{"id":9994,"date":"2017-01-18T21:38:11","date_gmt":"2017-01-18T20:38:11","guid":{"rendered":"http:\/\/www.fjala.info\/?p=9994"},"modified":"2018-02-27T13:00:19","modified_gmt":"2018-02-27T12:00:19","slug":"lirika-e-dashurise-e-serembes","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/lirika-e-dashurise-e-serembes\/","title":{"rendered":"LIRIKA E DASHURIS\u00cb E SEREMBES"},"content":{"rendered":"

Shkruan Prof. Zymer Mehani<\/strong><\/p>\n

Motivi i dashuris\u00eb
\nMotivi i dashuris\u00eb z\u00eb nj\u00eb vend t\u00eb gjer\u00eb n\u00eb poezin\u00eb e Serembes.<\/strong><\/p>\n

N\u00eb thelb poeti e sheh dashurin\u00eb si forc\u00eb jet\u00ebsore, si burim lumturie. \u201cMotivi i dashuris\u00eb \u2026 \u00ebsht\u00eb nj\u00eb nga motivet qendrore t\u00eb poezis\u00eb s\u00eb Zef Serembes\u201d. Nj\u00eb mendim i till\u00eb pasqyrohet n\u00eb vjershat q\u00eb i k\u00ebndojn\u00eb lindjes s\u00eb dashuris\u00eb (“K\u00ebnga e dashuris\u00eb s\u00eb par\u00eb”, “K\u00ebng\u00eb e g\u00ebzueshme”, “Fytyra e saj”). Pra, dashuria intime p\u00ebrb\u00ebn boshtin m\u00eb vital t\u00eb k\u00ebsaj bote shpirt\u00ebrore dhe intelektuale. Dashuria n\u00eb vepr\u00ebn poetike t\u00eb Jeronim De Rad\u00ebs, t\u00eb Gavril Dar\u00ebs dhe t\u00eb Zef Serembes rrezaton spekt\u00ebr t\u00eb gjer\u00eb kuptimor dhe e shtrin funksionin nxit\u00ebs dhe zbut\u00ebs n\u00eb gjer\u00ebsin\u00eb e jet\u00ebs s\u00eb p\u00ebrditshme; p\u00ebrpos q\u00eb shpreh, kap dhe fikson artistikisht \u00e7aste t\u00eb zjarrit m\u00eb t\u00eb fuqish\u00ebm dhe m\u00eb magjik emocional, p\u00ebrpos q\u00eb monumentalizon lumturin\u00eb m\u00eb hyjnore, p\u00ebrkat\u00ebsisht vuajtjen m\u00eb dramatike, ajo frym\u00ebzon dhe v\u00eb n\u00eb l\u00ebvizje aktive bot\u00ebn morale, intelektuale, patriotike, luftarake, ideore etj. t\u00eb qenies arb\u00ebreshe.<\/p>\n

Zef Serembe \u00ebsht\u00eb liriku i par\u00eb i madh n\u00eb let\u00ebrsin\u00eb shqipe. Ai \u00ebsht\u00eb nj\u00eb poet q\u00eb poezin\u00eb e identifikon me lirik\u00ebn, madje me at\u00eb t\u00eb dashuris\u00eb, si k\u00ebng\u00eb t\u00eb mallit, e n\u00eb k\u00ebt\u00eb v\u00ebshtrim n\u00ebp\u00ebrmjet t\u00eb subjektivizmit e p\u00ebrforcon teorin\u00eb p\u00ebr lirik\u00ebn si gjini personale dhe universale nj\u00ebkoh\u00ebsisht. Aq sa largohet nga tipi i romantikut shqiptar, si De Rada, po aq Serembe afrohet me lirik\u00ebt e m\u00ebdhenj t\u00eb Evrop\u00ebs Per\u00ebndimore.<\/p>\n

Poeti Zef Serembe pati tri dashuri t\u00eb m\u00ebdha: Atdheun, Vash\u00ebn, Natyr\u00ebn. Mbi baz\u00ebn e k\u00ebtyre tri temave t\u00eb m\u00ebdha ngrihet dhe klasifikimi i ligj\u00ebrimit lirik t\u00eb Serembes. Si\u00e7 na \u00ebsht\u00eb njohur, Serembe ra n\u00eb dashuri n\u00eb mosh\u00eb t\u00eb re me nj\u00eb bashk\u00ebfshatare t\u00eb tij, e cila m\u00eb von\u00eb u shp\u00ebrngul familjarisht n\u00eb Brazil dhe vdiq pak koh\u00eb mbas arritjes atje. P\u00ebr k\u00ebt\u00eb vash\u00eb ai nuk do t\u00eb praj\u00eb s\u00eb shkruari gjat\u00eb gjith\u00eb jet\u00ebs. K\u00ebshtu, ai mediton p\u00ebr jet\u00ebn e p\u00ebr fatin, p\u00ebr femr\u00ebn e p\u00ebr mallin e par\u00eb, p\u00ebr dashurin\u00eb e p\u00ebr vdekjen. N\u00eb k\u00ebt\u00eb nivel t\u00eb t\u00eb ndjerit e t\u00eb t\u00eb menduarit vasha e tij duket sa e af\u00ebrt, aq edhe nj\u00eb figur\u00eb abstrakte e dashuris\u00eb, q\u00eb nuk lidhet as me koh\u00ebn e as me vendin, por bie p\u00ebrgjithnj\u00eb n\u00eb shtratin e p\u00ebrjet\u00ebsis\u00eb e t\u00eb paskaj\u00ebsis\u00eb. Ajo nganj\u00ebher\u00eb kap misteriet e Mona Liz\u00ebs e her\u00eb \u2013 her\u00eb kadencat e k\u00ebndimit t\u00eb Laur\u00ebs s\u00eb Petrark\u00ebs. I zhytur n\u00eb k\u00ebto dilema t\u00eb thella t\u00eb mendimit, Serembe do t\u201fi k\u00ebndoj\u00eb \u201cZonj\u00ebs Lule\u201d:<\/p>\n

O vash\u00ebz\u00eb mes-holl\u00eb, koha shkon
\nDhe, posi lulet, zhduket dalngadal\u00eb
\nHiri q\u00eb si pranver\u00eb t\u00eb zbukuron.<\/p><\/blockquote>\n

