{"id":7517,"date":"2016-10-12T22:23:08","date_gmt":"2016-10-12T21:23:08","guid":{"rendered":"http:\/\/www.fjala.info\/?p=7517"},"modified":"2021-05-06T03:51:35","modified_gmt":"2021-05-06T01:51:35","slug":"__trashed","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/__trashed\/","title":{"rendered":"FIGURA E FEMR\u00cbS N\u00cb DISA ROMANE T\u00cb SHKRIMTAR\u00cbVE SHQIPTAR\u00cb (II)"},"content":{"rendered":"

E p\u00ebrgatiti Prof. Zymer Mehani<\/strong><\/p>\n

X<\/strong>.
\nHivzi Sulejmani n\u00eb romanin “F\u00ebmij\u00ebt e lumit tim<\/em>” e paraqet Lulen, t\u00eb shoqen e Bardhit, si revolucionare dhe grua me p\u00ebrvoj\u00eb jet\u00ebsore. Ajo ka q\u00ebllimet dhe idealet e p\u00ebrbashk\u00ebta me Bardhin dhe \u00ebsht\u00eb bashk\u00ebshorte dhe bashk\u00ebudh\u00ebtare e jet\u00ebs s\u00eb burrit, e cila interesohet mjaft edhe p\u00ebr pun\u00ebn dhe mendimet sekrete q\u00eb e mundojn\u00eb Bardhin. Por ajo \u00ebsht\u00eb edhe grua praktike, e cila v\u00ebren se “koha ka sjell\u00eb ndryshime” dhe se edhe ata si individ\u00eb duhet t\u00eb ndryshojn\u00eb. Ajo nuk e ka kund\u00ebrshtuar asnj\u00ebher\u00eb mendimin apo q\u00ebndrimin e Bardhit.<\/p>\n

Nuk e kund\u00ebrshton as tash, por e qorton p\u00ebr idealizmin e tij, p\u00ebr q\u00ebndrimin e tij thuaj statik dhe ndoshta t\u00eb pap\u00ebrshtatsh\u00ebm p\u00ebr k\u00ebt\u00eb koh\u00eb. Pra, Lulja \u00ebsht\u00eb figur\u00eb pozitive, por edhe me kund\u00ebrth\u00ebnie, e prirur q\u00eb t\u00eb adaptohet sipas k\u00ebrkesave t\u00eb dit\u00ebs, por edhe e p\u00ebrmbajtur n\u00eb prakticitetin e saj t\u00eb femr\u00ebs, meq\u00eb, n\u00eb esenc\u00eb \u00ebsht\u00eb revolucionare dhe me bot\u00ebkuptime shum\u00eb m\u00eb af\u00ebr atyre t\u00eb Bardhit.<\/p>\n

Edhe m\u00eb tep\u00ebr e nd\u00ebrlikuar dhe kund\u00ebrth\u00ebn\u00ebse \u00ebsht\u00eb figura e Xhixh\u00ebs, e cila, vetiu, n\u00eb saje t\u00eb ndjenjave fisnike dhe t\u00eb arsyes, n\u00eb saje t\u00eb modestis\u00eb dhe t\u00eb simpatis\u00eb ndaj atyre q\u00eb nuk jan\u00eb mendjem\u00ebdhenj – b\u00ebn nj\u00eb kthes\u00eb v\u00ebrtet t\u00eb madhe dhe t\u00eb papritur. Ndon\u00ebse e lidhur p\u00ebr Tushin me pasion dhe ndjenja rinore, e k\u00ebndej edhe e kredhur n\u00eb nj\u00eb jet\u00eb t\u00eb cil\u00ebn ai ia imponon – Xhixha e zbulon t\u00eb v\u00ebrtet\u00ebn, neveritet nga vrazhd\u00ebsia e Tushit, t\u00eb cilin shum\u00eb koh\u00eb e duroi, nga mendjemadh\u00ebsia e tij prej mikroborgjezi, nga shpotitjet dhe prirja p\u00ebr organizimin e shpifjeve kund\u00ebr njer\u00ebzve t\u00eb past\u00ebr dhe t\u00eb pafaj, kund\u00ebr atyre q\u00eb jan\u00eb krenar\u00eb e nuk i p\u00ebrulen dot dhe, i braktis t\u00eb gjitha me vendosm\u00ebri. Nuk \u00e7an kok\u00ebn p\u00ebr k\u00ebrc\u00ebnimet e Tushit. Andaj, p\u00ebrpjekja e saj q\u00eb t\u2019i kthehet jet\u00ebs q\u00eb ka p\u00ebr kuptim m\u00eb t\u00eb lart\u00eb lirin\u00eb dhe pun\u00ebn, \u00ebsht\u00eb simbolike dhe e bukur. Rezonimi dhe vendimi i saj e b\u00ebjn\u00eb k\u00ebt\u00eb figur\u00eb nj\u00ebmend impresive dhe karakteristike p\u00ebr ecurin\u00eb dhe kuptimin e vepr\u00ebs.<\/p>\n

