{"id":7492,"date":"2016-10-11T22:32:25","date_gmt":"2016-10-11T21:32:25","guid":{"rendered":"http:\/\/www.fjala.info\/?p=7492"},"modified":"2021-05-06T03:15:15","modified_gmt":"2021-05-06T01:15:15","slug":"figura-e-femres-ne-disa-romane-te-shkrimtareve-shqiptare-i","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/figura-e-femres-ne-disa-romane-te-shkrimtareve-shqiptare-i\/","title":{"rendered":"FIGURA E FEMR\u00cbS N\u00cb DISA ROMANE T\u00cb SHKRIMTAR\u00cbVE SHQIPTAR\u00cb (I)"},"content":{"rendered":"

E p\u00ebrgatiti Prof. Zymer Mehani<\/strong><\/p>\n

Let\u00ebrsia bashk\u00ebkohore shqiptare kaloi n\u00ebp\u00ebr shtigje tep\u00ebr t\u00eb v\u00ebshtira duke u detyruar t\u00eb kufizohet brenda uniform\u00ebs s\u00eb ngusht\u00eb t\u00eb metod\u00ebs s\u00eb realizmit socialist. N\u00eb fillimin e viteve \u201960 do b\u00ebhen hapat e par\u00eb p\u00ebr t\u00eb nxjerr\u00eb let\u00ebrsin\u00eb nga ky shabllon.<\/p>\n

K\u00ebtu p\u00ebrmendim kontributin e \u00e7muar t\u00eb Petro Markos me romanin e tij t\u00eb par\u00eb \u201cHasta la vista<\/em>\u201d, q\u00eb sjell nj\u00eb k\u00ebndv\u00ebshtrim t\u00eb ri n\u00eb let\u00ebrsin\u00eb e asaj periudhe. Figura q\u00ebndrore n\u00eb k\u00ebt\u00eb roman jan\u00eb shqiptari Gori Gjinleka, vullnetar shqiptar dhe spanjollja e re dhe e bukur, Anita Gonzales. Si\u00e7 kuptohet nga fillimi i romanit k\u00ebta dy shpejt bien n\u00eb dashuri, segment ky q\u00eb do t\u00eb b\u00ebhet subjekt i vepr\u00ebs.<\/p>\n

Dashuria e tyre lind n\u00eb shikim t\u00eb par\u00eb, por b\u00ebhet shum\u00eb e fort\u00eb dhe e sinqert\u00eb. Ata kan\u00eb edhe p\u00ebrkat\u00ebsi t\u00eb nj\u00ebjt\u00eb ideologjike. Fatkeq\u00ebsisht, kjo dashuri nd\u00ebrpritet me kthimin e Gorit n\u00eb atdhe. Mund\u00ebsia p\u00ebr t\u2019u takuar mbetet e hapur, sepse n\u00eb ndarje Gori i thot\u00eb Anit\u00ebs p\u00ebrsh\u00ebndetjen spanjolle \u201chasta la vista\u201d, q\u00eb do t\u00eb thot\u00eb mirupafshim.<\/p>\n

M\u00eb pas, po Petro Marko, boton romanin \u201cQyteti i fundit\u201d, n\u00eb t\u00eb cilin trajton nj\u00eb tem\u00eb nga fundi i Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore, por, \u00ebsht\u00eb shkruar nga nj\u00eb k\u00ebnd i ri, q\u00eb solli nj\u00eb frym\u00eb t\u00eb re n\u00eb let\u00ebrsin\u00eb shqiptare. T\u00ebr\u00eb ngjarja e romanit shtrihet brenda disa dit\u00ebve t\u00eb fundit t\u00eb q\u00ebndrimit t\u00eb rob\u00ebrve italian\u00eb, t\u00eb cil\u00ebt t\u00eb grumbulluar n\u00eb portin e Durr\u00ebsit, prisnin anijet e kthimit p\u00ebr n\u00eb atdhe.<\/p>\n

Gjat\u00eb pritjes nj\u00ebjav\u00ebshe, n\u00eb port ndodhin ngjarje t\u00eb ndryshme, jo t\u00eb m\u00ebdha. Autori do t\u00eb sjell\u00eb rr\u00ebfimin p\u00ebr dashurin\u00eb e oficerit t\u00eb ri shqiptar Lek\u00ebs dhe prostitut\u00ebs s\u00eb bukur italiane Ana Maria Monte, viktim\u00eb po ashtu e luft\u00ebs dhe e fashizmit. Brenda 7 dit\u00ebve, aq sa q\u00ebndrojn\u00eb italian\u00ebt e mbledhur n\u00eb portin e Durr\u00ebsit p\u00ebr t’u kthyer n\u00eb Itali, shkrimtari n\u00eb romanin “Qyteti i fundit” do t\u00eb zbuloj\u00eb dhe do t\u00eb rr\u00ebfej\u00eb historit\u00eb dhe fatet e disave nga ushtria fashiste q\u00eb para 4-5 viteve e kishte pushtuar Shqip\u00ebrin\u00eb.N\u00eb k\u00ebt\u00eb pleksje historish e fatesh, autori do t\u00eb sajoj\u00eb linj\u00ebn e rr\u00ebfimit q\u00eb ndjek hetimi p\u00ebr zbulimin e nj\u00eb krimineli lufte, t\u00eb maskuar dhe t\u00eb fshehur brenda turm\u00ebs s\u00eb “Qytetit”.<\/p>\n