Ku, poti, menj\u00ebher\u00eb ngre figur\u00ebn e vet paralele, tashm\u00eb si
\nd\u00ebshmi:<\/p>\n

Jeta m\u00eb vrau fort mua t\u00eb zin\u00eb.<\/p><\/blockquote>\n

Te ting\u00ebllima \u201cFytyra e asaj\u201d bashkohen n\u00eb m\u00ebnyr\u00eb imagjinative dashuria dhe bukuria, dy mitet e m\u00ebdha t\u00eb poetit. Vargu i par\u00eb dhe vargu i fundit japin gjith\u00eb thelbin e ting\u00ebllim\u00ebs \u201cFytyra e
\nasaj\u201d:<\/p>\n

Si vajza ime e bukur s’ka asnj\u00eb<\/p><\/blockquote>\n

Dhe:<\/p>\n

Edhe kur qesh, sikur t\u00eb ngre n\u00eb qiell<\/p><\/blockquote>\n

K\u00ebto vargje japin portretin dashuror, lidhjen fantastike me vash\u00ebn, e cila e shpie poetin nga nj\u00eb gjendje tok\u00ebsore n\u00eb nj\u00eb gjendje t\u00eb re t\u00eb ngritur shpirt\u00ebrore, q\u00eb do t\u00eb thot\u00eb ikje nga gjendja e r\u00ebndomt\u00eb.<\/p>\n

Pra, fytyra e asaj, e vash\u00ebs, krijohet duke i lidhur bashk\u00eb cil\u00ebsit\u00eb fizike e shpirt\u00ebrore, prandaj k\u00ebtu nuk ka vet\u00ebm p\u00ebrshkrim, por dhe elemente emocionale \u2013 dashurore \u2013 p\u00eblqyese q\u00eb hyjn\u00eb n\u00eb cil\u00ebsim. Ajo e holl\u00eb dhe e drejt\u00eb, shkon si zog\u00eb, ka z\u00eb plot harmoni; g\u00ebrsheti i zi i shk\u00eblqen, balli i shk\u00eblqen drit\u00eb, syt\u00eb e zez jan\u00eb t\u00eb p\u00ebrmallsh\u00ebm e i shk\u00eblqejn\u00eb si h\u00ebn\u00eb, ka hund\u00eb t\u00eb drejt\u00eb, ka buz\u00ebt si merxhan, dhe ajo q\u00eb \u00ebsht\u00eb m\u00eb e thell\u00eb, dhe p\u00ebrfundimtarja: kur qesh t\u00eb shpie n\u00eb qiell.<\/p>\n

N\u00eb k\u00ebt\u00eb paraqitje psikofizike t\u00eb fytyr\u00ebs s\u00eb vash\u00ebs s\u00eb tij, mund t\u00eb v\u00ebrejm\u00eb se p\u00ebrshkrimi i Zef Serembes shpie m\u00eb tep\u00ebr kah bukuria ideale, q\u00eb do t\u00eb ishte qerthull i dashuris\u00eb s\u00eb zjarrt\u00eb.<\/p>\n

Kjo zjarrmi poetike do t\u00eb krijoj\u00eb variantet e k\u00ebng\u00ebve t\u00eb dashuris\u00eb si k\u00ebng\u00eb t\u00eb mallit, madje t\u00eb mallit t\u00eb par\u00eb, duke kaluar n\u00eb llahtari, p\u00ebr t\u00eb krijuar k\u00ebng\u00ebn e mallit si tip paralasgushian t\u00eb let\u00ebrsis\u00eb shqipe.
\nStratikoi thot\u00eb bukur se Serembe \u201dka qen\u00eb si zogu q\u00eb k\u00ebndon duke fluturuar, dhe q\u00eb, duke k\u00ebnaqur udh\u00ebtarin, i cili e d\u00ebgjon, nuk le pas vehtes ve\u00e7se jehon\u00ebn e \u00ebmb\u00ebl t\u00eb melodive t\u00eb tij t\u00eb k\u00ebnd\u00ebshme\u201d.<\/p>\n

\u201cMotivi i dashuris\u00eb z\u00eb nj\u00eb vend t\u00eb gjer\u00eb n\u00eb poezin\u00eb e Serembes. N\u00eb thelb, poeti e sheh dashurin\u00eb si forc\u00eb jet\u00ebsore, si burim lumturie\u201d. Motivi i dashuris\u00eb p\u00ebr atdhe mplekset shpesh ose shkrihet me motivin e dashuris\u00eb p\u00ebr vash\u00ebn. Nota zot\u00ebruese e k\u00ebsaj poezie \u00ebsht\u00eb lektisja. M\u00eb se gjysma e vjershave i kushtohen dashuris\u00eb s\u00eb tij t\u00eb pafat. Nj\u00eb mendim i till\u00eb pasqyrohet n\u00eb vjershat q\u00eb i k\u00ebndojn\u00eb lindjes s\u00eb dashuris\u00eb, si: K\u00ebnga e mallit t\u00eb par\u00eb, K\u00ebnga e g\u00ebzueshme, Fytyra e asaj, kur, n\u00eb k\u00ebng\u00ebt e para t\u00eb dashuris\u00eb, Serembe \u00ebsht\u00eb plot g\u00ebzim e optimiz\u00ebm. Ai gjen vash\u00ebn e zemr\u00ebs, e dashuron dhe ajo i p\u00ebrgjigjet k\u00ebsaj dashurie:<\/p>\n

D\u00ebgjo vash\u00eb, kangjel\u00ebn e par\u00eb,
\nQ\u00eb ta thot\u00eb nj\u00eb djal\u00eb bujar.
\nD\u00ebgjo vash\u00eb k\u00ebt\u00eb kangjele,
\nq\u00eb \u00ebsht\u00eb e but\u00eb porsi dele.<\/p><\/blockquote>\n

apo:<\/p>\n

Po kjo zem\u00ebr u g\u00ebzua,
\nkur nj\u00eb vash\u00ebz u tregua.
\nKur te sheshi ajo po shkonte
\nt\u00ebr\u00eb sheshi drit\u00eb l\u00ebshonte. (\u2026)
\n(Kangjela e mallit t\u00eb par\u00eb).<\/p><\/blockquote>\n

