t\u2019i shkohet p\u00ebr filli<\/em><\/p>\n

Sa e zbut\u00ebn sa e eg\u00ebrsuan
\n<\/em>Prap\u00eb guri s\u2019i vnuan<\/em><\/p>\n

Nuk i gjet\u00ebn gj\u00ebrsi as gjat\u00ebsi
\n<\/em>Me pash, hapa, kut e klic, as berxhik
\n<\/em>N\u2019hall t\u00eb matnit, ore bre<\/em><\/p>\n

Po po, e mat\u00ebn e \u00e7\u2019mat\u00ebn
\n<\/em>Sa n\u00eb vag\u00eb, n\u00eb kandar, n\u00eb terezi, me ok\u00eb
\n<\/em>Po pesh\u00ebn s\u2019ia gjet\u00ebn
\n<\/em>E n\u2019peshoj\u00eb s\u2019e vun\u00eb<\/em><\/p>\n

Dikur, doli nj\u00eb i l\u00ebn\u00eb kah shneta
\n<\/em>Po bukur gjins nga mendja
\n<\/em>I vuri guri e vul\u00eb, i gjet pesh\u00eb e mas\u00eb
\n<\/em>E u tha
\n<\/em>…\u201cte arsyeja aty \u00e2sht\u2019 nyja\u201d<\/em><\/p>\n

Faqe 84.<\/p>\n

N\u00eb esenc\u00ebn e saj, poezia e Mentor Thaqit<\/em>, \u00ebsht\u00eb edhe strategji e kuptimit dhe mund\u00ebsi e interpretimit m\u00eb t\u00eb thell\u00eb letrar, p\u00ebr t\u2019i transmetuar deri tek tjetri pik\u00ebpamjet krijuese, imazhe q\u00eb stimulojn\u00eb imagjinat\u00ebn dhe nxisin fantazin\u00eb krijuese, pa t\u00eb cilat nuk ka art e as vler\u00eb letrare. N\u00eb k\u00ebt\u00eb aspekt e shoh t\u00eb udh\u00ebs t\u00eb citoj disa vargje t\u00eb cilat p\u00ebrve\u00e7 botkuptimit letrar, jan\u00eb vargje t\u00eb realizuara me sukses dhe kan\u00eb metafor\u00eb, shpeshher\u00eb t\u00eb pap\u00ebrseritshme: “Zoti na ruajt\u00eb nga pjella jon\u00eb\/ Her\u00ebt a von\u00eb<\/em>“, (faqe 33), “Trupova Drinin n\u2019kap\u00ebrcim\/ Dhe rash\u00eb n\u00ebn Dri\/ Edhe pse i dola p\u00ebrmbi\/…\/ Shqipni, un\u00eb jam aty me ty\/ N\u00ebn apo mbi Dri, po aty<\/em>“, (faqe 34), “Bardhok\u00eb, moj faqekuqe\/ Lum ai q\u00eb t\u00eb sheh n\u00eb prag t\u00eb vet\/ N\u00eb pamje t\u00eb par\u00eb, pse t\u00eb tjer\u00ebt nuk i vret<\/em>“, (faqe 36), “E donte Zefi ar\u00ebn e vet, o bab\u00eb…!<\/em>” dhe “\u00c7udi more bab\u00eb. \u00c7ka asht\u2019 ky far\u00eb beteri\/ ato gjithmon\u00eb erdhen prej veri\/ po t\u2019thot\u00eb ty qyky Imeri<\/em>“, (faqe 41-42), “Sa dhimbsh\u00ebm ting\u00ebllojn\u00eb k\u00ebto dhimbje\/ Prap\u00eb n\u2019udh\u00ebtim me lot p\u00ebr kthim\/ Lutjet e tyre p\u00ebr jet\u00ebn, p\u00ebr vdekjen\/…\/ Sall mallin s\u00ebrish me vete\/ At\u00eb e pat\u00ebn kulm jete<\/em>“, (faqe 45-46), “Fshiu syt\u00eb e lagun prej loti\/ Ashtu siq shtrydhet reja n\u00eb pik\u00eb moti<\/em>“, (faqe 51), “Bjeri kah t\u00eb duash poet\/ As ti sot nuk je vetja jote<\/em>“, (faqe 62). “Toka, Atij i dha emrin e vet\/ Ai Tok\u00ebs n\u00eb Identitet-Dinjitet<\/em>“, (faqe 65), “Tevona, telashe p\u00ebr far\u00eb\/ Loti n\u00eb sy e syri n\u2019ar\u00eb<\/em>“, (faqe 82), etj.<\/p>\n

