{"id":9887,"date":"2017-01-14T12:03:07","date_gmt":"2017-01-14T11:03:07","guid":{"rendered":"http:\/\/www.fjala.info\/?p=9887"},"modified":"2018-02-27T13:37:34","modified_gmt":"2018-02-27T12:37:34","slug":"poetika-e-dritero-agollit","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/poetika-e-dritero-agollit\/","title":{"rendered":"POETIKA E DRIT\u00cbRO AGOLLIT"},"content":{"rendered":"

Shkruan Prof. Zymer Mehani<\/strong><\/p>\n

Abstrakti<\/strong>
\nDrit\u00ebro Agolli \u00ebsht\u00eb nj\u00eb nga poet\u00ebt m\u00eb origjinal\u00eb dhe m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb letrave poetike shqipe. Poet, prozator, eseist, njeri erudit dhe me shije t\u00eb holla estetike, idealist dhe progresist me kontribute t\u00eb fuqishme letrare e jasht\u00ebletrare, Agolli \u00ebsht\u00eb nj\u00eb z\u00eb unik, i pap\u00ebrs\u00ebritsh\u00ebm n\u00eb let\u00ebrsin\u00eb e bot\u00ebs shqiptare.<\/p>\n

Agolli mbetet nj\u00eb ikon\u00eb e mendimit shqiptar, nj\u00eb moderator i madh, q\u00eb prodhon vlera n\u00eb nj\u00eb shoq\u00ebri q\u00eb ka aq shum\u00eb nevoj\u00eb p\u00ebr k\u00ebto vlera, p\u00ebr kualitete kulturologjike, etike dhe morale t\u00eb p\u00ebrmasave t\u00eb tij.<\/p>\n

Me t\u00eb drejt\u00eb shprehet poeti se raporti i drejt\u00eb i heroit lirik me shoq\u00ebrin\u00eb, t\u00eb cil\u00ebs i drejtohet, \u00ebsht\u00eb nj\u00eb nga pun\u00ebt m\u00eb t\u00eb v\u00ebshtira t\u00eb poetit, pasi prej k\u00ebtej, p\u00ebrve\u00e7 t\u00eb tjerave, varet edhe suksesi i poezis\u00eb s\u00eb tij.<\/p>\n

Q\u00eb kur erdhi n\u00eb letrat shqipe k\u00ebtu e 60 vjet m\u00eb par\u00eb e gjer m\u00eb tani, kur ende vazhdon t\u00eb shkruj\u00eb poezi dhe t\u00eb krijoj\u00eb vlera t\u00eb kualiteteve t\u00eb larta artistike, Agolli ka qen\u00eb dhe mbetet nj\u00eb krijues i dashur p\u00ebr shtresat m\u00eb t\u00eb gj\u00ebra t\u00eb shoq\u00ebris\u00eb shqiptare, nj\u00eb bard i k\u00ebng\u00ebve t\u00eb vendit t\u00eb tij, t\u00eb cilin e ka mbartur me vete kudo ku i ka shkelur k\u00ebmba, si peng dashurie dhe malli t\u00eb pacak.<\/p>\n

Nj\u00ebsimi i poetit me etnin\u00eb, si pjes\u00eb e vektorit psiko-gjeohistorik t\u00eb nj\u00eb etniteti t\u00eb caktuar, \u00ebsht\u00eb dimensioni m\u00eb i ep\u00ebrm i sprovave t\u00eb tij estetike dhe jashtestetike n\u00eb tentativ\u00ebn p\u00ebr t\u2019u identifikuar n\u00eb horizontalitetin dhe vertikalitetin e bot\u00ebs s\u00eb letrave poetike. Ajo q\u00eb me t\u00eb drejt\u00eb studiuesi i mir\u00ebnjohur Sabri Hamiti e quan \u201cpoezi e etnis\u00eb\u201d mund t\u2019i shkonte ndoshta m\u00eb shum\u00eb p\u00ebr shtat se gjithkujt n\u00eb bot\u00ebn e letrave shqipe Drit\u00ebro Agollit, k\u00ebtij apostulli t\u00eb poezis\u00eb, q\u00eb i ka rr\u00ebnj\u00ebt n\u00eb tok\u00ebn e tij, mes njer\u00ebzve t\u00eb vendit t\u00eb tij.<\/p>\n

Hyrje<\/strong>
\nPelegrini i vonuar \u00ebsht\u00eb i pari v\u00ebllim me vjersha i Agollit pas v\u00ebllimit Udh\u00ebtoj i menduar t\u00eb vitit 1985, dhe i pari nd\u00ebr librat e tij t\u00eb shkruar pa u p\u00ebrgjuar nga syri i censorit t\u00eb paduksh\u00ebm.<\/p>\n

\u00cbsht\u00eb nj\u00eb p\u00ebrmbledhje q\u00eb t\u00eb le mbresa t\u00eb m\u00ebdha e t\u00eb thella, me 217 vjersha t\u00eb pabotuara m\u00eb par\u00eb, n\u00eb t\u00eb cilat ndeshemi me nj\u00eb kapitull t\u00eb ri, jo vet\u00ebm n\u00eb jet\u00ebn e poetit, por edhe n\u00eb luft\u00ebn e popullit t\u00eb tij p\u00ebr t\u00eb mbijetuar. (1). Do t\u00eb duhen vite q\u00eb shqiptar\u00ebt t\u00eb marrin veten pas aq dekadash izolimi, eg\u00ebrsie e terrori q\u00eb p\u00ebrjetuan n\u00ebn regjimin surrealist t\u00eb Enver Hoxh\u00ebs. (2)<\/p>\n