Lirika erotike n\u00eb poezin\u00eb e Zef Serembes z\u00eb vend t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb mos kryesor. Krahas asaj refleksive dhe patriotike, tema e dashuris\u00eb edhe artistikisht \u00ebsht\u00eb m\u00eb e frym\u00ebzuara dhe, mbase m\u00eb e realizuara (\u2026) \u201cPoezia n\u00eb p\u00ebrgjith\u00ebsi, e vargjet e zhanrit erotik n\u00eb ve\u00e7anti, qen\u00eb, mbase, i vetmi ngush\u00ebllim p\u00ebr shpirtin e pasur dhe tejet t\u00eb ndjesh\u00ebm t\u00eb poetit.\u201d, thot\u00eb studiuesi i let\u00ebrsis\u00eb Ali Aliu, p\u00ebr t\u00eb vazhduar \u201c Nd\u00ebr shum\u00eb poezi t\u00eb realizuara me cil\u00ebsi t\u00eb lart\u00eb artistike, si \u201cK\u00ebnga e mallit t\u00eb par\u00eb\u201d, \u201cElegji\u201d, \u201cM\u00eb t\u00eb bukur\u00ebs q\u00eb \u00ebsht\u00eb n\u00eb Strigari\u201d, \u201cMalli\u201d, etj.<\/p>\n

P\u00ebr k\u00ebt\u00eb rast ve\u00e7uam vargjet e vjersh\u00ebs \u201cFytyra e asana\u201d, q\u00eb \u00ebsht\u00eb nj\u00eb portret i fuqish\u00ebm
\npoetik: \u201cE bardha vash\u00ebza ime e bukur \u00ebsht\u00eb\/ e prer\u00eb, e holl\u00eb si kumbull shtuara rri\/ kur ec\u00ebn vet\u00eb si zog\u00eb e them se m\u00eb\/ ngre z\u00ebrin plot me jon\u00ebsi (harmoni) (\u2026). Poeti arb\u00ebresh shpreh, n\u00ebp\u00ebrmjet t\u00eb form\u00ebs s\u00eb sonetit, me vija t\u00eb z\u00ebshme bot\u00ebn komplete t\u00eb vash\u00ebs q\u00eb e adhuron\u201d. Lirikat e tij t\u00eb dashuris\u00eb, disa kushtuar vajz\u00ebs q\u00eb kishte dashur, p\u00ebrb\u00ebjn\u00eb nj\u00eb ditar t\u00eb v\u00ebrtet\u00eb t\u00eb zemr\u00ebs s\u00eb tij, p\u00ebr shembull \u201cK\u00ebnthim\u00eb tharosi\u201d, e njohur si K\u00ebnk\u00eb malli:<\/p>\n

M\u00eb rri e zem\u00ebruar, s\u201fdi se\u00e7 ke,
\nO e t\u00eb bjerr\u00ebs Parajs\u00eb molla m\u00eb e mir\u00eb.
\nM\u00eb thuaj \u00e7\u201ft\u00eb kam b\u00ebr\u00eb e pse m\u00eb le,
\nSe jet\u00ebn shtyj me zor pa asnj\u00eb d\u00ebshir\u00eb.
\nSa e trishtuar q\u00eb m\u00eb shkonte dita,
\nKur nin\u00ebzat me gas nuk pash nd\u00ebr sy,<\/p><\/blockquote>\n

Ma mbushnin shpirtit, rrez\u00ebllinte drita, Dhe dallg\u00eb malli m\u00eb zgjonin n\u00eb gji.<\/p>\n

Dhe ballin e q\u00ebndisur rrezesh dielli
\nN\u00ebp\u00ebr dritaren t\u00ebnde m\u00eb s\u201fe pash,
\nDhe as t\u00eb hijshmen buz\u00eb, lule qielli,
\nSikur m\u00eb humbe fare, mori vash\u00eb!
\n(\u2026) (P\u00ebrkthyer nga Perikli JORGONI)<\/p><\/blockquote>\n

\u201cPoezia e Serembes \u00e7eli nj\u00eb udh\u00eb t\u00eb pal\u00ebruar n\u00eb let\u00ebrsin\u00eb arb\u00ebreshe, edhe n\u00eb trajtimin e tem\u00ebs s\u00eb dashuris\u00eb. \u00cbsht\u00eb e v\u00ebrtet\u00eb se n\u00eb poemat e De Rad\u00ebs gjejm\u00eb edhe k\u00ebng\u00eb dashurie \u2013 xhevahir\u00eb lirik\u00eb \u2013 si \u201cvjershat\u201d e Rin\u00ebs n\u00eb \u201c:K\u00ebng\u00ebt e Milosaos\u201d, apo k\u00ebnga e Bozdarit p\u00ebr Serafin\u00ebn te \u201cNj\u00eb pasqyr\u00eb e jet\u00ebs njer\u00ebzore\u201d ose te k\u00ebnga q\u00eb Miloshini i drejton Agat\u00ebs n\u00eb \u201cSkanderbekun e pafan\u201d, por k\u00ebto jan\u00eb n\u00eb funksione t\u00eb karaktereve t\u00eb personazheve (\u2026).<\/p>\n

Lirika dashurore e Serembes solli di\u00e7ka krejt t\u00eb re n\u00eb let\u00ebrsin\u00eb arb\u00ebreshe: analiz\u00ebn e holl\u00ebsishme psikologjike t\u00eb ndjenj\u00ebs s\u00eb dashuris\u00eb (\u2026) Serembe p\u00ebrkundrazi zbulon pasurin\u00eb e ndjenj\u00ebs s\u00eb dashuris\u00eb, e pasqyron at\u00eb n\u00eb aspektin e shqet\u00ebsimit mundonj\u00ebs, t\u00eb mallit, t\u00eb g\u00ebzimit, t\u00eb ekstaz\u00ebs s\u00eb kujtimeve; e sheh n\u00eb aspektin e adhurimit t\u00eb ndrojtur dhe pasionit t\u00eb zjarrt\u00eb; Duke qen\u00eb poezi e dashuris\u00eb fatkeqe, poezia erotike e Serembes bazohet mbi kontraste t\u00eb vazhdueshme q\u00eb kan\u00eb edhe ato larmin\u00eb e vet; k o n t r a s t m i d i s d a s h u r i s \u00eb s \u00eb p o e t i t dhe mosp\u00ebrfilljes s\u00eb vajz\u00ebs, kontrast midis breng\u00ebs s\u00eb dikurshme dhe g\u00ebzimit t\u00eb sot\u00ebm, apo midis l u m t u r i s \u00eb s\u00eb d i k u r s h m e dh e t r i sh t i m i t t\u00eb s o t \u00eb m.\u201d<\/p>\n