XI<\/strong>.
\nN\u00eb romanin \u201cMurgesha<\/em>\u201d t\u00eb Nebil Durakut paraqitet Mara, jeta e saj, krijimi i familjes dhe shuarja e saj nga t\u00ebrmeti. N\u00eb qend\u00ebr t\u00eb vepr\u00ebs \u00ebsht\u00eb Suzana dhe jeta e saj, dalja e saj nga katakombet e err\u00ebta t\u00eb manastirit n\u00eb drit\u00eb jete, e jo m\u00ebk\u00ebmbja e nj\u00eb familjeje nj\u00ebher\u00eb artificialisht t\u00eb shkat\u00ebrruar e mandej po ashtu artificialisht t\u00eb takuar n\u00eb kushte “t\u00eb p\u00ebrshtatshme” p\u00ebr ta vazhduar jet\u00ebn e ndoshta edhe dashurin\u00eb. Pak m\u00eb shum\u00eb kujdes autori i kushton Parasevk\u00ebs, por edhe at\u00eb e v\u00ebren m\u00eb tep\u00ebr n\u00ebp\u00ebrmjet t\u00eb t\u00eb dh\u00ebnave dhe situatave komike, si kryemurgesh\u00eb, duke l\u00ebn\u00eb pas dore tiparet e saj si njeri, dridhjet e dhimbjet eventuale t\u00eb shpirtit, rinin\u00eb e Fatmir Gjata n\u00eb romanin e njohur \u201cK\u00ebneta” p\u00ebrshkruan fatin e r\u00ebnd\u00eb jet\u00ebsor t\u00eb Rin\u00ebs. Rina, fqinja e dashur e Stavri Lar\u00ebs, meq\u00eb ky kaloi nj\u00eb koh\u00eb t\u00eb gjat\u00eb n\u00eb luft\u00ebra, \u00ebsht\u00eb martuar.<\/p>\n

Sado q\u00eb e bren dashuria e sinqert\u00eb p\u00ebr Stavrin, Rina nuk e shpreh at\u00eb q\u00eb e ndien e as nuk e emndon prishjen e jet\u00ebs me Aleksin. Rina keqtrajtohet nga Aleksi. Ai e izolon Rin\u00ebn, e mbyll\u00eb n\u00eb sht\u00ebpi me vjehrr\u00ebn, e heton, e v\u00ebshtron me dyshim etj, k\u00ebshtu q\u00eb e t\u00ebr\u00eb kjo shnd\u00ebrrohet n\u00eb nj\u00eb dram\u00eb t\u00eb v\u00ebrtet\u00eb familjare, e cila e ngjall ecurin\u00eb e romanit.<\/p>\n

Fati i r\u00ebnd\u00eb jet\u00ebsor i Rin\u00ebs dhe dilemat e saj t\u00eb arsyeshme dhe artistikisht t\u00eb objektivizuara me mpreht\u00ebsi, mandej karakteri i nd\u00ebrlikuar i Aleks Mush\u00ebs, t\u00eb cilit ajo i takon si grua e ligjit, dhe karakteri i Stavri Lar\u00ebs, t\u00eb cilit Rina i takon me vullnetin e dashuris\u00eb s\u00eb par\u00eb dhe t\u00eb sinqert\u00eb, \u00ebsht\u00eb n\u00eb qend\u00ebr t\u00eb k\u00ebtij veprimi tjet\u00ebr.<\/p>\n