Ashtu sikund\u00ebr ndodh me viktimat e nj\u00eb aksidenti t\u00eb papritur rrugor, ata vet\u00ebm tani po zgjohen, dal\u00ebngadal\u00eb e me dh\u00ebmbje, p\u00ebr t\u00eb ndjer\u00eb e p\u00ebr t\u00eb kuptuar se \u00e7’goditje marr\u00eb dikur. Poetit t\u00eb moshuar i mbetet t\u00eb marr\u00eb pjes\u00ebzat e jet\u00ebs e t’ia filloj\u00eb nga e para.<\/p>\n

Un\u00eb jam prej koh\u00ebsh pelegrin,
\nUdh\u00ebtar n\u00eb vendin e shpres\u00ebs s\u00eb thyer,
\nJam ndar\u00eb pa dashur nga karvani im<\/p><\/blockquote>\n

Mes shtigjeve nga vapa e shirat g\u00ebrryer. (3) N\u00eb nj\u00eb sh\u00ebnim n\u00eb fund, Agolli rr\u00ebfehet: “P\u00ebr poet\u00ebt e brezit tim erdhi koha e zhg\u00ebnjimeve dhe e dilemave, erdhi koha e peshimit t\u00eb atij materiali q\u00eb e prodhuam, pa e harruar dhe pa e mohuar at\u00eb t\u00eb bukur dhe humane q\u00eb kemi sjell\u00eb tek njer\u00ebzit. Por ajo k\u00ebshtjell\u00eb idesh dhe idealesh q\u00eb e kemi besuar, ku p\u00ebrgjith\u00ebsisht e ku pjes\u00ebrisht, pothuaj se u rr\u00ebzua dhe n\u00eb muret e saj digjen zjarret e \u00ebndrrave tona. K\u00ebto zjarre zgjojn\u00eb nj\u00eb poezi t\u00eb nj\u00eb lloj tjet\u00ebr…”<\/p>\n

Motivet e Agollit jan\u00eb nga m\u00eb t\u00eb ndryshmet, si dheu i vendit t\u00eb tij , plisat dhe balta e arave, ugaret, grunajat, pyjet dhe ahishtat e tok\u00ebs s\u00eb tij, sharmi dhe bukuria virgjine e nj\u00eb bote, q\u00eb vet\u00ebm ai dinte ta sillte n\u00eb filtrin e nj\u00eb poezie elitare, me shijen dhe ngjyrat e gjalla t\u00eb tok\u00ebs dhe dashuris\u00eb njer\u00ebzore, me t\u00eb cilat edhe u u identifikua. Motive t\u00eb ngjajshme jan\u00eb edhe toka e atdheut t\u00eb tij, rr\u00ebnj\u00ebt e vendlindjes, vet\u00ebdija e plot\u00eb e dashuris\u00eb p\u00ebr njer\u00ebzit e thjesht\u00eb dhe gj\u00ebrat e thjeshta t\u00eb k\u00ebsaj bote.<\/p>\n

I shkrir\u00eb n\u00eb nj\u00eb bot\u00eb t\u00eb thjesht\u00eb e t\u00eb hyjnizuar, me arom\u00ebn e tok\u00ebs, t\u00eb bim\u00ebve, me arom\u00ebn e barit t\u00eb kositur, me lulet e pem\u00ebve, me er\u00ebn e maleve, me idilin baritor t\u00eb bleg\u00ebrimave t\u00eb deleve, me sharmin e od\u00ebs shqiptare, me k\u00ebnaq\u00ebsin\u00eb e t\u00eb shijuarit t\u00eb rakis\u00eb, t\u00eb ujit dhe bisedave me bashk\u00ebfshatar\u00ebt dhe bashkatdhetar\u00eb e tjer\u00eb, me sakrificat dhe k\u00ebnaq\u00ebsin\u00eb e jet\u00ebs kudo n\u00eb atdhe, poezia e tij \u00ebsht\u00eb nj\u00eb testament i gjall\u00eb, ku ai na porosit q\u00eb dashuria ndaj atdheut dhe njer\u00ebzimit t\u2019i tejkaloj\u00eb dhe t\u2019u jap kuptim e vler\u00eb t\u00eb gjitha dashurive.<\/p>\n

Ali Podrimja do t\u00eb konstatoj\u00eb me t\u00eb drejt\u00eb se poezia e poetit ton\u00eb rr\u00ebshqet kah poezia e hap\u00ebt si krijim dhe tenton t\u00eb jet\u00eb nj\u00eb poezi e k\u00ebndimit kolektiv, t\u00eb kap\u00eb dimensione t\u00eb m\u00ebdha komb\u00ebtare si\u00e7 ndodh me poemat \u2026 (4) P\u00ebr shkak t\u00eb k\u00ebsaj af\u00ebrsie deri n\u00eb shkrirje me k\u00ebto gj\u00ebra kaq t\u00eb thjeshta dhe kaq t\u00eb prekshme ai \u00ebsht\u00eb nj\u00eb poet i thjesht\u00ebsis\u00eb s\u00eb madh\u00ebrishme, deh\u00ebse dhe trallis\u00ebse, i asaj thjesht\u00ebsie q\u00eb mban gjall\u00eb dhe m\u00eb k\u00ebmb\u00eb t\u00eb gjitha ndjesit\u00eb e bukura njer\u00ebzore t\u00eb k\u00ebsaj bote:<\/p>\n