Vjershat e Serembes me p\u00ebrmbajtje erotike q\u00eb i kemi t\u00eb p\u00ebrkthyera e t\u00eb njohura deri m\u00eb tash jan\u00eb: K\u00ebnga e mallit t\u00eb par\u00eb, Malli, Vash\u00ebs s\u00eb larg\u00ebt, M\u00eb t\u00eb bukur\u00ebs n\u00eb Strigari, Elegji, K\u00ebng\u00ebtari dhe bilbili, Fytyra e asaj, K\u00ebng\u00eb gazmore, Zonj\u00ebs Lule, Serenat\u00eb, K\u00ebng\u00eb malli, Kujtim, K\u00ebng\u00ebtari i dashuruar, sikund\u00ebr edhe vjershat: Nj\u00eb vajze t\u00eb panjohur refugjate, Fantazi, Dashuria ime e par\u00eb, Asaj q\u00eb dikur m\u00eb deshte, K\u00ebng\u00eb lumturie, k\u00ebng\u00eb dashurie, e ndonj\u00eb tjet\u00ebr, t\u00eb cilat mund t\u00eb jen\u00eb si variante t\u00eb poezive t\u00eb tjera, t\u00eb k\u00ebtij motivi, me tituj t\u00eb tjer\u00eb .
\n\u201cKujtim\u201d dhe \u201cElegji\u201d jan\u00eb dy kryeveprat e lirik\u00ebs dashurore t\u00eb poetit q\u00eb q\u00ebndrojn\u00eb si t\u00eb tilla n\u00eb fondin e art\u00eb t\u00eb erotik\u00ebs shqiptare. Kujtimi \u00ebsht\u00eb nj\u00eb nga vjershat m\u00eb tipike romantike t\u00eb poetit, ku motivi i vetmis\u00eb, aq i dashur p\u00ebr romantik\u00ebt si dhe nostalgjia e joshja nga bota e kujtimeve, kan\u00eb gjetur nj\u00eb shprehje origjinale. Vjersha zbulon nj\u00eb kontradikt\u00eb q\u00eb karakterizon gjendjen shpirt\u00ebtore t\u00eb Serembes. N\u00eb t\u00eb g\u00ebrshetohen momentet e fatalizmit me tablot\u00eb plot drit\u00eb e gjall\u00ebri t\u00eb dashuris\u00eb, q\u00eb jepen n\u00ebp\u00ebrmjet kujtimeve t\u00eb poetit. Kontrastet e forta mbi baz\u00ebn e t\u00eb cilave \u00ebsht\u00eb nd\u00ebrtuar poezia, shprehin n\u00eb m\u00ebnyr\u00eb t\u00eb gjall\u00eb dhimbjen e thell\u00eb t\u00eb poetit, iluzionin e tij t\u00eb p\u00ebrkohsh\u00ebm se po i kthehet lumturia e shkuar dhe d\u00ebshp\u00ebrimi i dyfisht\u00eb, kur z\u00ebri i arsyes i thot\u00eb se vasha e tij nuk do t\u00eb ngrihet m\u00eb nga varri.<\/p>\n

N\u00eb fillim poeti k\u00ebrkon ta shuaj\u00eb breng\u00ebn me \u00ebndrra, po k\u00ebto zhduken si fluska p\u00ebrball\u00eb realitetit t\u00eb ashp\u00ebr. Ai at\u00ebher\u00eb k\u00ebrkon nj\u00eb streh\u00eb n\u00eb kujtimet q\u00eb i shfaqen si vegim, me ngjyrat m\u00eb t\u00eb bukura:<\/p>\n

E ja nga buza vasha ime nxjerr
\nFjal\u00eb t\u00eb \u00ebmbla e puthje pa mbarim
\nGjith\u00e7ka p\u00ebr rreth mbushet me g\u00ebzim
\nKumbon bota, e mbushet me hare
\nSe vasha m\u201fu kthye nga i huaji dhe.<\/p><\/blockquote>\n

Mir\u00ebpo, poeti shpejt zgjohet edhe nga ky \u00ebnd\u00ebrrim. Ai i sheh me sy m\u00eb tep\u00ebr kritik iluzionet e veta, por, megjithat\u00eb, nuk e mohon jet\u00ebn. P\u00ebrkundrazi ai k\u00ebrkon q\u00eb fytyra e vash\u00ebs s\u00eb vdekur t\u00eb jet\u00eb p\u00ebr t\u00eb jo burim brenge, po burim ndjenjash fisnike dhe frym\u00ebzuese p\u00ebr nj\u00eb lart\u00ebsim moral t\u00eb tij:<\/p>\n

\u00c7do gj\u00eb mbaroi! E moj vash\u00ebz sot
\nNdrroma k\u00ebt\u00eb shpirt n\u00eb gji
\nThell\u00eb e m\u00eb thell\u00eb
\nD\u00ebrgom\u00eb balt\u00ebn prej nga s\u201fshqitemi dot
\ndhe p\u00ebr mua prind t\u00eb jet\u00ebky diell.<\/p><\/blockquote>\n

Si\u00e7 shihet edhe nga k\u00ebto vargje, poeti di ta shpreh\u00eb me forc\u00eb kontrastin midis iluzionit dhe realitetit. K\u00ebt\u00eb kontrast e nxjerrin n\u00eb drit\u00eb m\u00eb qart\u00eb mbylljet me intonacion t\u00eb nj\u00ebjt\u00eb t\u00eb dy strofave t\u00eb poezis\u00eb, q\u00eb jepin gjendje shpirt\u00ebrore t\u00eb kund\u00ebrta.<\/p>\n