P\u00ebrve\u00e7 metaforave t\u00eb shumta t\u00eb k\u00ebsaj natyre, t\u00eb cilat i theksuam m\u00eb lart\u00eb, poeti Mentor Thaqi<\/em>, ka nd\u00ebrtuar edhe postulate t\u00eb cilat sh\u00ebmb\u00ebllejn\u00eb si urti, anekdota, k\u00ebshilla e th\u00ebnie popullore: “N\u2019jet\u00ebn t\u00e8me pash\u2019 sa m\u00b4pau menja<\/em>“, “Po ti mso prej kohe, sall koha nuk gabon<\/em>“, “Nuk po t\u2019l\u00e2 shum\u00eb pasuni, se as vet nuk pata<\/em>“, “Munohu me dhan\u00eb ma shum\u00eb se me marr\u00eb<\/em>“, “Borxh Iratin (pasurin\u00eb), ruaje e mos e hup”, “Borxh neren, mos luaj me t\u00e2, nuk \u00e2sht me luejt<\/em>“, (faqe 50-51), “Dje, qaja kur k\u00ebndoja\/ Sot k\u00ebndoj kur qaj<\/em>“, (faqe 61), “Sall dhimbjen e zgjata\/ Sall lig\u00ebsin\u00eb e mata\/…\/ Ah! Shum\u00eb r\u00ebnd\u00eb cinizmi i mikut\/ M\u00eb i zi se n\u00ebnshtrimi i v\u00eblla manafikut<\/em>“, (faqe 74), “Kot u munduam t\u00eb blejm\u00eb lesh dreqi\/ Me lesh nuk mshilet veshi<\/em>“, (faqe 81), “Duhet me pa ma larg se pertej hune\/ se maruem me t\u2019rrxume<\/em>“, (faqe 89), “Shpi, shpi, n\u2019truallin tem\/ p\u00ebr tjerat mun t\u2019b\u00e2jm kuven<\/em>“, (faqe 94), “Syri i unt\u00eb sheh p\u00ebrtej deti\/ E nuk t\u00eb l\u00eb t\u00eb shikosh p\u00ebrtej hunde<\/em>“, (faqe 96), “E r\u00ebnd\u00eb t\u00eb shitet shpirti nj\u00ebher\u00eb\/ Tevona b\u00ebhet loj\u00eb shit-blerje\/ Pa fije vlere, pa fije ndere\/\/ Q\u00eb miu t\u00eb mos bie p\u00ebr mustaqe\/ Po u dashka q\u00eb mustaqet t\u00eb hiqen\/ Fare miu mos t\u00eb ndiqet<\/em>“, (faqe 105), “I pa pjekur plaku e pleqnar f\u00ebmija<\/em>“, (faqe 106), “E b\u00ebn\u00eb t\u00eb hesht\u00eb nj\u00eb njeri\/ Vet\u00eb toka zbulon at\u00eb fsheht\u00ebsi<\/em>“, (faqe 107), e nj\u00eb varg i gjat\u00eb q\u00eb nuk arrit\u00ebm p\u00ebr t\u2019i evidentuar e theksuar.<\/p>\n