E lidhur me vargonjt\u00eb e bot\u00ebkuptimeve dhe t\u00eb zakoneve patriarkale e prapanike, me martes\u00ebn, me marr\u00ebdh\u00ebniet burr\u00eb e grua, Rina nuk mund t\u00eb vendos\u00eb t\u00eb ndahet nga Aleksi, ndon\u00ebse jeta me te p\u00ebr shum\u00eb arsye \u00ebsht\u00eb b\u00ebr\u00eb e padurueshme. Rina e Aleksi jan\u00eb dy karaktere antipode dhe dy temperamente fare t\u00eb kund\u00ebrta. Kan\u00eb dy bot\u00ebkuptime q\u00eb s\u2019p\u00ebrkojn\u00eb fare nj\u00ebri me tjetrin. N\u00eb fund me tradhtin\u00eb q\u00eb b\u00ebn Aleksi ndaj Rin\u00ebs, k\u00ebsaj t\u00eb fundit i hapet rruga drejt dashuris\u00eb s\u00eb par\u00eb, drejt Stavrit, i cili e mir\u00ebpret dhe vazhdon jeta e tyre e lumtur.<\/p>\n

XII<\/strong>.
\nN\u00eb romanin \u201cMe val\u00ebt e jet\u00ebs\u201d Vedat Kokona me siguri t\u00eb madhe artistike dhe t\u00eb dukshme dhe me nj\u00eb prirje t\u00eb dalluar t\u00eb realistit lart\u00ebson sh\u00ebmb\u00eblltyr\u00ebn e femr\u00ebs. Posa\u00e7\u00ebrisht karakteristike dhe e shquar, me t\u00eb gjitha tiparet jet\u00ebsore fisnike q\u00eb e lart\u00ebsojn\u00eb gruan shqiptare, \u00ebsht\u00eb shtjelluar sh\u00ebmb\u00eblltyra e Ollg\u00ebs. Grua bujare, n\u00ebn\u00eb zem\u00ebrbardh\u00eb, e kujdesshme dhe e dashur, bashk\u00ebshorte e ndershme besnike dhe e zonja q\u00eb t\u00eb jet\u00eb mb\u00ebshtetje e vatr\u00ebs dhe shoqe e jet\u00ebs, nikoqire, krijes\u00eb me t\u00eb gjitha t\u00eb mirat q\u00eb mund t\u2019i mendojm\u00eb te nj\u00eb njeri, e q\u00ebndrueshme, e gjer\u00eb, trim\u00ebresh\u00eb, inteligjente ndon\u00ebse e pashkoll\u00eb, me etje t\u00eb dukshme p\u00ebr ta shkolluar djalin, me nj\u00eb gjer\u00ebsi bot\u00ebkuptimesh dhe me karakter t\u00eb fuqish\u00ebm – Ollga M\u00ebhilli na mbetet e skalitur n\u00eb kujtes\u00eb si nj\u00eb nga figurat m\u00eb t\u00eb plota dhe m\u00eb t\u00eb dashura t\u00eb femr\u00ebs son\u00eb.<\/p>\n

Pran\u00eb saj, e paraqitur me pasion e dashuri n\u00eb nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr, por po aq t\u00eb suksesshme, si sh\u00ebmb\u00eblltyr\u00eb t\u00eb plot\u00eb dhe e dashur \u00ebsht\u00eb Hesmaja – nj\u00eb tip gruaje me t\u00eb gjitha tiparet e larta t\u00eb femr\u00ebs familjare, t\u00eb gruas q\u00eb e don dhe e nderon burrin, q\u00eb e lart\u00ebson dhe, ngase n\u00eb at\u00eb frym\u00eb \u00ebsht\u00eb edukuar, nuk i kund\u00ebrshton as n\u00eb \u00e7aste kur ai \u00ebsht\u00eb i vrazhdt\u00eb apo indifferent ndaj saj. Edhe Ollga edhe Hesmaja, n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb ve\u00e7uar dhe kuptimplote, e m\u00ebshirojn\u00eb fatin e gruas shqiptare t\u00eb s\u00eb kaluar\u00ebs, n\u00eb kushte jete patriarkale dhe t\u00eb varf\u00ebr. Faqet q\u00eb autori ua kushton k\u00ebtyre t\u00eb dy sht\u00ebpiakeve, dy n\u00ebnave fatlume dhe prore besnike, jan\u00eb kuptimplote dhe impresive, pa dyshim, nd\u00ebr m\u00eb t\u00eb bukurat q\u00eb e d\u00ebshmojn\u00eb fatin e femr\u00ebs n\u00eb let\u00ebrsin\u00eb ton\u00eb.<\/p>\n