Ndikimi i vepr\u00ebs s\u00eb Petrark\u00ebs dhe Leopardit n\u00eb krijimin poetik t\u00eb Serembes \u00ebsht\u00eb i duksh\u00ebm. K\u00ebshtu vjershat e tij t\u00eb shkruara pas vdekjes s\u00eb vash\u00ebs t\u00eb kujtojn\u00eb lirikat e shkruara nga Petrarka pas vdekjes s\u00eb Laur\u00ebs n\u00eb elementet q\u00eb i b\u00ebjn\u00eb: evokimi i s\u00eb dashur\u00ebs, shkrirja e natyr\u00ebs me ndjenj\u00ebn etj. N\u00eb lirik\u00ebn dashurore t\u00eb Serembes, ndihen jo vet\u00ebm gjurm\u00ebt e ndikimit t\u00eb Petrark\u00ebs e Leopardit, por edhe Dantes, kryesisht lidhur me konceptin e gruas dhe t\u00eb dashuris\u00eb, q\u00eb poeti e p\u00ebrpunon sipas m\u00ebnyr\u00ebs romantike.<\/p>\n

Mendimi i dashuris\u00eb e ndjek poetin n\u00eb \u00e7do \u00e7ast, kudo: n\u00eb gjueti, n\u00eb mal kur shkon p\u00ebr dru, nat\u00ebn von\u00eb duke ndenjur pa gjum\u00eb, kur niset p\u00ebr udh\u00ebtim e kur \u00ebsht\u00eb larg nga vasha. Shpesh ai shpreh me nostalgji brengat e \u201cmallit\u201d t\u00eb tij. Po vasha i vdes, \u00ebndrrat e lumturis\u00eb zhduken dhe poeti, mbi varrin e saj vajton fatin e tij t\u00eb mjer\u00eb, duke kujtuar plot nostalgji \u00e7astet e dashuris\u00eb fatkeqe:<\/p>\n

Vash\u00eb e g\u00ebzuar, ku je, ku rri ku bredh?
\n\u00c7\u201f\u00ebnd\u00ebrron, \u00e7\u201fpandeh, \u00e7\u201fk\u00ebrkon?
\nZemr\u00ebn ti nga e sjell.Ti nga e dredh?
\nDhe bukuria jote ku g\u00ebzon?<\/p><\/blockquote>\n

Dhe ja se po fryn puhia nga deti i gjer\u00eb E nuk m\u00eb sjell p\u00ebrgjigj\u00eb asnj\u00ebher\u00eb.<\/p>\n

\u2026 Dhe vajt\u00ebn si sot n\u00ebnt\u00eb vjet,
\nN\u00ebnt\u00eb her\u00eb pranvera lul\u00ebzoi.<\/p><\/blockquote>\n

E n\u00ebnt\u00eb plag\u00eb un\u00eb kam tek zemra e shkret\u00eb, dhe keq vuajtja jet\u00ebn ma shkurtoi:<\/p>\n

i lodhur jam si ajo th\u00ebll\u00ebz\u00ebs mali,
\nq\u00eb detin duke k\u00ebnduar gjithn\u00eb perfali.
\n(Nga: Elegji)<\/p><\/blockquote>\n

Po poeti q\u00eb kishte k\u00ebnduar aq bukur haren\u00eb e lumturin\u00eb e
\ndashuris\u00eb:<\/p>\n

Nj\u00eb dit\u00eb p\u00ebr ty m\u201fu tregua ky dhe
\nplot \u00ebndje dhe gjith\u00eb hare,<\/p><\/blockquote>\n

sedashuria jote, vash\u00eb, m\u00eb l\u00ebshoi nj\u00eb drit\u00eb q\u00eb shp\u00ebrndau gjith\u00eb termin q\u00eb m\u00eb prit, q\u00eb dashuri t\u00eb dy ishim fort t\u00eb g\u00ebzuar, (Po aty) Edhe Serembeja, si \u00c7ajupi m\u00eb von\u00eb n\u00eb elegjit\u00eb e tij t\u00eb mall\u00ebngjyera, \u201cVajet\u201d, kthehet n\u00eb revolt\u00eb:<\/p>\n

O vash\u00eb me ata sy …
\nthuajm\u00eb nani ku je …
\nKu prehe te k\u00ebjo here
\ne qet\u00eb dhe plot trishtim?
\nE pse ju nuk ndri\u00e7oni,
\no mure, \u00e7\u00eb mua t\u00eb bukur\u00ebn
\nm\u00eb fshihni dhe vet\u00ebm h\u00ebna
\nbr\u00ebnda mund t\u00eb hedh\u00eb nj\u00eb si?
\nO vash\u00ebz, o! t\u00eb mund\u00ebsha
\nt\u00eb b\u00ebhesha ajo drit\u00eb
\nQ\u00eb t\u00eb vdes ty \u00e7do m\u00ebngjes. (Po aty)<\/p><\/blockquote>\n

Dashuria si ndjenj\u00eb, e cila p\u00ebrjetohet deri n\u00eb skajet m\u00eb t\u00eb thella t\u00eb qenies, si ndjenj\u00eb e cila trumbeton nj\u00eb fuqi t\u00eb magjishme q\u00eb s\u201fmund t\u00eb zhb\u00ebhet nga asgj\u00eb, si ndjenj\u00eb q\u00eb t\u00eb dhuron t\u00eb pamundur\u00ebn e pastaj p\u00ebrnj\u00ebher\u00ebsh e zbraz shpirtin deri n\u00eb mohim t\u00eb vetvetes, dashuria q\u00eb paraqitet p\u00ebrmes p\u00ebrsiatjeve intime, d\u00ebshmive personale, rimarrjeve tradicionale, t\u00eb cilat kryq\u00ebzohen natyrsh\u00ebm me idealizmat romantike, dashuria, nj\u00eb nga motivet m\u00eb t\u00eb rrahura nga pena e nj\u00eb autori, ndjenj\u00eb kjo q\u00eb ai e pa si shpres\u00ebn, si shqet\u00ebsimin, si fatkeq\u00ebsin\u00eb e tij, t\u00eb cil\u00ebn e ktheu n\u00eb nj\u00eb nga motivet m\u00eb t\u00eb dashura, t\u00eb cilat nxor\u00ebn n\u00eb drit\u00eb talentin e nj\u00eb autori si Zef Serembe.<\/p>\n