N\u00eb krye t\u00eb grupit q\u00eb duhet ta organizoj\u00eb dhe ta udh\u00ebheq\u00eb k\u00ebt\u00eb zbulim \u00ebsht\u00eb toger Leka. Pista q\u00eb ndjek togeri n\u00eb k\u00ebt\u00eb drejtim, e ngjashme me labirintet e romaneve deduktive, do t\u00eb ec\u00eb dhe p\u00ebrmes prostitut\u00ebs italiane – Ana Maria Monte. Dhe do t\u00eb lind\u00eb dashuria mes tyre, q\u00eb \u00ebsht\u00eb shum\u00ebfish m\u00eb “m\u00ebkatare” se ajo mes Gorit dhe Anit\u00ebs. Leka \u00ebsht\u00eb toger i Sigurimit Shtet\u00ebror t\u00eb Shqip\u00ebris\u00eb s\u00eb sapodal\u00eb nga lufta, q\u00eb la pas shkat\u00ebrrime dhe krime, nd\u00ebrsa italiania Ana \u00ebsht\u00eb e pal\u00ebs q\u00eb i kreu ato krime, e pal\u00ebs s\u00eb cil\u00ebs i sh\u00ebrbente.<\/p>\n

K\u00ebshtu shkrimtari, duke ndjekur k\u00ebt\u00eb linj\u00eb do t\u00eb ec\u00eb n\u00ebp\u00ebr nj\u00eb teh t\u00eb mpreht\u00eb: do ta lejoj\u00eb togerin e Sigurimit t’i n\u00ebnshtrohet z\u00ebrit t\u00eb brendsh\u00ebm dhe t\u00eb dashurohet me italianen e bukur, apo do t\u00eb nxjerr\u00eb para tij fuqin\u00eb e p\u00ebrgjegj\u00ebsis\u00eb dhe t\u00eb m\u00ebkatit ndaj “moll\u00ebs s\u00eb ndaluar”?<\/p>\n

Nd\u00ebrkaq me personazhin fem\u00ebr, shenja m\u00eb e qart\u00eb e pranis\u00eb s\u00eb humanitetit dhe rrez\u00ebllitjes s\u00eb pranis\u00eb s\u00eb qenies njer\u00ebzore, P. Marko theu disa tabu t\u00eb koh\u00ebs, jo vet\u00ebm se femra ishte e huaj, jo vet\u00ebm se dashuria jepet si ndjenj\u00eb aq universale, sa mund t\u00eb lidh\u00eb edhe dy njer\u00ebz t\u00eb komb\u00ebsive t\u00eb ndryshme, por edhe p\u00ebr faktin e thjesht\u00eb se femra n\u00eb tekstet romanore t\u00eb tij zuri nj\u00eb vend t\u00eb merituar, qoft\u00eb dhe kur ajo ishte prostitut\u00eb. Shkrimtari \u00ebsht\u00eb n\u00eb an\u00ebn e saj dhe e mbron, e adhuron guximin e saj, por \u00ebsht\u00eb po kaq fuqish\u00ebm edhe me feminitetin dhe bukurin\u00eb q\u00eb bart.<\/p>\n

Prania e luft\u00ebs dhe e dashuris\u00eb, e rrokshme p\u00ebrgjith\u00ebsisht n\u00eb romanet e autorit, di\u00e7ka m\u00eb e thell\u00eb si p\u00ebrjetim etik dhe estetik, na shqiptohet n\u00eb k\u00ebto romane, shoq\u00ebruar nd\u00ebrkaq edhe me nj\u00eb tis d\u00ebshp\u00ebrimi dhe trishtimi rrez\u00ebllit\u00ebs, t\u00eb krijon bindjen e thell\u00eb se k\u00ebto romane ia kan\u00eb mb\u00ebrritur t\u00eb skicojn\u00eb n\u00eb letrat shqipe tiparet letrare t\u00eb brezit t\u00eb humbur. Faqet m\u00eb t\u00eb fuqishme t\u00eb proz\u00ebs s\u00eb Petro Markos reflektojn\u00eb triumfin e dashuris\u00eb dhe t\u00eb humanizmit njer\u00ebzor.<\/p>\n

Pas t\u00ebr\u00eb atij ferri n\u00ebp\u00ebr t\u00eb cilin kalon njeriu n\u00eb rr\u00ebfimin e Petro Markos, ai arrin t\u00eb mbetet i pamposhtur nga mizorit\u00eb e bot\u00ebs. K\u00ebt\u00eb b\u00ebrtham\u00eb t\u00eb brendshme e rrezatojn\u00eb personazhet nga romanet e tij, k\u00ebt\u00eb shk\u00eblqim biblik reflekton Petro Marko njeri dhe Petro Marko shkrimtar n\u00eb t\u00ebr\u00eb veprat e tij.<\/p>\n