Karshi k\u00ebtyre, poeti e ka zhvilluar edhe ironin\u00eb, kryesisht si figur\u00eb stilistike, q\u00eb ka z\u00ebn\u00eb vend meritor n\u00eb vargun e tij. Ironin\u00eb, si figur\u00eb stilistike, poeti e ka p\u00ebrdredhur si varg artistik, duke p\u00ebrqeshur e v\u00ebn\u00eb n\u00eb loj\u00eb vese t\u00eb sh\u00ebmtuara. Sa p\u00ebr ilustrim po citojm\u00eb: “M\u00eb than\u00eb, t\u00eb than\u00eb, na than\u00eb<\/em>“, (faqe 39), shpreh botkuptimin ironik p\u00ebr diskutimet pa rend e pa vend, pa fakte e argumente, ose n\u00eb nj\u00eb rast tjet\u00ebr ironizon k\u00ebshtu: “E ne t\u00eb nj\u00ebjt\u00ebt si dje\/ Kuaj pa fre\/ Kris e mos the\/ Me t\u00eb vjetr\u00ebn e re\/…\/ Ah, melodioze, vicioze\/ Sa skandaloze, aq tekanjoze<\/em>“, (faqe 53), etj.<\/p>\n

Mendoj se lexuesi i v\u00ebmendsh\u00ebm, kollaj e ka p\u00ebr t\u2019i kapur k\u00ebto fije, dhe pastaj p\u00ebr t\u00eb transmetuar tutje imazhin lirik, i cili n\u00ebp\u00ebrmes vargut artistik edhe te poezia “AI DHE AJO”, b\u00ebhet m\u00eb e sforcuar, si nocion dhe si motiv lirik. K\u00ebto lirika, q\u00eb nuk jan\u00eb t\u00eb bollshme, as t\u00eb mjaftueshme, si motiv kan\u00eb shfaqur an\u00ebn tjet\u00ebr t\u00eb angazhimeve letrare, dhe nj\u00ebkoh\u00ebsisht shprehin nivelin artistik t\u00eb k\u00ebsaj poezie:<\/p>\n

AI DHE AJO<\/strong><\/p>\n

Ai i tha, t\u00eb shtat\u00eb ngjyrat e ylberit
\n<\/em>I zbres n\u00eb tok\u00eb p\u00ebr ty, p\u00ebr k\u00ebta sy<\/em><\/p>\n

Ajo i tha, ti vet\u00ebm nj\u00eb ngjyr\u00eb
\n<\/em>M\u00eb sjell n\u00eb fytyr\u00eb, at\u00eb t\u00eb buz\u00ebqeshjes<\/em><\/p>\n

I ran\u00eb trup heshtjes<\/em><\/p>\n

Ajo vazhdoi, n\u00eb t\u00eb shtatat jan\u00eb
\n<\/em>Q\u00eb ylberi i mban<\/em><\/p>\n

Ai leht\u00eb e puthi,
\n<\/em>Ajo u skuq si prej fruthi<\/em><\/p>\n

T\u00eb dy buz\u00ebqesh\u00ebn
\n<\/em>Ashtu si desht\u00ebn<\/em><\/p>\n

Faqe 110.<\/p>\n

Pa dyshim se dinamika jet\u00ebsore \u00ebsht\u00eb ndikuese e pashmangshme e proceseve, ajo ka vepruar duksh\u00ebm edhe n\u00eb vet\u00ebdijen krijuese. M\u00ebrgimi po ashtu, e kjo ndjenj\u00eb mund t\u00eb zb\u00ebrthehet n\u00ebse i lexojm\u00eb edhe nj\u00eb cik\u00ebl t\u00eb t\u00ebr\u00eb t\u00eb poezive, t\u00eb cilat shfaqin botkuptim tjet\u00ebr dhe kan\u00eb fuqi p\u00ebr ta interpretuar mendimin krijues n\u00eb form\u00ebn m\u00eb t\u00eb sakt\u00eb, psh.: “Borxhet e Babait”, “Loti i Bab\u00ebs”, “Dysllyk\u00ebt e Bab\u00ebs”, “Shpi do t\u00eb maroj, tha”, “Syni i unt\u00eb, Babo”, “Ka than\u00eb Baba Zeq\u00eb”, pastaj, “Tha p\u00ebrtegjyshi im”, “Eh… Et\u00ebrit\u2019 dikur”, “Kur shmojke Bab\u00ebgjyshi”, etj. Poezit\u00eb kushtuar grave e b\u00ebjn\u00eb figuracionin n\u00eb poezi m\u00eb t\u00eb q\u00ebndruesh\u00ebm dhe m\u00eb t\u00eb besuesh\u00ebm: “N\u00ebna Gal\u00eb”, “Kur u n\u00ebm femra”, poezi k\u00ebto q\u00eb kan\u00eb nd\u00ebrtim specifik dhe shoq\u00ebrohen me karakteristik\u00ebn e varg\u00ebzimit. Poezi me motivin e vendlindjes jan\u00eb: “Pleqt\u00eb e Lluk\u00ebs”, “Ara e Zef Lluk\u00ebs”, “Llukjan\u00ebt, vul\u00eb kohe”, “Shtat\u00eb cop\u00eb Lluk\u00eb”, t\u00eb cilat bindsh\u00ebm thon\u00eb se poeti \u00ebsht\u00eb i lidhur p\u00ebr at\u00eb vend si mishi p\u00ebr kock\u00ebn.<\/p>\n