\u201cT\u00eb dua si agimin e praruar Kur rrezon Jonin e mua m\u201fp\u00ebrsh\u00ebndet. Do t\u201fjetosh n\u201fzemr\u00ebn time si dashnorja F\u00ebmij\u00ebrore, o shpres\u00eb, tashm\u00eb e humbur\u201d \u201cPjes\u00ebn m\u00eb t\u00eb madhe, kur e kur, edhe artistikisht m\u00eb t\u00eb vlefshme t\u00eb vjershave t\u00eb tij Zef Serembe i shkruan mbi tem\u00ebn e dashuris\u00eb ndaj gruas. I dashuruar q\u00eb her\u00ebt n\u00eb nj\u00eb vajz\u00eb t\u00eb vendlindjes e cila, bashk\u00eb me prind\u00ebrit do t\u00eb m\u00ebrgoj\u00eb n\u00eb Amerik\u00ebn Latine, n\u00eb Brazil, ku, s\u00eb shpejti do t\u00eb vdes\u00eb, Zef Serembe, t\u00ebr\u00eb jet\u00ebn, mandej, do ta ndiej\u00eb veten t\u00eb privuar g\u00ebzimesh e lumturie q\u00eb, si \u00e7dokujt tjet\u00ebr do t\u00eb duhej t\u201fi takonin. Kujtimet e pashuara p\u00ebr k\u00ebt\u00eb vajz\u00eb, nj\u00eb dit\u00eb, do ta shtyjn\u00eb t\u00eb shkoj\u00eb pas saj n\u00eb Brazil, q\u00eb t\u201fia shoh\u00eb varrin.<\/p>\n

Pjesa m\u00eb e madhe q\u00eb shkruan mbi tem\u00ebn e dashuris\u00eb jan\u00eb pothuaj shprehje e ndjenjave t\u00eb patejkaluara dhe kujtimeve t\u00eb pashuara p\u00ebr k\u00ebt\u00eb vajz\u00eb: jan\u00eb k\u00ebnga e durimit t\u00eb tij. Dashuria e humbur do t\u201fi shkaktoj\u00eb Zef Serembes dhembje t\u00eb vazhdueshme dhe do ta b\u00ebj\u00eb njeri t\u00eb pik\u00eblluar n\u00eb jet\u00eb, i cili pik\u00ebllimet nuk do t\u00eb jet\u00eb n\u00eb gjendje t\u201fi p\u00ebrmbaj\u00eb deri n\u00eb vdekje\u201d.16 Serembe do ta manifestoj\u00eb gjendjen e v\u00ebshtir\u00eb shpirt\u00ebrore edhe n\u00eb poezit\u00eb e tij, n\u00eb t\u00eb cilat, n\u00eb t\u00eb shumt\u00ebn e rasteve, do t\u00eb dominojn\u00eb ngjyra t\u00eb err\u00ebta si malli, d\u00ebshp\u00ebrimi, trishtimi, zhg\u00ebnjimi, vetmia etj., t\u00eb cilat pasohen nga ankimet e nj\u00eb pasnj\u00ebshme, nj\u00eb nuanc\u00eb proteste e si p\u00ebrfundim kontrasti i fort\u00eb q\u00eb paraqitet me vdekjen si shp\u00ebtimin e tij t\u00eb vet\u00ebm. Krijimi i poezis\u00eb erotike pavar\u00ebsisht se niset nga nj\u00eb p\u00ebrjetim konkret dhe autori e vendos veten n\u00eb rolin e heroit lirik, megjithat\u00eb shkall\u00eb shkall\u00eb nd\u00ebrton nj\u00eb ideal n\u00eb qend\u00ebr t\u00eb t\u00eb cilit vendoset vasha e dashur dhe e d\u00ebshiruar. Natyrisht q\u00eb ky ideal barazohet edhe me identitetin arb\u00ebresh.<\/p>\n

Vajza s\u00eb pari identifikohet si arb\u00ebreshe dhe k\u00ebt\u00eb identifikim poeti e b\u00ebn pik\u00ebrisht p\u00ebrmes shenjave identifikuese t\u00eb cilat i gjejm\u00eb te arb\u00ebresh\u00ebt. Bie fjala, dallimi mes vajz\u00ebs dhe gruas arb\u00ebreshe q\u00ebndron n\u00eb faktin se vajzat e pamartuara arb\u00ebreshe e kan\u00eb pasur zakon ta thurin g\u00ebrshetin me nj\u00eb lidh\u00ebse t\u00eb bardh\u00eb, e quajtur jetull\u00ebz, nd\u00ebrsa simbol i grave ka qen\u00eb keza, nj\u00eb k\u00ebsul\u00eb kadifeje e cila n\u00eb kok\u00eb dukej si kuror\u00eb. Poeti kur shtjellon motivin e martes\u00ebs n\u00eb poezin\u00eb K\u00ebng\u00eb gazmore, p\u00ebrdor pik\u00ebrisht fjal\u00ebn kez\u00eb, e cila si fjal\u00eb \u00ebsht\u00eb simbol identifikues arb\u00ebresh p\u00ebr vajz\u00ebn e cila b\u00ebhet nuse.<\/p>\n