II<\/strong>.
\nM\u00eb 1962 Ismail Kadare boton romanin e tij t\u00eb suksessh\u00ebm \u201c Generali i ushtris\u00eb s\u00eb vdekur\u201d p\u00ebrkthyer n\u00eb 40 gjuh\u00eb t\u00eb ndryshme. Plaka Nic\u00eb: personifikon n\u00ebnat e martirizuara dhe urrejtjen e pashuar t\u00eb popullit ndaj agresor\u00ebve. N\u00eb gjestin simbolik t\u00eb hudhjes s\u00eb eshtrave n\u00eb k\u00ebmb\u00ebt e gjeneralit, gjykon dhe ekzekuton d\u00ebnimin p\u00ebr kolonelin Z. K\u00ebsaj, n\u00eb luft\u00eb, Koloneli Z. ia kishte vrar\u00eb burrin dhe dhunuar vajz\u00ebn, duke ia sterrosur jet\u00ebn p\u00ebrgjithmon\u00eb. Kjo at\u00ebher\u00eb p\u00ebrjetoi nj\u00eb dram\u00eb t\u00eb thell\u00eb familjare, pasojat e t\u00eb cil\u00ebs i barti n\u00eb shpirt nj\u00ebzet vjet.<\/p>\n

Atmosfera e dasm\u00ebs, madje uniforma e gjeneralit t\u00eb huaj, asaj ia kujton koh\u00ebn e luft\u00ebs, koh\u00ebn e tmerreve dhe fatkeq\u00ebsive q\u00eb i solli ajo. P\u00ebrmes monologut t\u00eb saj t\u00eb brendsh\u00ebm ne kujtojm\u00eb t\u00eb kaluar\u00ebn e saj tragjike: \u201cthon\u00eb se ti mbledh t\u00eb vrar\u00ebt e vendit t\u00ebnd. Mbase ke mbledhur shum\u00eb dhe do t\u00eb mbledh\u00ebsh akoma shum\u00eb t\u00eb tjer\u00eb, mbase do t\u2019i mbledh\u00ebsh t\u00eb gjith\u00eb, por dije mir\u00eb se nj\u00ebrin nuk ke p\u00ebr ta gjetur kurr\u00eb n\u00eb jet\u00eb t\u00eb jet\u00ebve, ashtu si n\u00eb jet\u00eb t\u00eb jet\u00ebve un\u00eb nuk do t\u2019i gjej\u00eb kurr\u00eb m\u00eb vajz\u00ebn time dhe burrin tim. Do t\u00eb ik\u00ebsh pa e marr\u00eb mikun t\u00ebnd, mikun t\u00ebnd t\u00eb zi, q\u00eb m\u00eb sterrosi jet\u00ebn. T\u00eb ik\u00ebsh sa m\u00eb par\u00eb, sepse edhe ti je i mallkuar si ai.\u201d<\/p>\n

N\u00eb shpirt kjo ka ndry nj\u00eb plag\u00eb t\u00eb madhe, nj\u00eb tmerr dhe nj\u00eb dhembje prej gruaje dhe n\u00ebne. Tani kur sheh gjeneralin, i cili i p\u00ebrket asaj ushtrie armike, q\u00eb ka vrar\u00eb e djegur aq shum\u00eb njer\u00ebz e vende, n\u00eb shpirtin e saj krijohet nj\u00eb tension i madh emocional nj\u00eb revolt\u00eb e p\u00ebrzier me dhembje e p\u00ebrbuzje q\u00eb p\u00ebrgatit nj\u00ebkoh\u00ebsisht edhe zhvarrosjen e Kolonelit Z. t\u00eb vdekur dhe varrosjen e gjeneralit t\u00eb gjall\u00eb p\u00ebrball\u00eb dasm\u00ebs. Si\u00e7 do shkruaj\u00eb edhe Kudret Vel\u00e7a p\u00ebr gjestin e saj se: \u201cintensiteti i emocionit e tejkalon objektin q\u00eb e provokon.\u201d<\/p>\n

Ky episod \u00ebsht\u00eb i trilluar nga autori, por i zgjedhur me invenc\u00eb t\u00eb gjall\u00eb, p\u00ebr t\u00eb fiksuar nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb thell\u00eb t\u00eb jet\u00ebs s\u00eb popullit ton\u00eb, nj\u00eb t\u00eb v\u00ebrtet\u00eb q\u00eb ka rr\u00ebnj\u00ebt n\u00eb t\u00eb kaluar\u00ebn historike dhe q\u00eb d\u00ebshmon mbi luft\u00ebn me pasoja t\u00eb atilla \u00e7far\u00eb nuk jan\u00eb shlyer edhe pas kaq vitesh.<\/p>\n

Drama familjare e plak\u00ebs Nic\u00eb ndodhi n\u00eb gjiun e dram\u00ebs s\u00eb p\u00ebrgjithshme komb\u00ebtare, e kusht\u00ebzuar nga lufta, nga historia, prandaj prapaskena e k\u00ebsaj ngjarjeje \u00ebsht\u00eb realiteti historik.<\/p>\n

Mendoj m\u00eb shum\u00eb se imagjinat\u00eb n\u00eb k\u00ebt\u00eb episod ka t\u00eb v\u00ebrtet\u00eb historike, t\u00eb v\u00ebrtet\u00eb jet\u00ebsore, e cila p\u00ebrmes artit \u00ebsht\u00eb thelluar dhe p\u00ebrgjith\u00ebsuar n\u00eb t\u00ebr\u00ebsi.<\/p>\n

III<\/strong>.
\nM\u00eb pas Jakov Xoxa boton romanin e tij \u201cLumi i vdekur\u201d.<\/p>\n