Me origjinalitet e p\u00ebrkushtim, me invenc\u00eb e bukuri t\u00eb shquar jan\u00eb transponuar edhe sh\u00ebmb\u00eblltyrat e dy vashave t\u00eb reja, Sofika Ner\u00ebnx\u00ebs dhe Manushaqe Kamberit, t\u00eb cilat jan\u00eb mish\u00ebrim i qenies dhe i figur\u00ebs s\u00eb re t\u00eb femr\u00ebs s\u00eb asaj kohe, m\u00eb t\u00eb dijshme dhe m\u00eb aktive, me flak\u00ebn e ndjenjave jo vet\u00ebm kur kemi t\u00eb b\u00ebjm\u00eb me dashurin\u00eb, por edhe m\u00eb gjer\u00eb, madje edhe me hijen e fatit t\u00eb vjet\u00ebr q\u00eb ende i p\u00ebrcjell, i pezullon dhe u kanoset. Sidomos \u00ebsht\u00eb e q\u00eblluar, e bresshme dhe e bukur sh\u00ebmb\u00eblltyra e Sofik\u00ebs,e cila ndon\u00ebse jet\u00ebsore \u00ebsht\u00eb thuajse e paqen\u00eb, si ndonj\u00eb ide fluturake, si ndonj\u00eb melodi q\u00eb e p\u00ebrshkon dhe e hijeshon vepr\u00ebn dhe na angazhon plot\u00ebsisht, thuajse vepr\u00ebn e lexojm\u00eb m\u00eb shum\u00eb p\u00ebr t\u00eb gjurmuar rrug\u00ebn jet\u00ebsore dhe fatin e saj.<\/p>\n

P\u00ebr paraqitjen e femr\u00ebs \u00ebsht\u00eb mjaft karakteristike edhe sh\u00ebmb\u00eblltyra e Frosin\u00ebs, e cila, ndon\u00ebse episodike, \u00ebsht\u00eb d\u00ebshmi e pozit\u00ebs s\u00eb mjer\u00eb, e jet\u00ebs s\u00eb dhunshme dhe e fatkeq\u00ebsis\u00eb s\u00eb femr\u00ebs n\u00eb t\u00eb kaluar\u00ebn.<\/p>\n

XIII<\/strong>.
\nEdhe shkrimtari Rexhep Qosja n\u00eb romanin “Vdekja m\u00eb vjen prej syve t\u00eb till\u00eb” e nd\u00ebrton personazhin e femr\u00ebs. Trashja, nj\u00eb grua imbecile, e l\u00ebn\u00eb dhe e p\u00ebrdal\u00eb, mendjepak\u00eb, mentalisht e vdekur, por fizikisht e gjall\u00eb; \u00ebsht\u00eb kufom\u00eb e gjall\u00eb n\u00eb t\u00eb cil\u00ebn rron dhe fshihet si enigm\u00eb jete flaka e gjakut dhe d\u00ebshira p\u00ebr t\u00eb jetuar. Ajo \u00ebsht\u00eb simbol \u2018mjerimi e ndyr\u00ebsie\u2019, e denj\u00eb p\u00ebr ta ankuar, p\u00ebr ta vajtuar fatin dhe lindjen e saj si t\u00eb till\u00eb.<\/p>\n