N\u00eb ciklin me poezi p\u00ebrkushtuese do t\u00eb ve\u00e7onim: “Darka e Lam\u00ebs”, kushtuar Presidentit Rugova<\/em>, “Tha kolosi”, “Ju kam than\u00eb qysh n\u00eb lindje”, kushtuar Sof\u00eb Rugov\u00ebs<\/em>, “N\u00eb Prekaz”, “Te k\u00ebmb\u00ebt e legjendarit”, kushtuar Adem Jasharit<\/em>, “Piktura e heroit”, kushtuar Agim Ramadanit<\/em>, “Be e rrfe, komandantit”, kushtuar Mulla Idriz Gjilanit<\/em>, “Jo jo, o kapedan”, kushtuar Prek Calit<\/em>, “Ah more bir”, kushtuar Azem Shkrelit<\/em>, “Gjergji, ky i treti q\u00eb nuk treti”, kushtuar At Gjergj Fisht\u00ebs<\/em>, “N\u00eb Thethin t\u00ebnd”, kushtuar Robert Elsie<\/em>, etj. Nd\u00ebrsa nj\u00eb cik\u00ebl tjet\u00ebr, jan\u00eb p\u00ebrkushtime me vler\u00eb por secila \u00ebsht\u00eb pothuajse motiv m\u00eb vete: “Disidenti”, “Er\u00eb fisnik\u00ebrie”, “Eu Dardani, eu po t\u00eb thon\u00eb”, “Medvegj\u00eb”, “N\u2019Dulcinum, po ku tjet\u00ebr”, “Jet\u00eb n\u2019p\u00ebrplasje”, “I (pa)zhg\u00ebnjyer sakaq”, “Vret nj\u00ebsoj”, “Po ju them”, “Syri i keq”, “Shoq”, “Ah, \u00ebndja <kojtja>”, “Foli toka vet\u00eb”, “Mbi e n\u00ebn dri, Shqipni”, “Ah, Shqipnia ime”, “U kry kur t\u00eb b\u00ebhet Shqipni”, dhe t\u00eb tjera q\u00eb ng\u00ebrthejn\u00eb nj\u00eb vister idesh e ndjenjash, prej m\u00eb t\u00eb ndryshmeve, motive e p\u00ebrkushtime t\u00eb k\u00ebndshme ritmike dhe tematike!<\/p>\n