Personazhi i Vit\u00ebs \u00ebsht\u00eb nj\u00eb t\u00ebr\u00ebsi ndjenjash, prandaj gati receptohet n\u00ebp\u00ebrmjet ndjenjave t\u00eb saj si nj\u00eb heroin\u00eb sentimentale. Ajo m\u00eb tep\u00ebr p\u00ebrjeton dashurin\u00eb sesa jeton me mundimet dhe vuajtjet e p\u00ebrditshme. Prania e saj ndihet e fort\u00eb n\u00eb krejt romanin, kurse b\u00ebmat dhe sjelljet shihen m\u00eb pak. Zgjimi i ndjenjave dashurore shkon krahas zhvillimit fem\u00ebror dhe zbukurimit t\u00eb saj, aq sa duket sikur dashuria e zhvillon dhe e zbukuron at\u00eb.<\/p>\n

P\u00ebrshkrimet p\u00ebr zgjimin e saj dashuror dhe zhvillimin fem\u00ebror jan\u00eb nd\u00ebr m\u00eb emocionueset dhe t\u00eb rralla n\u00eb proz\u00ebn shqipe. Edhe marr\u00ebdh\u00ebniet e saj me t\u00eb tjer\u00ebt, kryesisht, jan\u00eb marr\u00ebdh\u00ebnie ndjenjash. Si bij\u00eb vuan dhimbjen e madhe p\u00ebr vdekjen e parakoh\u00ebshme t\u00eb s\u00eb \u00ebm\u00ebs, si mot\u00ebr provon her\u00ebt dhembshurin\u00eb p\u00ebr v\u00ebllan\u00eb dhe motr\u00ebn e vog\u00ebl jetime; si vajz\u00eb e sinqert dhe pa paragjykime p\u00ebrjeton thell\u00eb dashurin\u00eb erotike p\u00ebr Adilin. Dashuria p\u00ebr Adilin nj\u00ebjt\u00ebsohet me vet\u00eb jet\u00ebn e saj, me k\u00ebnaq\u00ebsit\u00eb sublime, me bukurin\u00eb dhe lumturin\u00eb e jet\u00ebs.<\/p>\n

Vita, gjithashtu, \u00ebsht\u00eb simbol i pasioneve rinore t\u00eb vrullshme dhe t\u00eb pandalshme, \u00ebsht\u00eb simbol i dashuris\u00eb q\u00eb \u00e7el edhe n\u00eb k\u00ebnet\u00ebn e jet\u00ebs, edhe n\u00eb mes t\u00eb fanatizmit, simbol i g\u00ebzimit dhe i p\u00ebrt\u00ebritjes s\u00eb jet\u00ebs; simboli i femr\u00ebs q\u00eb ngacmon erotikisht njer\u00ebzit dhe poetizon krejt mjedisin.<\/p>\n

IV<\/strong>.
\nAnton Pashku, me romanin “OH\u201d ndihmoi shprishjen e konvencave tradicionale t\u00eb nd\u00ebrtimit t\u00eb rr\u00ebfimit n\u00eb proz\u00ebn tregimtare dhe nd\u00ebrtimin e figursh\u00ebm t\u00eb realitetit p\u00ebrshkrimor. Rr\u00ebfimi i ngjarjeve strukturohet si dialog i burrit-rr\u00ebfimtarit me bashk\u00ebbiseduesen “e pranishme”. Njeriu i vetmuar, n\u00eb dhom\u00ebn e err\u00ebt, \u00ebsht\u00eb kredhur n\u00eb mendime. N\u00eb dhom\u00eb \u00ebsht\u00eb gruaja por ajo nuk merr pjes\u00eb n\u00eb shqet\u00ebsimin e tij.<\/p>\n

Nazmi Rrahmani n\u00eb romanin \u2018Mal\u00ebsorja\u201d, kryepersonazh ka Hajrijen, e cila nuk \u00ebsht\u00eb e tipit t\u00eb formuar, t\u00eb gatsh\u00ebm, por formohet gjat\u00eb rr\u00ebfimit, i cili rrjedh sipas teknik\u00ebs kronologjike, t\u00eb nd\u00ebrprer\u00eb dhe t\u00eb nd\u00ebrpleksur her\u00eb-her\u00eb. Formimi i Hajrijes ndiqet sipas linj\u00ebs s\u00eb brendshme t\u00eb shpalimit, nga motivet, pretendimet, vizioni i saj i brendsh\u00ebm, ajo gradualisht vet\u00ebdij\u00ebsohet p\u00ebr pozit\u00ebn e vet t\u00eb n\u00ebnshtruar, p\u00ebr mund\u00ebsit\u00eb e veta t\u00eb kufizuara, por t\u00ebr\u00eb at\u00eb ngarkes\u00eb e bart n\u00eb heshtje dhe dhimbje t\u00eb plot\u00eb. Autori nganj\u00ebher\u00eb e b\u00ebn t\u00eb z\u00ebsh\u00ebm vajin e saj t\u00eb brendsh\u00ebm vet\u00ebm p\u00ebrmes monologieve t\u00eb saj, dhe m\u00eb rrall\u00eb p\u00ebrmes ndonj\u00eb dialogu, nd\u00ebrhyrjeje apo sqarimi t\u00eb \u00e7astit.<\/p>\n