XIV<\/strong>.
\nMurat Isaku n\u00eb romanin “Plag\u00ebt\u201d e portretizon bashk\u00ebshorten e Kelmend Gajris\u00eb, Arifen si nj\u00eb grua tipike q\u00eb \u00ebsht\u00eb e privuar nga \u00e7do e drejt\u00eb, e p\u00ebrbuzur dhe e fyer, prore e heshtur, madje edhe kur mbetet e ngrir\u00eb n\u00eb bor\u00eb p\u00ebr ta ruajtur oborrin e sht\u00ebpin\u00eb.<\/p>\n

E bija e Kelmend Gajris\u00eb dhe e Arifes\u00eb, Gjata \u00ebsht\u00eb vash\u00eb e edukuar n\u00eb frym\u00ebn patriarkale dhe atdhetare, mot\u00ebr tragjike dhe bij\u00eb krenare dhe e p\u00ebrbetuar e babait t\u00eb vet, krijes\u00eb e re, e cila e shtyr\u00eb nga rrethanat dhe edukata, p\u00ebrpiqet t\u2019i ndrydh\u00eb ndjenjat e vrullshme rinore dhe kur ato shp\u00ebrthejn\u00eb vetvetiu.<\/p>\n

XV<\/strong>.
\nTe romani \u201cRreckajt\u201d po t\u00eb k\u00ebtij autori kemi P\u00ebrrosk\u00ebn, e cila nuk \u00ebsht\u00eb paraqitur me tipare t\u00eb mjaftueshme t\u00eb mal\u00ebsores dhe mbetet n\u00ebn hijen e personazheve t\u00eb tjer\u00eb. N\u00eb fakt ajo \u00ebsht\u00eb e vetmja figur\u00eb femre n\u00eb roman. Autori vet\u00ebm e ka konceptuar figur\u00ebn e saj dhe pastaj p\u00ebr t\u00eb nuk kujdeset, nuk e p\u00ebrsos\u00eb dhe nuk e shfryt\u00ebzon.<\/p>\n

Ciladoqoft\u00eb form\u00eb e shkruar e romanit, personazhet luajn\u00eb rol q\u00ebndror dhe konstituojn\u00eb gjeneratorin e rr\u00ebfimit. P\u00ebrmes personazheve lexuesit kan\u00eb mund\u00ebsi t\u00eb vler\u00ebsojn\u00eb origjinalitetin dhe autenticitetin e ngjarjes.<\/p>\n

XVI<\/strong>.
\nShega, heroina e romanit \u201cShkrumbnaj\u00eb e dashuri\u201d, paraqet stoicizmin e femrave shqiptare, t\u00eb cilat n\u00eb m\u00ebnyr\u00ebn e tyre ishin pjes\u00eb e kontributit p\u00ebr \u00e7lrimin e atdheut. M\u00eb 8 qershor t\u00eb vitit 1999, vet\u00ebm kat\u00ebr dit\u00eb para \u00e7lrimit t\u00eb Kosov\u00ebs, Shega psiqikisht dhe fizikisht \u00ebsht\u00eb e molisur, e lodhur, e d\u00ebrmuar, por ende ka vullnet p\u00ebr ardhm\u00ebri. Esht\u00eb e d\u00ebrmuar nga torturat fizke q\u00eb forcat serbe kan\u00eb ushtruar mbi t\u00eb dhe n\u00eb an\u00ebtar\u00ebt m\u00eb t\u00eb dashur t\u00eb famij\u00ebs s\u00eb saj. Jan\u00eb p\u00ebrjetime t\u00eb nj\u00eb populli t\u00eb t\u00ebr\u00eb, q\u00eb jan\u00eb bartur brez pas brezi e m\u00eb n\u00eb fund t\u00eb p\u00ebrjetuara personalisht.<\/p>\n