Hera erdhi t\u00eb martes\u00ebs, Diell-Zoti na bekon, Edhe drit\u00ebn \u00e7\u00eb sht\u00ebllon Shkjep\u00eb b\u00ebhet coh\u00eb e kez\u00eb.17 Bukuria e saj ravij\u00ebzohet sipas tipareve t\u00eb \u00e7do vajze q\u00eb z\u00eb vend n\u00eb let\u00ebrsin\u00eb popullore arb\u00ebreshe, kjo bukuri b\u00ebn diellin t\u00eb dal\u00eb, sjell pranver\u00ebn, \u00ebsht\u00eb e bardh\u00eb si zambaku, e holl\u00eb si kumbull, si bora n\u201fato male, \u00ebsht\u00eb faq\u00ebmoll\u00eb, faqebardh\u00eb, si yll, lulez\u00eb kopshti, buz\u00ebmerxhane, tr\u00ebndafile, e prer\u00eb, rend si sorkadhe, ka sy t\u201f\u00ebmb\u00ebl, g\u00ebrshetin e ka t\u00eb zi, balli i l\u00ebshon rreze drite, syt\u00eb i shk\u00eblqejn\u00eb si h\u00ebn\u00eb, dor\u00ebn e zverkun i ka si alabast\u00ebr, madje edhe kur qesh t\u00eb ngre n\u00eb qiell. Toponimia e p\u00ebrdorur gjithashtu em\u00ebrtohet sipas vendeve arb\u00ebreshe, heroi lirik e ndesh vash\u00ebn n\u00eb Strigar, n\u00eb Spezan\u00ebn Albaneze, te gjiri i Shkavunis\u00eb, n\u00eb Piluri, ose p\u00ebrdoren toponime q\u00eb sh\u00ebrbejn\u00eb p\u00ebr t\u00eb nd\u00ebrtuar gjendjen emocionale t\u00eb heroit lirik si ecja n\u00eb Sh\u00ebn Koll, rrufet\u00eb te Serra e Kristes, etj.<\/p>\n

Pra, duke pasur parasysh ato q\u00eb u than\u00eb m\u00eb lart shihet se Serembe krahas elementeve t\u00eb theksuara romantike vendos edhe elementet q\u00eb e identifikojn\u00eb poezin\u00eb e tij erotike me identitetin arb\u00ebresh.<\/p>\n

P\u00ebrmes poezis\u00eb s\u00eb dashuris\u00eb shenj\u00ebzohet ambienti ku lind kjo dashuri, vajza bukurin\u00eb e saj kulminate e shfaq pik\u00ebrisht t\u00eb diel\u00ebn, kur \u00ebsht\u00eb duke shkuar n\u00eb kish\u00eb, duke paraqitur k\u00ebshtu jo vet\u00ebm zakonin e shqiptar\u00ebve q\u00eb dit\u00ebn e diele ta mbanin si dit\u00ebn e s\u00eb kremtes, duke veshur k\u00ebshtu edhe petkat m\u00eb t\u00eb bukura e t\u00eb reja, por duke shenj\u00ebzuar edhe identitetin e tyre q\u00eb lidhej me besimin shpirt\u00ebror, kish\u00ebn e Zotin, elemente t\u00eb cilat t\u00ebrthorazi paraqiten si mund\u00ebsi praktike q\u00eb ndihmojn\u00eb n\u00eb ruajtjen e identitetit t\u00eb tyre jasht\u00eb tok\u00ebs shqiptare. P\u00ebrve\u00e7 k\u00ebsaj, kemi edhe g\u00ebrshetimin me tradit\u00ebn, p\u00ebrmes poezis\u00eb erotike shpaloset tradita e vajzave arb\u00ebreshe, t\u00eb cilat t\u00eb shkuarit n\u00eb mesh\u00ebn e t\u00eb diel\u00ebs e konsiderojn\u00eb si obligim t\u00eb pashkruar.<\/p>\n

\u201cMesha e madhe, ja, po bije
\ne nga kisha m\u00ebnt i shtije
\nDola: vash\u00ebzat po vinin
\nQet\u00eb e leht\u00eb n\u00eb kish\u00eb hynin\u201d<\/p><\/blockquote>\n

Nga ana tjet\u00ebr, p\u00ebrmes ambiguitetit t\u00eb k\u00ebtyre vargjeve, e kremtja merr vlera krejt\u00ebsisht t\u00eb reja p\u00ebr heroin lirik, kjo e kremte simbolizon gazin dhe euforin\u00eb e t\u00eb riut p\u00ebr dashurin\u00eb e lindur.
\nKjo shihet edhe n\u00eb vargjet n\u00eb vazhdim:<\/p>\n

\u201cPo kjo zem\u00ebr u g\u00ebzua
\nkur nj\u00eb vash\u00ebz u afrua,
\nKur te sheshi ajo shkonte,
\nt\u00ebr\u00eb sheshi drit\u00eb l\u00ebshonte.
\nI shk\u00eblqenin ata sy
\nq\u00eb nuk shihnin asnjeri,
\nSi nj\u00eb flutur\u00ebz e leht\u00eb
\nvej n\u00eb kish\u00eb e zhdukej vet\u00eb\u201d<\/p><\/blockquote>\n

Shenjt\u00ebria q\u00eb i jep komuniteti arb\u00ebresh t\u00eb diel\u00ebs si dit\u00eb e kremte paralelizohet me shenjt\u00ebrin\u00eb q\u00eb i jep heroi lirik k\u00ebsaj dite, p\u00ebr shkak t\u00eb njohjes s\u00eb dashuris\u00eb, vash\u00ebs. P\u00ebrderisa komuniteti e vasha k\u00ebrkojn\u00eb parajs\u00ebn p\u00ebrmes lutjes n\u00eb kish\u00eb, heroi lirik e gjen at\u00eb n\u00eb fjal\u00ebt e vash\u00ebs, n\u00eb shikimin e saj, etj.<\/p>\n

\u201cKur d\u00ebgjoj fjal\u00ebn e kthyer,
\nt\u00eb Parajs\u00ebs hapen dyer;
\nKur m\u00eb flet e m\u00eb shikon,
\nzemr\u00ebn nj\u00eb shigjet\u201f ma shpon.
\nE kur vjersh\u00ebn ajo shtije
\nDuket se m\u00eb vjen t\u00eb bije!\u201c<\/p><\/blockquote>\n

Nj\u00eb tjet\u00ebr shenj\u00eb identitare e k\u00ebtij komuniteti \u00ebsht\u00eb edhe norma morale, e cila barazohet me martes\u00ebn. Martesa n\u00eb vetvete paraqet nj\u00eb kod t\u00eb miratuar nga kolektiviteti, i vetmi ky q\u00eb mund\u00ebson bashkimin e dy t\u00eb rinjve n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb sh\u00ebndosh\u00eb morale.<\/p>\n