idilin dhe delikates\u00ebn, mallin, erotizmin, fines\u00ebn etj. Vargjet e tij poetike jan\u00eb shprehur me kthjellt\u00ebsin\u00eb e thjesht\u00ebsis\u00eb e mpreht\u00ebsis\u00eb s\u00eb men\u00e7uris\u00eb shqiptare, me nj\u00eb logjik\u00eb t\u00eb sh\u00ebndosh\u00eb nd\u00ebrthurjesh artistike, ku me nj\u00eb bukuri t\u00eb k\u00ebndshme p\u00ebrthithet, p\u00ebrvet\u00ebsohet, shijohet si uji i krojeve q\u00eb buron nga rr\u00ebnj\u00ebt e ahut gjith\u00eb fuqia sugjestive dhe kreative e artit t\u00eb tij poetik.
\nN\u00ebse t\u00eb kuptuar\u00ebt e s\u00eb kaluar\u00ebs i mund\u00ebson njer\u00ebzit si t\u00eb merren me t\u00eb sotmen e si t\u00eb p\u00ebrgatiten p\u00ebr t\u00eb ardhmen, Drit\u00ebro Agolli -buka e poezis\u00eb, si\u00e7 shprehet nj\u00eb poet i ri koh\u00ebt e fundit -me siguri do t’i ndihmoj\u00eb shqiptar\u00ebt t\u00eb kalojn\u00eb traum\u00ebn kolektive q\u00eb ka p\u00ebsuar kombi i tyre.<\/p>\n

N\u00eb k\u00ebt\u00eb dimension t\u00eb poetik\u00ebs s\u00eb Agollit \u00ebsht\u00eb tentativa e tij p\u00ebr t\u2019u b\u00ebr\u00eb pjes\u00eb e rr\u00ebnj\u00ebve t\u00eb gjenez\u00ebs historike, pjes\u00eb e tradit\u00ebs dhe modernitetit, pjesa e fatit dhe fatalitetit historik, n\u00eb k\u00ebrkim t\u00eb gjurm\u00ebve t\u00eb etnis\u00eb, si esenc\u00eb e vet\u00eb artit t\u00eb poezis\u00eb q\u00eb ai shkruan.<\/p>\n

Agolli nd\u00ebrton paralele figurative n\u00eb koh\u00eb dhe hap\u00ebsir\u00eb, me an\u00eb t\u00eb t\u00eb cilave ravij\u00ebzon burimin autokton t\u00eb mitit dhe historis\u00eb me fines\u00ebn, bukurin\u00eb, fuqin\u00eb dhe qasht\u00ebrsin\u00eb e simboleve m\u00eb autentike t\u00eb bot\u00ebs shqiptare.<\/p>\n

Poetika e Agollit<\/strong><\/p>\n

Poetika agolliane \u00ebsht\u00eb plot humor, plot dashuri, plot tipare njer\u00ebzore, plot thyerje dhe oshtima, q\u00eb vijn\u00eb sa nga realiteti i gjall\u00eb, i ngritur madh\u00ebrish\u00ebm n\u00eb art poetik, aq dhe nga fiksioni, p\u00ebrfytyrimi dhe fantazia e pasur iluministe e k\u00ebtij bardi t\u00eb madh.
\nKushdo q\u00eb ka lexuar e shijuar vargjet e Drit\u00ebroit ka m\u00ebsuar nga vepra e tij, ka marr\u00eb nektarin e luleve t\u00eb pyllit e fush\u00ebs, ushqimin m\u00eb t\u00eb sh\u00ebndetsh\u00ebm shqiptar, q\u00eb \u00ebsht\u00eb dashuria p\u00ebr natyr\u00ebn dhe shpirtin e bukur kolektiv komb\u00ebtar e mbar\u00ebnjer\u00ebzor.
\nDrit\u00ebro Agolli, duke shkruar p\u00ebr n\u00ebn\u00ebn Shqip\u00ebri, ka shprehur n\u00eb m\u00ebnyr\u00ebn m\u00eb t\u00eb natyrshme dashurin\u00eb p\u00ebr t\u00eb.<\/p>\n

Mendimet e mia m\u00eb mblidhen si blet\u00ebt rreth n\u00ebn\u00ebs N\u00ebn\u00eb Shqip\u00ebri, n\u00ebn\u00eb Shqip\u00ebri! (5) Duke evokuar historin\u00eb, luft\u00ebrat, p\u00ebrpjekjet e popullit shqiptar, t\u00eb Shqip\u00ebris\u00eb dhe t\u00eb kombit ton\u00eb p\u00ebr t\u00eb mbijetuar, p\u00ebr t\u00eb gjall\u00ebruar, p\u00ebr t\u00eb trash\u00ebguar bijt\u00eb e saj e duke i identifikuar d\u00ebshmor\u00ebt e heronjt\u00eb dhe njer\u00ebzit e devotsh\u00ebm shqiptar\u00eb me Shqip\u00ebrin\u00eb, shp\u00ebrthejn\u00eb vargjet e fuqishme artistike, q\u00eb kan\u00eb simbolik\u00ebn e ve\u00e7ant\u00eb letrare dhe na thot\u00eb:<\/p>\n