Adem Dema\u00e7i hyn thell\u00eb n\u00eb brend\u00ebsin\u00eb shpirt\u00ebrore t\u00eb Sheg\u00ebs, duke ia zbuluar fsheht\u00ebsit\u00eb e saj shpirt\u00ebrore p\u00ebrmes shikimit, q\u00ebndrimit, l\u00ebvizjeve dhe veprimeve t\u00eb saj. Narratori i l\u00eb hap\u00ebsir\u00eb lexuesit t\u00eb kuptoj dhe vet\u00eb logjikoj\u00eb se n\u00eb \u00e7far\u00eb gjendje shpirt\u00ebrore jan\u00eb personazhet e tij, si\u00e7 mund t\u00eb v\u00ebrejm\u00eb n\u00eb k\u00ebt\u00eb p\u00ebrshkrim q\u00eb ia b\u00ebn\u00eb Sheg\u00ebs: \u201cAjo jetonte n\u00eb pritjen e tmerrshme, me ethe n\u00eb zem\u00ebr e n\u00eb bark. Ajo jetonte m\u00eb shpirt t\u00eb trazuar deri n\u00eb pafund\u00ebsi. Ajo edhe kur ishte bashk\u00eb me Mimoz\u00ebn, sikur nuk shihte goc\u00ebn fare. Ajo ngulte vet\u00ebm shikimin n\u00eb nj\u00eb pik\u00eb dhe ashtu q\u00ebndronte deri n\u00eb ngacmimin e par\u00eb q\u00eb vinte nga jasht\u00eb…\u201c.<\/p>\n

Esht\u00eb nj\u00eb p\u00ebrshkrim me nj\u00eb mjeshtri t\u00eb rrall\u00eb artistike ku personazhin e vet, autori Adem Dema\u00e7i na e jep nga t\u00eb gjitha k\u00ebndet fizike dhe shpirt\u00ebrore. Shega \u00ebsht\u00eb n\u00eb pritje, mir\u00ebpo pritja e saj nuk \u00ebsht\u00eb pritje e zakonshme, nuk \u00ebsht\u00eb pritje e nj\u00eb d\u00ebshire t\u00eb k\u00ebrkuar m\u00eb par\u00eb e q\u00eb duhet t\u2019i plot\u00ebsohet, por ajo \u00ebsht\u00eb n\u00eb pritje t\u00eb di\u00e7kaje enigmatike q\u00eb nuk var\u00ebt prej saj. Esht\u00eb pritje e tmerrshme q\u00eb p\u00ebrgjigja e saj mund t\u2019ia shkat\u00ebrroj\u00eb t\u00eb gjitha d\u00ebshirat dhe endrrat e saj. Esht\u00eb pritje q\u00eb i shkakton ankth q\u00eb nuk e l\u00eb t\u00eb qet\u00eb duke ia trazuar shpirtin skajshm\u00ebrisht.<\/p>\n

Shikimi i saj i ngulur vet\u00ebm n\u00eb nj\u00eb pik\u00eb \u00ebsht\u00eb simptom\u00eb se Shega vuan nga \u00e7rregullimet e stresit post-traumatike, si pasoj\u00eb e torturave sistematike t\u00eb saj dhe familjes s\u00eb saj, q\u00eb forcat serbe kan\u00eb b\u00ebr\u00eb mbi t\u00eb dhe popullin e pafajsh\u00ebm. Si mund t\u00eb sherohet Shega nga \u00e7rregullimet e stresit post-traumatik ?! P\u00ebr ta nxjerrur nga kjo situat\u00eb shum\u00eb komplekse, autori Adem Dema\u00e7i duket se ka lexuar literatur\u00eb t\u00eb psikolog\u00ebve t\u00eb njohur bot\u00ebror, andaj p\u00ebrsonazh\u00ebn e tij paraprakisht e fut n\u00eb relacione m\u00eb Azemin. Shega nj\u00eb fem\u00ebr e sinqert dhe e dashuruar n\u00eb Azemin, i rrefehet t\u00eb fundit p\u00ebr ato q\u00eb ka p\u00ebrejtuar nga serbet.<\/p>\n

Rr\u00ebfimi \u00ebsht\u00eb terapia m\u00eb e mir\u00eb p\u00ebr leht\u00ebsimin dhe sherimin e stresit post-trauamtik, e sidomos kur p\u00ebrball\u00eb \u00ebsht\u00eb njeriu q\u00eb d\u00ebgjon m\u00eb kujdes \u00e7do fjal\u00eb e fali. Azemi \u00ebsht\u00eb i vet\u00ebdijsh\u00ebm se t\u00eb refuzonte dashurin\u00eb e saj, pas dhunimit t\u00eb shumfisht\u00eb q\u00eb ia kan\u00eb b\u00ebr\u00eb ushtar\u00ebt serb\u00eb, Shega do p\u00ebrfundonte n\u00eb vet\u00ebvrasje. Pik\u00ebrisht n\u00eb \u00e7astin kur Shega mbyllet n\u00eb dhom\u00eb dhe m\u00eb ushkurin e saj p\u00ebrgatit\u00ebt t\u2019i jep\u00eb fund jet\u00ebs, \u00ebsht\u00eb Azemi i cili ia ofron dashurin\u00eb e tij.<\/p>\n