Pik\u00ebrisht p\u00ebrmes k\u00ebsaj pjese t\u00eb tekstit narrativ, autori arrin ta shpalos\u00eb bot\u00ebn e brendshme t\u00eb Hajrijes n\u00ebp\u00ebrmjet rr\u00ebfimit psikologjik. Ngjarja n\u00eb k\u00ebt\u00eb roman rr\u00ebfehet n\u00eb vet\u00ebn e tret\u00eb dhe nga pozicioni i narratorit t\u00eb gjith\u00ebditur, q\u00eb n\u00ebnkupton distanc\u00ebn e autorit, p\u00ebrkat\u00ebsisht mund\u00ebsin\u00eb e pozicionimit objektiv rr\u00ebfyes. T\u00ebr\u00eb bota e rr\u00ebfyer shikohet me syt\u00eb e
\nHajrijes: nga ky k\u00ebnd sajohen mekanizmat e vlerave dhe vler\u00ebsimet, nga kjo perspektiv\u00eb sajohen parimet morale, kanunore.<\/p>\n

An\u00ebsimi n\u00eb favor t\u00eb kryepersonazhit, b\u00ebhet i duksh\u00ebm sidomos n\u00eb momente kur narratori nuk p\u00ebrmbahet dot nga nd\u00ebrhyrjet e motive t\u00eb llojit: “e mjera (Hajrija), e ngrata,” etj. Vizionin e vet p\u00ebr vlerat jet\u00ebsore, Hajrija arrin ta shpalos\u00eb bot\u00ebrisht pothuajse n\u00eb mbyllje t\u00eb rrug\u00ebs s\u00eb vet jet\u00ebsore. Kur e ndien se fundi i saj do t\u00eb jet\u00eb shum\u00ebfish m\u00eb tragjik nga \u00e7’ka qen\u00eb Golgota e p\u00ebrjetuar, ajo vendos t\u00eb veproj\u00eb dhe t\u00eb ket\u00eb rezultat.<\/p>\n

Triumfi i saj moral, n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb \u00ebsht\u00eb dhe paralajm\u00ebrim p\u00ebr nj\u00eb cil\u00ebsi t\u00eb re jete, sidomos n\u00eb rrafsh t\u00eb pozit\u00ebs s\u00eb gruas, por dhe nj\u00eb trajtim i gjakmarrjes kanunore. K\u00ebmb\u00ebngulja e saj vjen dhe si nj\u00eb sprov\u00eb, si nj\u00eb sfid\u00eb q\u00eb i b\u00ebhet q\u00ebndrueshm\u00ebris\u00eb s\u00eb k\u00ebsaj plage. Mund t\u00eb thuhet se romani mbi fatin e Hajrijes, deg\u00ebzohet n\u00eb nj\u00eb mori rrjedhash jet\u00ebsore q\u00eb derdhen t\u00eb gjitha drejt rritjes s\u00eb personalitetit t\u00eb saj dhe drejt sfid\u00ebs ndaj konvencioneve tradizionale me pasoja tragjike.<\/p>\n

V<\/strong>.
\nProz\u00eb artistike e realizuar bukur \u00ebsht\u00eb romani ,,Dikush m\u00eb b\u00ebz\u00ebqeshte\u201d. Tema e k\u00ebtij romani, edhe pse lidhet me luft\u00ebn antifashiste, nuk ka t\u00eb b\u00ebj\u00eb me prezentimin klasik, tradicional, t\u00eb luft\u00ebs. K\u00ebrsh\u00ebria krijuese e autorit, n\u00eb plan t\u00eb par\u00eb, p\u00ebrq\u00ebndrohet n\u00eb ndri\u00e7imin e bot\u00ebs s\u00eb nuancuar dhe komplekse t\u00eb brendshme, n\u00eb ndri\u00e7imin e labirinteve m\u00eb t\u00eb deg\u00ebzuara psikologjike.<\/p>\n

Vet\u00eb shkrimtari, duke rr\u00ebfyer n\u00eb vet\u00ebn e par\u00eb dhe duke u identifikuar plot\u00ebsisht me personazhin q\u00eb rr\u00ebfen, fare rast\u00ebsisht has n\u00eb emrin e nj\u00eb heroine, t\u00eb r\u00ebn\u00eb n\u00eb luft\u00eb. Ky tregimtar, dikur f\u00ebmij\u00eb edhe vet\u00eb, ka qen\u00eb d\u00ebshmitar i vrasjes s\u00eb k\u00ebsaj heroine nga ana e fashizmit, n\u00eb qytetin e vet. K\u00ebshtu, pa pritur, atij tani i del p\u00ebrpara syve pamja e dikurshme: n\u00ebp\u00ebr nj\u00eb rrug\u00eb t\u00eb qytetit t\u00eb tij, vras\u00ebsit e t\u00ebrhiqnin t\u00eb varur pas nj\u00eb karroce kufom\u00ebn e heroin\u00ebs. F\u00ebmij\u00ebt e lagjes dhe t\u00eb qytetit, s\u00eb bashku me ta edhe personazhi q\u00eb e rr\u00ebfen k\u00ebt\u00eb ngjarje, t\u00eb lemeritur i shkonin pas k\u00ebtij funerali t\u00eb tmersh\u00ebm.<\/p>\n