Duart e tua q\u00eb u regj\u00ebn nga puna Dhe gisht\u00ebrinjt\u00eb q\u00eb zun\u00eb kallo nga k\u00ebmb\u00ebzat e dyfek\u00ebve, Dhe mesi q\u00eb u hollua nga gjerdan\u00ebt e fishek\u00ebve, Dhe ballin q\u00eb u rrudh dhe u l\u00ebrua nga mendimi, Dhe beben e syrit q\u00eb u mpreh nga sh\u00ebnjestra, Dhe k\u00ebmb\u00ebt q\u00eb u zmadhuan nga ecja e mundimi, Dhe qerpik\u00ebt q\u00eb dogj\u00ebn nga baruti n\u00eb shkrepa. (6) Vet\u00ebm nga k\u00ebto vargje mund t\u00eb dal\u00eb nj\u00eb studim i mir\u00eb letrar.<\/p>\n

Edhe pse fjal\u00ebt na duken t\u00eb thjeshta, ato jan\u00eb brum\u00eb, i t\u00ebri artistik dhe fuqi e thell\u00eb patriotike. Jan\u00eb nj\u00eb pasqyr\u00eb e nj\u00eb vet\u00ebdije t\u00eb lart\u00eb njer\u00ebzore dhe estetike, nj\u00eb himn madh\u00ebshtor dhe konkret i thjesht\u00ebsis\u00eb trondit\u00ebse, q\u00eb i p\u00ebrfshin e gjitha n\u00eb vorbullat p\u00ebrpir\u00ebse t\u00eb saj, n\u00eb kredon dhe kreativitetin e nj\u00eb pene aq t\u00eb gjall\u00eb dhe dinamike, sa t\u00eb duket sikur poeti nuk \u00ebsht\u00eb vet\u00ebm shkrues dhe kumtues i nj\u00eb arti t\u00eb madh poetik, por dhe protagonist i madh historik i fateve t\u00eb kombit t\u00eb tij.<\/p>\n

Kur poeti e gdhend mir\u00eb fjal\u00ebn, kur ajo buron nga zemra dhe shkon drejt zemrave, si\u00e7 e ka th\u00ebn\u00eb Drit\u00ebroi, ajo b\u00ebhet aq e af\u00ebrt, aq shpirt\u00ebrore, sa nuk ka asgj\u00eb q\u00eb mund ta shqit\u00eb lexuesin nga nj\u00eb krijimtari e till\u00eb. Prandaj lirisht mund t\u00eb thuhet se n\u00eb t\u00ebr\u00ebsi vepra e tij \u00ebsht\u00eb pasuria m\u00eb madhe e let\u00ebrsis\u00eb s\u00eb sotme shqipe, q\u00eb e ka b\u00ebr\u00eb lexuesin e nd\u00ebrgjegjsh\u00ebm shqiptar t\u00eb mos shqitet nga krijimtaria e k\u00ebtij shkrimtari, q\u00eb i mbushi plot 80 vjet dhe vazhdon t\u00eb jetoj\u00eb p\u00ebr hir t\u00eb artit poetik, p\u00ebr hir t\u00eb artit t\u00eb shkrimit estetik n\u00eb p\u00ebrgjith\u00ebsi, p\u00ebr hir t\u00eb atyre mij\u00ebra e mij\u00ebra lexuesve nga Shqip\u00ebria, Kosova, Shqip\u00ebria Lindore, Maqedonia, Mali i Zi, \u00c7am\u00ebria, diaspora \u2013 gjith\u00eb hap\u00ebsira etnike dhe shpirt\u00ebrore e bot\u00ebs shqiptare, q\u00eb e ka b\u00ebr\u00eb poezin\u00eb e k\u00ebtij vigani t\u00eb letrave tona pjes\u00eb e identitetit dhe shpalimeve t\u00eb veta artistike dhe kulturologjike.<\/p>\n

Drit\u00ebro Agolli na ka dhuruar pasurin\u00eb letrare- artistike t\u00eb mendjes s\u00eb tij t\u00eb ndritur dhe na ka frym\u00ebzuar p\u00ebr nj\u00eb Shqip\u00ebri t\u00eb bashkuar, p\u00ebr ta zhvilluar e p\u00ebrparuar dhe p\u00ebr t\u2019iu p\u00ebrkushtuar asaj t\u00ebr\u00ebsisht, p\u00ebr t\u00eb sakrifikuar e mbrojtur me t\u00eb gjith\u00eb qenien ton\u00eb p\u00ebr t\u00eb ruajtur n\u00eb zem\u00ebr dashurin\u00eb p\u00ebr at\u00eb t\u00eb fresk\u00ebt dhe mbi t\u00eb gjitha dashurit\u00eb t\u00eb tjera.<\/p>\n

P\u00ebr misionin e shenjt\u00eb q\u00eb kan\u00eb, t\u00eb gjitha poezit\u00eb e Agollit, pa p\u00ebrjashtim, jan\u00eb t\u00eb mira dhe shum\u00eb prej tyre t\u00eb shk\u00eblqyera. Ato jan\u00eb poezi t\u00eb drejtp\u00ebrdrejta, t\u00eb pastra dhe t\u00eb dep\u00ebrtueshme, me nj\u00eb kolorit t\u00eb fort\u00eb gjuh\u00ebsor, strukturor, t\u00eb pasur n\u00eb figura dhe n\u00eb emocione. Ajo q\u00eb t\u00eb t\u00ebrheq v\u00ebmendjen \u00ebsht\u00eb holl\u00ebsia e detajeve, seleksionimi i kujtesave, past\u00ebrtia e imazheve, nj\u00eb bot\u00eb q\u00eb l\u00ebviz n\u00eb harmoni me natyr\u00ebn dhe shpirtin njer\u00ebzor, me vog\u00eblsirat, n\u00eb dukje, t\u00eb jet\u00ebs, por q\u00eb n\u00eb fakt jan\u00eb sharmi dhe bukuria e saj.<\/p>\n