Azemi \u00ebsht\u00eb ai q\u00eb sakrifikon vet\u00ebn p\u00ebr interesin e p\u00ebrgjithsh\u00ebm komb\u00ebtar dhe njer\u00ebzor. Kur Shega d\u00ebshiron t\u00eb b\u00ebj\u00eb vet\u00ebvrasje Azemi p\u00ebr ta parandaluar vet\u00ebvrasjen ia fal zemr\u00ebn e tij. Azemi \u00ebsht\u00eb i qet\u00eb, i p\u00ebrvluar p\u00ebr \u00e7lirimin komb\u00ebtar, i guximsh\u00ebm, trim, i paluhatsh\u00ebm n\u00eb vendimet e tij dhe n\u00eb moment\u00ebt e v\u00ebshtira t\u00eb individit dhe popullit, \u00ebsht\u00eb i gatsh\u00ebm t\u00eb flijoj\u00eb vet\u00ebn.<\/p>\n

Mimoza dhe Heli jan\u00eb pjesa e padukshme e nd\u00ebrdij\u00ebs s\u00eb Azemit dhe Sheg\u00ebs. Jan\u00eb hija e jet\u00ebs s\u00eb Azemit, t\u00eb cil\u00ebt amanetin e brezave t\u00eb shkuar e tash\u00ebm, do ua p\u00ebercjellin gjeneratave t\u00eb ardhshme.<\/p>\n

Jan\u00eb e kaluarja dhe e ardhshmja, p\u00ebr t\u00eb cil\u00ebt jeta nuk ka asnj\u00eb kuptim pa dashuri dhe pa atdhe. Jeta e tyre n\u00eb t\u00eb kaluar\u00ebn ishte e mbushur me aktivitete komb\u00ebtare e si pasoj\u00eb Heli perjetoi burgosjen, torturat m\u00eb bestiale, kurse n\u00eb an\u00ebn tjet\u00ebr Mimoza t\u00eb cil\u00ebn paramilitar\u00ebt serb\u00eb e dhunojn\u00eb t\u00eb ahri i Haki Cak\u00ebs.<\/p>\n

Romani \u201cN\u00eb k\u00ebrkim t\u00eb dashuris\u00eb\u201d, i autores Behare Rexhepi \u00ebsht\u00eb nd\u00ebrtuar pik\u00ebrisht mbi ato koncepte letrare t\u00eb cilat i kemi njohur q\u00eb m\u00eb par\u00eb, por sigurisht \u00ebsht\u00eb plot\u00ebsuar edhe me p\u00ebrvoja t\u00eb reja t\u00eb k\u00ebtij tipi t\u00eb shkrimit romanor, me personazhe e struktura t\u00eb reja nd\u00ebrtimi e rr\u00ebfimi, t\u00eb cilat e b\u00ebjn\u00eb esenc\u00ebn form\u00ebsore dhe p\u00ebrmbajt\u00ebsore t\u00eb k\u00ebtij romani. Ky roman \u00ebsht\u00eb p\u00ebrpjekje q\u00eb p\u00ebrmes nj\u00eb fabule, jo shum\u00eb t\u00eb zakonshme, t\u00eb sjell\u00eb artistikisht at\u00eb q\u00eb e b\u00ebn\u00eb p\u00ebrditshm\u00ebrin\u00eb e nj\u00eb gjenerate gjimnazist\u00ebsh t\u00eb qytetit t\u00eb Prizrenit me t\u00eb gjitha preokupimet e tyre: gjinore, t\u00eb dashuris\u00eb, m\u00ebsimit, drog\u00ebs e kriminalizimit, t\u00eb jetuar nga nj\u00eb brez adoleshent\u00ebsh t\u00eb sot\u00ebm.<\/p>\n