Pik\u00ebrisht emri i k\u00ebsaj d\u00ebshmoreje, n\u00eb mesin e shum\u00eb emrave d\u00ebshmor\u00ebsh t\u00eb r\u00ebn\u00eb p\u00ebr liri, n\u00eb faqet e nj\u00eb gazete, sikur e zgjon nga nj\u00eb gjum\u00eb dhe nga nj\u00eb d\u00ebshir\u00eb e hershme shkrimtarin, gjegj\u00ebsisht at\u00eb q\u00eb e rr\u00ebfen ngjarjen… Ai p\u00ebrnj\u00ebher\u00eb sikur d\u00ebshiron t\u00eb dij\u00eb \u00e7do gj\u00eb lidhur me jet\u00ebn, me familjen, me f\u00ebmij\u00ebrin\u00eb, me dashurin\u00eb dhe me urrejtjen e saj, me trim\u00ebrin\u00eb dhe me vdekjen e saj. Dhe shkrimtari niset shtigjeve t\u00eb gjurmimit p\u00ebr ta plot\u00ebsuar k\u00ebt\u00eb k\u00ebrsh\u00ebri q\u00eb e djeg dhe e v\u00eb n\u00eb l\u00ebvizje nga brenda. K\u00ebshtu, n\u00eb pjes\u00ebn me t\u00eb madhe t\u00eb romanit hasim fragmente, detaje dhe epizode nga jeta e d\u00ebshmores, fragmente jete t\u00eb shp\u00ebrndara nep\u00ebr krejt vendet nga ka l\u00ebvizur dhe nga ka vepruar d\u00ebshmorja n\u00eb fjal\u00eb. Nga kjo bredhje e k\u00ebrsh\u00ebris\u00eb s\u00eb shkrimtarit, \u00ebsht\u00eb sajuar rr\u00ebfimi i bukur i i k\u00ebtij romani.<\/p>\n

VI<\/strong>.
\nN\u00eb romanin “Njer\u00ebzit\u201d t\u00eb shkrimtarit Hivzi Sulejmani b\u00ebhet fjal\u00eb kryesisht p\u00ebr nj\u00eb familje shqiptare, nj\u00eb an\u00ebtar i s\u00eb cil\u00ebs humb jet\u00ebn n\u00eb Ston t\u00eb Dalmacis\u00eb, kurse i dyti, Aziz Sulejmani, disa dit\u00eb para mbarimit t\u00eb luft\u00ebs e clirimin e vendit, e presin dy protagonist\u00ebt kryesor\u00eb t\u00eb vepr\u00ebs, Hafizi q\u00eb edhe vet\u00eb kishte dh\u00ebn\u00eb kontributin e vlefsh\u00ebm p\u00ebr kuft\u00ebn dhe e \u00ebma Xhemilja.
\nMe kujdes t\u00eb madh \u00ebsht\u00eb skalitur figura e n\u00ebn\u00eb Xhemiles, n\u00ebn\u00eb e p\u00ebrvuajtur, e mjer\u00eb, por gjithmon\u00eb fisnike. \u00cbsht\u00eb kjo nj\u00eb grua burr\u00ebrore q\u00eb ushqen nj\u00eb dashuri t\u00eb thell\u00eb ndaj t\u00eb bijve, t\u00eb cil\u00ebt i ka rrit\u00eb e ushqyer me pun\u00eb t\u00eb ndershme, n\u00ebn\u00eb q\u00eb di ta fsheh\u00eb edhe pik\u00ebllimin m\u00eb t\u00eb madh deri n\u00eb momentin e fundit, kur i kalon caqet e durimit njer\u00ebzor.<\/p>\n

Ajo nj\u00eb dit\u00eb merr lajmin e vrasjes s\u00eb birit m\u00eb t\u00eb madh Riz\u00ebs. Pas kryerjes s\u00eb shkoll\u00ebs, dy t\u00eb tjer\u00ebt nuk mund t\u00eb inkuadrohen n\u00eb pun\u00eb. Dhe kur ka shpresuar se do ta l\u00ebr\u00eb nj\u00ebher\u00eb e p\u00ebrgjithmon\u00eb vekun, detyrohet t\u2019i kthehet p\u00ebrs\u00ebri, q\u00eb t\u00eb mos t\u2019i ngushtoj\u00eb t\u00eb bijt\u00eb dhe vet\u00eb ta fitoj\u00eb koren e buk\u00ebs. Vuajtjet e saj tani e tutje n\u00eb vend q\u00eb t\u00eb marrin fund, shtohen p\u00ebrdit\u00eb e m\u00eb shum\u00eb: ka p\u00ebrjetuar ajo bombardime t\u00eb shumta, i ka k\u00ebrkuar buz\u00eb Sitnic\u00ebs e Ibrit kufomat e t\u00eb bijve, ka nd\u00ebrruar konaqe, sepse nuk ka mundur t\u00eb shkoj\u00eb me t\u00eb bijt\u00eb, e k\u00ebt\u00eb e ka d\u00ebshiruar kurdoher\u00eb, por kjo ishte e pamundur dhe ajo \u00ebsht\u00eb kacafytur me jet\u00ebn\u2026<\/p>\n

Kur merr vesh p\u00ebr vrasjen e Azizit dhe s\u00ebmundjen e Hafizit, q\u00eb nuk ka sh\u00ebrim, duke u kujdesur p\u00ebr m\u00ebshqerr\u00ebn e vog\u00ebl e p\u00ebrkujton t\u00eb kaluar\u00ebn. Por, megjithat\u00eb ajo mbetet grua burr\u00ebrore, q\u00eb p\u00ebrs\u00ebri do t\u00eb vritet, vet\u00ebm q\u00eb n\u00ebnat t\u00eb mos vishen me t\u00eb zeza, q\u00eb v\u00ebllez\u00ebrit t\u00eb mos vajtojn\u00eb p\u00ebr nj\u00ebri tjetrin, q\u00eb zot\u00ebrinjt\u00eb t\u00eb mos sundojn\u00eb kurr\u00eb m\u00eb. Si e till\u00eb ajo mbetet jo vet\u00ebm simbol i vuajtjes, por edhe i krenaris\u00eb, mburrjes njer\u00ebzore dhe pamposhtm\u00ebris\u00eb.<\/p>\n