Let\u00ebrsia shqipe, posa\u00e7\u00ebrisht poezia, sidomos n\u00eb k\u00ebt\u00eb gjysm\u00ebshekullin e fundit, me aq shum\u00eb kthesa dhe p\u00ebrplasje historike, me aq shum\u00eb fitore dhe humbje t\u00eb pariparueshme qoft\u00eb n\u00eb koh\u00ebn, qoft\u00eb n\u00eb imazhin e bot\u00ebs shqiptare, duhet t\u00eb jet\u00eb fatlume q\u00eb pati n\u00eb gjirin e saj nj\u00eb poet dhe nj\u00eb shkrimtar t\u00eb p\u00ebrmasave t\u00eb Drit\u00ebro Agollit, i cili \u00ebsht\u00eb nj\u00eb ikon\u00eb e gjall\u00eb e nj\u00eb arti poetik elitar, nj\u00eb shkoll\u00eb poetike, ku mund t\u00eb m\u00ebsojn\u00eb t\u00eb gjith\u00eb brezat e krijuesve t\u00eb poezis\u00eb, e cila, si\u00e7 thot\u00eb nj\u00eb tjet\u00ebr simbol i madh poetik, mjeshtri Jeronim de Rada, ka lindur n\u00eb k\u00ebto brigje dhe n\u00eb k\u00ebto brigje do t\u00eb kthehet.<\/p>\n

Poezia e Agollit krijoi nj\u00eb model t\u00eb ri vjersh\u00ebrimi n\u00eb problematik\u00eb, n\u00eb shqet\u00ebsime dhe n\u00eb mjesht\u00ebrin\u00eb letrare. Me krijimtarin\u00eb e vet Drit\u00ebro Agolli ka treguar se di t\u00eb rrezikoj\u00eb n\u00eb let\u00ebrsi. Dyzet vjet m\u00eb par\u00eb, duke botuar v\u00ebllimin e par\u00eb poetik “N\u00eb rrug\u00eb dola” (1958), ai huajti p\u00ebr titull pjes\u00ebn e par\u00eb t\u00eb nj\u00eb dyvarg\u00ebshi t\u00eb mir\u00ebnjohur t\u00eb poetit skocez B\u00ebrns: “N\u00eb rrug\u00eb dola \/ Pas meje porta u mbyll”. (7) Rruga e rritjes s\u00eb tij poetike shprehet dhe n\u00eb titujt e librave poetik\u00eb: Hapat e mia n\u00eb asfalt (1961), Shtigje malesh dhe trotuare (1965), Devoll-Devoll (1964), Mesdit\u00eb (1968), Baballar\u00ebt (1969), N\u00ebn\u00eb Shqip\u00ebri (1974), Fjala gdhend gurin (1977), Udh\u00ebtoj i menduar (1985), Pelegrini i vonuar (1993), Lyp\u00ebsi i koh\u00ebs (1995), Fletorkat e mesnat\u00ebs (1999) e libra t\u00eb tjer\u00eb.<\/p>\n

Me poezin\u00eb e tij Drit\u00ebro Agolli e \u00e7kanonizoi vjersh\u00ebrimin e tradit\u00ebs dhe nj\u00ebher\u00ebsh krijoi nj\u00eb tradit\u00eb t\u00eb re e \u00e7liroi poezin\u00eb shqipe nga nj\u00eb frym\u00eb monumentalizmi t\u00eb g\u00ebnjesht\u00ebrt, nga deklarativizmi dhe ngurt\u00ebsia; ndryshoi p\u00ebrdorimin p\u00ebr “tem\u00ebn e madhe”, duke k\u00ebrkuar madh\u00ebshti poetike jo vet\u00ebm prej luft\u00ebs dhe heroizmit t\u00eb jasht\u00ebm, por edhe prej p\u00ebrjetimeve t\u00eb “heroit t\u00eb dob\u00ebsis\u00eb”; duke zgjeruar shum\u00ebfish hap\u00ebsir\u00ebn e realitetit n\u00eb poezi dhe duke i ndryshuar rr\u00ebnj\u00ebsisht raportet nd\u00ebrmjet tyre.<\/p>\n

Agolli krijoi nj\u00eb poezi antologjike me motive t\u00eb p\u00ebrditshm\u00ebris\u00eb s\u00eb jet\u00ebs.
\nPoezia e Agollit ka ndikime t\u00eb drejtp\u00ebrdrejta prej poezis\u00eb popullore, prej artit t\u00eb Naim Frash\u00ebrit e t\u00eb Lasgushit, prej B\u00ebrnsit e autor\u00ebve rus\u00eb t\u00eb fillimit t\u00eb shekullit t\u00eb 20-t\u00eb. Kjo poezi emancipoi n\u00eb t\u00ebr\u00ebsi mendimin letrar n\u00eb Shqip\u00ebri dhe futi frym\u00ebn e konkurrenc\u00ebs p\u00ebr ide t\u00eb reja dhe cil\u00ebsi n\u00eb art.<\/p>\n