LITERATURA<\/strong>:
\nRobert Elsie, Historia e let\u00ebrsis\u00eb shqiptare, Dukagjini, Pej\u00eb, 1997; Hasan Mekuli, Romani shqiptar, Libri shkollor, Prishtin\u00eb,2000; Grup autor\u00ebsh, Let\u00ebrsia bashk\u00ebkohore shqiptare 4, Libri shkollor, Prishtin\u00eb,2001; Behare Rexhepi, N\u00eb k\u00ebrkim t\u00eb dashuris\u00eb, Prishtin\u00eb, 2005; Fatos Arapi, Dikush m\u00eb buz\u00ebqeshte, Prishtin\u00eb, 1980; Anton Pashku, Oh, Rilindja, Prishtin\u00eb, 1971; Rexhai Surroi, Besniku, Rilindja, Prishtin\u00eb, 1967; Murat Isaku, Plag\u00ebt, Rilindja, Prishtin\u00eb, 1974; Murat Isaku, Rreckajt, Rilindja, Prishtin\u00eb, 1979; Nazmi Rrahmani, Mal\u00ebsorja, Rilindja, Prishtin\u00eb, 1982; Vedat Kokona, Me val\u00ebt e jet\u00ebs,I,II, Rilindja, Prishtin\u00eb, 1969; Rexhep Qosja, Vdekja m\u00eb vjen prej syve t\u00eb till\u00eb, Rilindja, Prishtin\u00eb, 1974; Adem Dema, Shkrumbnaj\u00eb e dashuri, LSHK, Prishtin\u00eb, 2012; Nebil Duraku, Murgesha, Rilindja, Prishtin\u00eb, 1967; Dhimit\u00ebr Xhuvani, Midis dy net\u00ebve, Rilindja, Prishtin\u00eb, 1967; Adem Dema\u00e7i, Gjarpinjt\u00eb e gjakut, Jeta e re, Prishtin\u00eb, 1958; Hivzi Sulejmani, Njer\u00ebzit, Rilindja, Prishtin\u00eb, 1974; Hivzi Sulejmani, F\u00ebmij\u00ebt e lumit tim, Rilindja, Prishtin\u00eb, 1974; Fatmir Gjata, K\u00ebn\u00ebta, Naim Frash\u00ebri, Tiran\u00eb, 1981; Ismail kadare, Gjenerali i ushtris\u00eb s\u00eb vdekur, Naim Frash\u00ebri, Tiran\u00eb, 1962.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

E p\u00ebrgatiti Prof. Zymer Mehani X. Hivzi Sulejmani n\u00eb romanin “F\u00ebmij\u00ebt e lumit tim” e paraqet Lulen, t\u00eb shoqen e Bardhit, si revolucionare dhe grua me p\u00ebrvoj\u00eb jet\u00ebsore. Ajo ka q\u00ebllimet dhe idealet e p\u00ebrbashk\u00ebta me Bardhin dhe \u00ebsht\u00eb bashk\u00ebshorte dhe bashk\u00ebudh\u00ebtare e jet\u00ebs s\u00eb burrit, e cila interesohet mjaft edhe p\u00ebr pun\u00ebn dhe mendimet […]<\/p>\n","protected":false},"author":1,"featured_media":68070,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-7517","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nFIGURA E FEMR\u00cbS N\u00cb DISA ROMANE T\u00cb SHKRIMTAR\u00cbVE SHQIPTAR\u00cb (II) - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/__trashed\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FIGURA E FEMR\u00cbS N\u00cb DISA ROMANE T\u00cb SHKRIMTAR\u00cbVE SHQIPTAR\u00cb (II) - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"E p\u00ebrgatiti Prof. Zymer Mehani X. 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Hivzi Sulejmani n\u00eb romanin “F\u00ebmij\u00ebt e lumit tim” e paraqet Lulen, t\u00eb shoqen e Bardhit, si revolucionare dhe grua me p\u00ebrvoj\u00eb jet\u00ebsore. 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