VII<\/strong>.
\nEdhe Dhimit\u00ebr Xhuvani n\u00eb romanin \u2018\u2019Midis dy net\u00ebve\u201d flet p\u00ebr fatin e femr\u00ebs, q\u00eb baticat dhe zbaticat e jet\u00ebs e kan\u00eb hedh\u00eb n\u00eb rrug\u00eb t\u00eb parrug\u00eb prej t\u00eb cilave n\u00eb fund do t\u00eb dal\u00eb ngadhnjyese.<\/p>\n

Rr\u00ebfimi p\u00ebr vajz\u00ebn nga kryeqyteti (Tirana), Teft\u00ebn, s\u00eb cil\u00ebs zhg\u00ebnjimi n\u00eb dashurin\u00eb e par\u00eb Ii ka dh\u00ebn\u00eb jet\u00ebs s\u00eb saj nj\u00eb kahje tjet\u00ebr, vjen e b\u00ebhet gjithnj\u00eb e m\u00eb interesant. Tiranasja e re, Tefta, bot\u00ebkuptimi i s\u00eb cil\u00ebs n\u00eb fillim p\u00ebr jet\u00ebn duket se p\u00ebrmblidhet n\u00eb mendimin:\u201d ne grat\u00eb prandaj jemi, q\u00eb t\u00eb pjellim.<\/p>\n

Kjo gj\u00eb deri m\u00eb sot nuk m\u00eb ka shqet\u00ebsuar dhe s\u2019besoj t\u00eb m\u00eb shqet\u00ebsoj. Un\u00eb do t\u00eb punoj dhe do t\u00eb d\u00ebrgoj parat\u00eb q\u00eb duhen p\u00ebr f\u00ebmij\u00ebn. Ne grat\u00eb kemi nj\u00eb t\u00eb mir\u00eb, se nuk dyshojm\u00eb p\u00ebr f\u00ebmij\u00ebt q\u00eb pjellim; me k\u00ebdo q\u00eb t\u2019I kemi, ata jan\u00eb tan\u00ebt\u201d, dhe n\u00eb ambientin e ri n\u00eb C\u00ebrrik, p\u00ebr nj\u00eb koh\u00eb vazhdoi rrug\u00ebn e nisur, sepse tani e shtyn di\u00e7ka tjet\u00ebr, di\u00e7ka q\u00eb nuk mund t\u00eb quhet m\u00eb dashuri. Dhe kjo b\u00ebn q\u00eb t\u00eb tjer\u00ebt ta shikojn\u00eb me sy jo t\u00eb zakonsh\u00ebm, saq\u00eb vajzat e p\u00ebrz\u00ebn\u00eb prej dhom\u00ebs s\u00eb tyre. Por, megjithat\u00eb ajo i dhimbset lexuesit. I dhimbset pse jeta e ka future n\u00eb rrug\u00eb t\u00eb k\u00ebtilla dhe pse nganj\u00ebher\u00eb di t\u00eb gjykoj\u00eb drejt.
\nM\u00eb par\u00eb n\u00eb gjyq nuk e kishte pranuar baban\u00eb e f\u00ebmij\u00ebs e vet\u00ebdijshme se ndryshe do t\u00eb trajtohet n\u00eb sy t\u00eb t\u00eb tjer\u00ebve.<\/p>\n

K\u00ebt\u00eb e b\u00ebn e bindur se Mireli nuk ishte i denj\u00eb p\u00ebr t\u2019u quajtur baba i f\u00ebmij\u00ebs s\u00eb saj.
\nAmbiciet e Teft\u00ebs tani jan\u00eb orientuar dikah tjet\u00ebr: kah puna e nd\u00ebrgjegjshme dhe “kjo e b\u00ebn at\u00eb t\u00eb punoj\u00eb me vrull e n\u00eb gar\u00eb me t\u00eb tjer\u00ebt\u201d. Kjo d\u00ebshir\u00eb \u00ebsht\u00eb ajo q\u00eb b\u00ebn \u00e7udira dhe heroizma n\u00eb pun\u00eb. Dhe nd\u00ebrgjegjen e gatishm\u00ebrin\u00eb p\u00ebr sakrifica e ka treguar disa her\u00eb m\u00eb par\u00eb. E ajo i ndihmon ta fitoj\u00eb simpatin\u00eb e t\u00eb gjith\u00ebve, t\u00eb cil\u00ebt hedhin n\u00eb harres\u00eb t\u00eb kaluar\u00ebn e saj. Madje, kur ndokush i p\u00ebrmend k\u00ebt\u00eb, t\u00eb tjer\u00ebt reagojn\u00eb ashp\u00ebr, ashtu si nuk i pret as ajo vet\u00eb.<\/p>\n