Gjithashtu krijimtaria poetike e Drit\u00ebro Agollit mund t\u00eb cil\u00ebsohet si liriko-epike. Kjo ishte nj\u00eb shmangie e madhe nga tradita, e cila mbahej kryesisht n\u00eb lavdin\u00eb epike. Agolli e pruri poezin\u00eb shqipe prej kozmocentrizmit n\u00eb homocentriz\u00ebm.<\/p>\n

Poezia e D. Agollit e ktheu v\u00ebmendjen n\u00eb jet\u00ebn e njeriut n\u00eb koh\u00eb paqeje. N\u00eb koh\u00ebn kur u botuan librat e par\u00eb poetik\u00eb t\u00eb tij, bot\u00ebn e sundonte slogani “t’i ktheim\u00eb arm\u00ebt n\u00eb plugje”. Kjo ishte nj\u00eb thirrje e p\u00ebrgjithshme e njer\u00ebzimit n\u00eb gjysm\u00ebn e planetit.<\/p>\n

N\u00eb k\u00ebt\u00eb koh\u00eb Agolli shkroi poezi q\u00eb p\u00ebrshkohen nga kulti i vendlindjes, i tok\u00ebs, i buk\u00ebs, i parmend\u00ebs, i familjes, i prindit, babait. Ishte nj\u00eb prurje e re n\u00eb let\u00ebrsin\u00eb shqipe pretendimi i tij p\u00ebr t\u00eb qen\u00eb nj\u00eb “un\u00eb” i identifikuar n\u00eb let\u00ebrsi. Kjo u shpreh qart\u00eb, fillimisht n\u00eb poemat “Devoll-Devoll”, dhe “Poem\u00eb p\u00ebr baban\u00eb dhe p\u00ebr veten”.<\/p>\n

Nga ana tjet\u00ebr n\u00eb t\u00ebr\u00ebsin\u00eb e vet poezia e Drit\u00ebro Agollit sundohet nga bota e gjall\u00eb, shpirt\u00ebzimi i mjedisit, shenjt\u00ebrimi i natyr\u00ebs, i ar\u00ebs dhe i bag\u00ebtis\u00eb. N\u00eb k\u00ebt\u00eb tipar t\u00eb poezis\u00eb s\u00eb tij rishfaqen panteizmi i Naimit dhe gjurm\u00eb t\u00eb bot\u00ebkuptimit bektashian.<\/p>\n

N\u00eb m\u00ebnyr\u00ebn e vet Drit\u00ebro Agolli krijoi “nj\u00eb Shqip\u00ebri alterna-tive”, q\u00eb mb\u00ebshtetej n\u00eb nj\u00eb ideal romantik. Kjo \u00ebsht\u00eb nj\u00eb marr\u00ebdh\u00ebnie e zakonshme poetike me realitetin, e njohur n\u00eb tradit\u00ebn shqiptare dhe at\u00eb t\u00eb huaj. T\u00eb gjith\u00eb e din\u00eb se Naimi e kishte fare mir\u00eb t\u00eb qart\u00eb se cila ishte Shqip\u00ebria, por ai krijoi Shqip\u00ebrin\u00eb e vet plot bukurira imagjinare. Ismail Kadare e krijoi “Shqip\u00ebrin\u00eb tjet\u00ebr” duke m\u00ebrguar n\u00eb lasht\u00ebsit\u00eb e mo\u00e7me shqiptare.<\/p>\n

Nd\u00ebrsa “Shqip\u00ebria tjet\u00ebr” e Drit\u00ebro Agollit, q\u00eb hyjnizohet tek “N\u00ebn\u00eb Shqip\u00ebri” dhe n\u00eb vepra t\u00eb tjera, \u00ebsht\u00eb kulti i atdheut, p\u00ebrthirrja e krenaris\u00eb komb\u00ebtare. “N\u00ebn\u00eb Shqip\u00ebri”, si duket, u shkrua si nj\u00eb “Bag\u00ebti e bujq\u00ebsi” e koh\u00ebve moderne. Fryma naimiane e futurizmit romantik (“Shqip\u00ebria, \u00e7’mund t\u00eb jet\u00eb”, si\u00e7 do t\u00eb shprehej Samiu), ndihet e plotpushtetshme n\u00eb poem\u00eb. Agolli d\u00ebshironte t\u00eb nd\u00ebrtonte nj\u00eb Shqip\u00ebri t\u00eb lumtur.<\/p>\n

Poetik\u00ebsht kjo mund t\u00eb arrihej ose n\u00eb form\u00ebn e mitit t\u00eb s\u00eb shkuar\u00ebs (nostalgjis\u00eb p\u00ebr “motin e madh”, si e b\u00ebn\u00eb shumica e rilind\u00ebsve), ose n\u00eb form\u00ebn e utopis\u00eb – kultit t\u00eb s\u00eb ardhmes, idealizimit t\u00eb nj\u00eb “vendi q\u00eb nuk ekziston” (nga greqishtja.<\/p>\n

“u-topos”, “vend q\u00eb s’\u00ebsht\u00eb”). (8) Dhe n\u00eb v\u00ebllimet m\u00eb t\u00eb fundit poetike, D. Agolli s’ka pushuar s\u00eb qeni nj\u00eb poet mjaft popullor, q\u00eb s’mban kurr\u00ebfar\u00eb distance me lexuesin e thjesht\u00eb; q\u00eb dhimbjen, g\u00ebzimin dhe dob\u00ebsin\u00eb njer\u00ebzore i merr si ndjenja universale dhe i shkrin me filozofin\u00eb jet\u00ebsore. Raportet jet\u00eb \/ vdekje, lumturi \/ hidh\u00ebrim, tradhti \/ bes\u00eb etj. bashk\u00ebjetojn\u00eb dhe p\u00ebrplasen me nj\u00ebra-tjetr\u00ebn sa n\u00eb realitetin e jasht\u00ebm aq edhe n\u00eb at\u00eb t\u00eb brendsh\u00ebm.<\/p>\n