Nga i t\u00ebr\u00eb ky material q\u00eb kemi cituar, mund t\u00eb p\u00ebrfundojm\u00eb se aspekti i poetik\u00ebs n\u00eb poezin\u00eb e Mentor Thaqit<\/em>, dallon kryesisht p\u00ebr motivin ideor dhe nd\u00ebrtimin karakteristik t\u00eb k\u00ebtij motivi. Struktura e k\u00ebsaj poezie ka vler\u00eb artistike, kurse p\u00ebrjetimi p\u00ebrvet\u00ebson ndjenj\u00ebn patriotike, ndonj\u00ebher\u00eb jo me metafor\u00eb eliptike por me mesazh t\u00eb drejtp\u00ebrdrejt, por mir\u00eb e konceptuar, n\u00eb t\u00eb cilat elementi i atdhedashuris\u00eb \u00ebsht\u00eb futur n\u00eb funksion t\u00eb verbit poetik. Jo rrall\u00eb, motivet jan\u00eb t\u00eb thella dhe po aq p\u00ebrjetuese. K\u00ebshtu n\u00eb form\u00ebn m\u00eb vetanake autori i ka adresuar problemet komb\u00ebtare, madje q\u00eb nga antikiteti e gjer\u00eb n\u00eb dit\u00ebt e sotme. Prindi, gjyshi, kryeplaku, kryebajraku, jan\u00eb me fat q\u00eb i paskan falur simbolin poetik mbi figura t\u00eb tyre. E qart\u00eb, poeti \u00ebsht\u00eb fokusuar n\u00eb k\u00ebto figura, madje ka nd\u00ebrtuar simbolik\u00ebn e verbit poetik, pik\u00ebrisht\u00eb mbi vler\u00ebn etnografike e etno-regjionale t\u00eb Dukagjinit, pa t\u00eb cil\u00ebn poezia e Mentor Thaqit<\/em>, nuk do t\u00eb kishte k\u00ebt\u00eb ndijim kaq artistik!…<\/p>\n

Eh, eh q\u00eb nga iku Baca Bel\u00eb
\n<\/em>Jan\u00eb ndryshkur edhe kazan\u00ebt
\n<\/em>Rakia u pi e shkoi
\n<\/em>Po legjenda mbet e mbijeton<\/em><\/p>\n

Poezia “RAKIA E BAC\u00cbS BEL\u00cb”, Faqe 117-118.<\/p>\n

Sipas vargut “Po legjenda mbet e mbijeton”, <\/em>mund t\u00eb themi sepo aq sa do t\u00eb jetoj\u00eb “Legjenda p\u00ebr Bac\u00ebn Bel\u00eb<\/em>“, do t\u00eb jetoj\u00eb e mbijetoj\u00eb edhe krijimtaria e poetit Mentor Thaqi<\/em>, bashk\u00eb me t\u00eb, sigurisht edhe poezit\u00eb e p\u00ebrfshira brenda librit “TRUNGU”, q\u00eb e pat\u00ebm subjekt trajtimi!<\/p>\n

St. Gallen, 20.12.2021.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Kritik\u00eb letrare Mentor Thaqi, “TRUNGU”, poezi, botoi \u00abLENA\u00bb, Prishtin\u00eb, 2018, faqe 140. ISBN 978-9951-755-89-4. Nga Shefqet DIBRANI Vargu \u201cP\u00ebr k\u00ebt\u00eb Tok\u00eb, t\u00eb lidhur nyje\u201d, nuk \u00ebsht\u00eb vet\u00ebm metafor\u00eb lirike, \u00ebsht\u00eb tog\u00ebfjal\u00ebsh, n\u00eb let\u00ebrsi quhet syntagm\u00eb, dhe k\u00ebshtu \u201clidhur nyje\u201d, materializon idealizmin e poetit Mentor Thaqi. Ky q\u00ebllim i lart\u00eb patriotik, \u00ebsht\u00eb preokupimi i tij jet\u00ebsor […]<\/p>\n","protected":false},"author":1,"featured_media":74870,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,8],"tags":[],"class_list":["post-74869","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ese","category-letersi"],"yoast_head":"\nIDEALI ATDHETAR - METAFOR\u00cb E LIDHUR NYJE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/ideali-atdhetar-metafore-e-lidhur-nyje\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IDEALI ATDHETAR - METAFOR\u00cb E LIDHUR NYJE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Kritik\u00eb letrare Mentor Thaqi, “TRUNGU”, poezi, botoi \u00abLENA\u00bb, Prishtin\u00eb, 2018, faqe 140. ISBN 978-9951-755-89-4. Nga Shefqet DIBRANI Vargu \u201cP\u00ebr k\u00ebt\u00eb Tok\u00eb, t\u00eb lidhur nyje\u201d, nuk \u00ebsht\u00eb vet\u00ebm metafor\u00eb lirike, \u00ebsht\u00eb tog\u00ebfjal\u00ebsh, n\u00eb let\u00ebrsi quhet syntagm\u00eb, dhe k\u00ebshtu \u201clidhur nyje\u201d, materializon idealizmin e poetit Mentor Thaqi. 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