VIII<\/strong>.
\nN\u00eb romanin \u201cGjarpijt e gjakut\u2019 biseda q\u00eb zhvillohet nd\u00ebrmjet Gjyl\u00ebs dhe Ferides tregon p\u00ebr mjesht\u00ebrin\u00eb e shkrimtarit p\u00ebr ta udh\u00ebhequr ngjarjen, p\u00ebr ta lidhur me kusht\u00ebzimet e ndryshme n\u00eb \u00e7do k\u00ebnd dhe n\u00eb \u00e7do pik\u00eb gjaku t\u00eb atyre njer\u00ebzve. Ndjenja e kryelart\u00ebsis\u00eb dhe e trim\u00ebris\u00eb \u00ebsht\u00eb e rr\u00ebnjosur thell\u00eb edhe n\u00eb psik\u00ebn e grave e t\u00eb vajzave sin \u00eb psik\u00ebn e meshkujve, n\u00eb psik\u00ebn e f\u00ebmij\u00ebve dhe t\u00eb rriturve.<\/p>\n

Edhe pse me k\u00ebrsh\u00ebri dhe padurim e pret dit\u00ebn e dasm\u00ebs dhe e don Elezin, ndoshta sepse e njeh, Gjyla prap\u00eb anon kah t\u00eb vet\u00ebt, kur \u00ebsht\u00eb puna p\u00ebr trim\u00ebrin\u00eb dhe burr\u00ebrin\u00eb. Asaj i kujtohet vet\u00ebm nj\u00eb pamje: \u201cKur ia pat mshuar Ajeti yn\u00eb staravic\u00eb kres\u201d\u2026 Feridja preket prej k\u00ebtyre fjal\u00ebve sepse nuk i imponojn\u00eb. Ajo mendon ndryshe, sikur edhe Ajeti: \u201cA din bre Feride, kur m\u2019ka pa dhan\u00eb uj\u00eb at\u00ebhere me blud\u00eb?… Kur e pata rrxue Ajetin, t\u2019vllajn e saj\u201d. Edhe pse t\u00eb angazhuara me mendime t\u00eb tjera n\u00eb ato dit\u00eb t\u00eb paradasm\u00ebs, as vajzat, as djemt\u00eb s\u2019heqin dor\u00eb nga mendimet p\u00ebr at\u00eb moment t\u00eb par\u00ebnd\u00ebsish\u00ebm, por q\u00eb i jep sadisfaksion edhe nj\u00ebr\u00ebs edhe tjetr\u00ebs an\u00eb.<\/p>\n

IX<\/strong>.
\nTe romani “Besniku” djalin-vajz\u00eb e ruan n\u00ebna Zade. E ruan me kujdesin m\u00eb t\u00eb madh. Kan\u00eb kaluar kat\u00ebr vjet prejse ka lindur Besniku (Besa). Tash ai po i mban edhe tirqit. Zadja, edhe pae n\u00eb vek e p\u00ebrher\u00eb duke punuar, nuk i ndalet kurr\u00eb “djalit”. E ruan edhe prej motrave dhe tri motrat e Besnikut, t\u00eb gjitha m\u00eb t\u00eb m\u00ebdha se ai, nuk e marrin vesh kurr\u00eb se v\u00ebllai i tyre nuk \u00ebsht\u00eb v\u00eblla, por mot\u00ebr! Zadja, e frik\u00ebsuar nga Burri (Sahiti) as vet\u00eb nuk e di se si do t\u00eb sillet me Besnikun, sepse, po ta ruante si p\u00ebrpara, ai do t\u00eb mund t\u00eb b\u00ebhej “edhe ma \u00e7ik\u00eb se \u00e7ikat”. \u00cbsht\u00eb disi e humbur, e hutuar, e zbeht\u00eb dhe vet\u00ebm Besnikut ia kushton t\u00ebr\u00eb koh\u00ebn, kurse f\u00ebmij\u00ebt e tjer\u00eb i l\u00eb pas dore.<\/p>\n","protected":false},"excerpt":{"rendered":"

E p\u00ebrgatiti Prof. Zymer Mehani Let\u00ebrsia bashk\u00ebkohore shqiptare kaloi n\u00ebp\u00ebr shtigje tep\u00ebr t\u00eb v\u00ebshtira duke u detyruar t\u00eb kufizohet brenda uniform\u00ebs s\u00eb ngusht\u00eb t\u00eb metod\u00ebs s\u00eb realizmit socialist. N\u00eb fillimin e viteve \u201960 do b\u00ebhen hapat e par\u00eb p\u00ebr t\u00eb nxjerr\u00eb let\u00ebrsin\u00eb nga ky shabllon. K\u00ebtu p\u00ebrmendim kontributin e \u00e7muar t\u00eb Petro Markos me romanin […]<\/p>\n","protected":false},"author":1,"featured_media":68060,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,8],"tags":[],"class_list":["post-7492","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-letersi"],"yoast_head":"\nFIGURA E FEMR\u00cbS N\u00cb DISA ROMANE T\u00cb SHKRIMTAR\u00cbVE SHQIPTAR\u00cb (I) - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/figura-e-femres-ne-disa-romane-te-shkrimtareve-shqiptare-i\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FIGURA E FEMR\u00cbS N\u00cb DISA ROMANE T\u00cb SHKRIMTAR\u00cbVE SHQIPTAR\u00cb (I) - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"E p\u00ebrgatiti Prof. Zymer Mehani Let\u00ebrsia bashk\u00ebkohore shqiptare kaloi n\u00ebp\u00ebr shtigje tep\u00ebr t\u00eb v\u00ebshtira duke u detyruar t\u00eb kufizohet brenda uniform\u00ebs s\u00eb ngusht\u00eb t\u00eb metod\u00ebs s\u00eb realizmit socialist. 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