Drit\u00ebro Agolli q\u00eb nga fillimet e deri m\u00eb sot mbeti nj\u00eb poet i trishtimeve “t\u00eb vogla” p\u00ebr nj\u00eb zog t\u00eb vrar\u00eb apo nj\u00eb qen t\u00eb shtypur dhe poeti i dhimbjeve t\u00eb m\u00ebdha p\u00ebr udh\u00ebkryqin e historis\u00eb shqiptare. Asnj\u00eb poet m\u00eb shum\u00eb se Agolli nuk e ka t\u00eb shprehur kaq me sinqeritet dob\u00ebsin\u00eb e vet njer\u00ebzore.<\/p>\n

M\u00eb ndodh sikur s’jetoj n\u00eb vendin tim, Por n\u00eb nj\u00eb vend t\u00eb huaj dhe t\u00eb larg\u00ebt… (Sikur s’jetoi n\u00eb vendin tim) … Dhe gishtat k\u00ebrcas si kokrra arrash t\u00eb forta \u00ebsht\u00eb koha kur mblidhem shuk n\u00ebn pesh\u00ebn e nat\u00ebs Dhe pres i friksuar kusar\u00ebt t\u00eb vijn\u00eb te porta (\u00ebsht\u00eb\u00a0koha) Po iki me trishtim i zhg\u00ebnjyer nga miqt\u00eb, E mbylla dhe der\u00ebn q\u00eb rrinte e hapur… … Diku n\u00eb nj\u00eb skaj t\u00eb larg\u00ebt do prehem Me qaf\u00ebn e futur n\u00eb jak\u00ebn gri t\u00eb xhaket\u00ebs… ( Trishtimi) Libri poetik “Fletorka e mesnat\u00ebs” u botua nga Drit\u00ebro Agolli n\u00eb 40-vjetorin e botimit t\u00eb v\u00ebllimit t\u00eb par\u00eb, “N\u00eb rrug\u00eb dola”.<\/p>\n

Gjat\u00eb 40 vjet\u00ebve krijimtari, poezia e Drit\u00ebro Agollit ka ruajtur disa tipare p\u00ebrve\u00e7uese, t\u00eb cilat jan\u00eb t\u00eb pranishme vijimisht:
\nkultin e tok\u00ebs dhe t\u00eb buk\u00ebs, shenjt\u00ebrimin e natyr\u00ebs dhe t\u00eb njeriut, raportin vetjak me bot\u00ebn, mitin e dheut t\u00eb t\u00eb par\u00ebve dhe t\u00eb historis\u00eb s\u00eb tyre, p\u00ebrmas\u00ebn e nj\u00eb t\u00eb ardhmeje optimiste dhe zhg\u00ebnjimin p\u00ebr humbjet e s\u00eb shkuar\u00ebs.<\/p>\n

P\u00ebrfundimi<\/strong>
\nN\u00eb vitet ’90 Agolli iu paraqit lexuesit t\u00eb vet me nj\u00eb ringjallje poetike. Kjo qe nj\u00eb sfid\u00eb e fuqis\u00eb krijuese. Pas “Pelegrinit t\u00eb vonuar” dhe “Lyp\u00ebsit t\u00eb koh\u00ebs”, n\u00eb nj\u00eb periudhe kulturore q\u00eb erdhi me tronditje t\u00eb r\u00ebnda t\u00eb referencave t\u00eb shoq\u00ebris\u00eb, poeti shfaqi nj\u00eb tjet\u00ebr pjes\u00eb t\u00eb fsheht\u00eb t\u00eb vetes, q\u00eb ruhej diku n\u00eb “Fletork\u00ebn e mesnat\u00ebs”.<\/p>\n

N\u00eb k\u00ebt\u00eb lib\u00ebr shp\u00ebrfaqet po ai Drit\u00ebro q\u00eb prej vitesh “udh\u00ebton i menduar”, po ai qytetar q\u00eb mundohet t\u00eb shoh\u00eb fatin e vet n\u00eb fatin e bashk\u00ebsis\u00eb ku jeton, i nj\u00ebjti poet q\u00eb e gdhend fjal\u00ebn sikurse mjeshtri gurin. “Fletorka e mesnat\u00ebs” \u00ebsht\u00eb nj\u00eb v\u00ebllim me t\u00eb cilin poeti ka shprehur p\u00ebrjetimet e dhimbshme t\u00eb nj\u00eb kohe me tronditje t\u00eb m\u00ebdha, prej vitit 1996, kryesisht t\u00eb vitit 1997, disa edhe t\u00eb vitit 1998. Me k\u00ebt\u00eb v\u00ebllim \u00ebsht\u00eb paraqitur nj\u00eb hap\u00ebsir\u00eb tjet\u00ebr e poezis\u00eb s\u00eb tij.<\/p>\n

Vjershat e “Fletork\u00ebs s\u00eb mesnat\u00ebs” jan\u00eb bised\u00eb e dhimbshme me veten, me miqt\u00eb, me aleat\u00ebt dhe kund\u00ebrshtar\u00ebt, me njeriun ashtu si\u00eb \u00ebsht\u00eb. Nata \u00ebsht\u00eb e ngarkuar me zymt\u00ebsi dhe njeriu \u00ebsht\u00eb mir\u00eb t\u00eb mos mendoj\u00eb gjat\u00eb nat\u00ebs. Nata \u00ebsht\u00eb depresive dhe njeriu \u00ebsht\u00eb mir\u00eb t\u00eb ruhet prej r\u00ebnies, sidomos n\u00eb koh\u00ebra t\u00eb r\u00ebnda. Mir\u00ebpo nd\u00ebrgjegjja e poetit nuk mundet ta pranoj\u00eb k\u00ebt\u00eb luks. Dhe \u00ebsht\u00eb nj\u00eb fat q\u00eb nd\u00ebrgjegjja e poetit ka ndenjur zgjuar e ka kthyer n\u00eb art situata e ndjesi q\u00eb njeriu i zakonsh\u00ebm do t’i shmangte leht\u00eb me nj\u00eb qet\u00ebsues nervash. Poeti ka nyj\u00ebtuar n\u00eb art\u00ebn e t\u00ebj vuajtjet e njer\u00ebut q\u00eb e di p\u00ebrgjegj\u00ebsin\u00eb e tij para opinionit, q\u00eb t’i tregoj\u00eb atij se \u00eb’vler\u00eb ka dhimbja. Po, edhe dhimbja ka vler\u00eb! Esht\u00eb nj\u00eb ndjenj\u00eb fisnik\u00ebruese.<\/p>\n

Ka qen\u00eb nj\u00eb fat p\u00ebr njeriun shqiptar, subjektin q\u00eb pret let\u00ebrsin\u00eb n\u00eb gjuh\u00ebn shqipe, q\u00eb k\u00ebto dhimbje poeti la sjell atij si nj\u00eb “realitet t\u00eb dyt\u00eb”, si realitet letrar. Ne dridhemi nga dhimbja e poetit, q\u00eb vjen prej “realitetit t\u00eb par\u00eb”, ngjarjes s\u00eb dit\u00ebs, gj\u00ebm\u00ebs s\u00eb dit\u00ebs, tronditjes s\u00eb dit\u00ebs, t\u00eb cilin poeti nuk e ka p\u00ebrjetuar si poezi. P\u00ebrmes dhimbjes letrare q\u00eb arriti t\u00eb shpreh\u00eb Drit\u00ebro Agoll\u00eb ne kemi mundur t\u00eb kuptojm\u00eb vler\u00ebn e mahnitshme t\u00eb gjuh\u00ebs q\u00eb flasim e q\u00eb kan\u00eb folur t\u00eb par\u00ebt tan\u00eb, vlerat e k\u00ebsaj pasurie q\u00eb i lidh shqiptar\u00ebt me burimin e kryehersh\u00ebm t\u00eb popujve evropian\u00eb e indo-evropian\u00eb, finesat e saj t\u00eb brendshme, q\u00eb vet\u00ebm nj\u00eb mjesht\u00ebr i fjal\u00ebs mund t’i b\u00ebj\u00eb t\u00eb ditura.<\/p>\n

LITERATURA<\/strong>:
\n1. Drit\u00ebro Agolli, Fjala gdhend gurin, Naim Frash\u00ebri, Tiran\u00eb,1977, faqe 250 2. Robert Elsie, Nj\u00eb fund dhe nj\u00eb fillim, Buzuku, Prishtin\u00eb, 1995 3. Drit\u00ebro Agolli, Pelegrini i vonuar, Tiran\u00eb, 1993 4. T\u00eb pagjum\u00ebt (D.Agolli), Rilindja, Prishtin\u00eb,1980, faqe 15 5, 6, 7,8, Drit\u00ebro Agolli, T\u00eb pagjum\u00ebt, Rilindja, Prishtin\u00eb, 1980.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Shkruan Prof. Zymer Mehani Abstrakti Drit\u00ebro Agolli \u00ebsht\u00eb nj\u00eb nga poet\u00ebt m\u00eb origjinal\u00eb dhe m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb letrave poetike shqipe. Poet, prozator, eseist, njeri erudit dhe me shije t\u00eb holla estetike, idealist dhe progresist me kontribute t\u00eb fuqishme letrare e jasht\u00ebletrare, Agolli \u00ebsht\u00eb nj\u00eb z\u00eb unik, i pap\u00ebrs\u00ebritsh\u00ebm n\u00eb let\u00ebrsin\u00eb e bot\u00ebs shqiptare. Agolli […]<\/p>\n","protected":false},"author":1,"featured_media":16645,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4],"tags":[],"class_list":["post-9887","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori"],"yoast_head":"\nPOETIKA E DRIT\u00cbRO AGOLLIT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/poetika-e-dritero-agollit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"POETIKA E DRIT\u00cbRO AGOLLIT - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Shkruan Prof. Zymer Mehani Abstrakti Drit\u00ebro Agolli \u00ebsht\u00eb nj\u00eb nga poet\u00ebt m\u00eb origjinal\u00eb dhe m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb letrave poetike shqipe. Poet, prozator, eseist, njeri erudit dhe me shije t\u00eb holla estetike, idealist dhe progresist me kontribute t\u00eb fuqishme letrare e jasht\u00ebletrare, Agolli \u00ebsht\u00eb nj\u00eb z\u00eb unik, i pap\u00ebrs\u00ebritsh\u00ebm n\u00eb let\u00ebrsin\u00eb e bot\u00ebs shqiptare. 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