P\u00ebrdorimi i k\u00ebtij motivi n\u00eb poezi pasqyron jo vet\u00ebm d\u00ebshir\u00ebn p\u00ebr bashkim, por edhe seriozitetin e gatishm\u00ebrin\u00eb q\u00eb ka heroi lirik p\u00ebr t\u00eb respektuar normat q\u00eb karakterizojn\u00eb shoq\u00ebrin\u00eb n\u00eb ambientin ku jeton e si rrjedhoj\u00eb siguron mbrojtjen e k\u00ebtyre normave, por edhe mbrojtjen e vet\u00eb vash\u00ebs ndaj nj\u00eb ekspozimi dashuror t\u00eb nj\u00eb tjet\u00ebr lloji. Shfrimet erotike n\u00eb vargjet e Serembes nuk mungojn\u00eb, por k\u00ebto realizohen n\u00eb t\u00eb vetmen m\u00ebnyr\u00eb e cila nuk mund ta l\u00ebndoj\u00eb vajz\u00ebn dhe reputacionin e saj n\u00eb shoq\u00ebrin\u00eb dhe ambientin tradicional, ku dy t\u00eb rinjt\u00eb jetojn\u00eb, pra p\u00ebrmes \u00ebndrr\u00ebs.<\/p>\n

P\u00ebrmes nj\u00eb romantike t\u00eb thell\u00eb e d\u00ebshire t\u00eb paepur, paraqitet nj\u00ebkoh\u00ebsisht sensualiteti i zjarrt\u00eb mes t\u00eb dyve, kredhja e vash\u00ebs n\u00eb afshet dashurore dhe g\u00ebzimi i djalit p\u00ebr pushtimin e zemr\u00ebs s\u00eb asaj q\u00eb do.<\/p>\n

\u201cE kur gjumi pra m\u00eb z\u00eb
\nun\u00eb n\u00eb paq\u00eb s\u201fmund t\u00eb fl\u00eb:
\nMe ata sy n\u201f\u00ebnd\u00ebrr m\u00eb rri,
\nq\u00eb t\u00eb fshehur kan\u201f magji.
\nSe m\u201fdo fort ajo m\u00eb thot\u00eb
\nedhe nxjerr dy pika lot\u00eb:
\nE tek veshi m\u00eb rr\u00ebfen
\nse sa mall p\u00ebr mua ndjen.
\nAsaj dor\u00ebz\u00ebn ja ngas,
\nbuz\u201f m\u00eb buz\u00eb asaj i flas.
\nEdhe mezin ja shtr\u00ebngonj:
\nDuke e puthur und g\u00ebzonj.
\nPra si nj\u201f\u00ebnd\u00ebrr vete e shkon,
\npo n\u00eb z\u00ebm\u00ebr m\u00eb q\u00ebndron.
\nKush e di a m\u00eb d\u00ebgjove,
\nmallin tim a e kuptove?\u201d<\/p><\/blockquote>\n

Nd\u00ebrtohet nj\u00eb paradoks i mrekulluesh\u00ebm, i cili n\u00eb skajshm\u00ebrit\u00eb e tij mbart nga nj\u00ebra an\u00eb frik\u00ebn e heroit lirik p\u00ebr d\u00ebmtimin moral t\u00eb s\u00eb dashur\u00ebs dhe si rrjedhoj\u00eb reagimin e tij t\u00eb heshtur p\u00ebr dashurin\u00eb q\u00eb ndjen n\u00eb m\u00ebnyr\u00eb q\u00eb ta mbroj\u00eb at\u00eb nga reagimi kolektiv dhe nga ana tjet\u00ebr p\u00ebrsiatjet e tij erotike, t\u00eb cilat marrin jet\u00eb p\u00ebrmes \u00ebndrrave t\u00eb tij. E megjithat\u00eb p\u00ebrgojimet nuk mungojn\u00eb.<\/p>\n

K\u00ebshillat e bot\u00ebs, si\u00e7 i quan Zefi, paraqesin edhe nj\u00eb an\u00eb tjet\u00ebr t\u00eb ambientit arb\u00ebresh, poeti niset nga realiteti konkret i ambientit q\u00eb e rrethon e n\u00eb t\u00eb cilin \u00ebsht\u00eb rritur e q\u00eb e njeh mir\u00eb dhe na jep t\u00eb kuptojm\u00eb se sa e brisht\u00eb \u00ebsht\u00eb dashuria, na tregon se sa leht\u00eb \u00e7do gj\u00eb mund t\u00eb kthehet s\u00eb prapthi, se sa t\u00eb v\u00ebshtir\u00eb e kan\u00eb t\u00eb rinjt\u00eb e sidomos vajzat t\u201fi p\u00ebrkushtohen, qoft\u00eb edhe verbalisht, nj\u00eb dashurie, e n\u00eb nj\u00eb far\u00eb m\u00ebnyr\u00eb, ai vet, sikur e justifikon vajz\u00ebn q\u00eb nuk i p\u00ebrgjigjet. \u201cLirika e tij p\u00ebrshkohet nga nj\u00eb dramatiz\u00ebm i brendsh\u00ebm q\u00eb buron nga konflikti i v\u00ebn\u00eb n\u00eb baz\u00eb t\u00eb saj.<\/p>\n

N\u00eb krijimet e para konflikti \u00ebsht\u00eb thjesht\u00eb intim, midis dashuris\u00eb s\u00eb djalit dhe indiferentizmit t\u00eb vajz\u00ebs, nd\u00ebrsa m\u00eb von\u00eb, konflikti shtrihet n\u00eb plan shoq\u00ebror si konflikt i dashuris\u00eb s\u00eb past\u00ebr me thashethemet e ambientit patriarkal\u201d. Zef Serembe ashtu si autor\u00eb t\u00eb tjer\u00eb t\u00eb let\u00ebrsis\u00eb arb\u00ebreshe, jo vet\u00ebm n\u00eb poezin\u00eb e tij me motive erotike, por n\u00eb t\u00eb gjith\u00eb krijimtarin\u00eb e pati mb\u00ebshtetje dhe frym\u00ebzim edhe let\u00ebrsin\u00eb popullore. Ai nga folklori huazoi jo vet\u00ebm shum\u00eb motive, trajta t\u00eb ngulura, figuracionin, form\u00ebn, por, sidomos n\u00eb vjershat e tij m\u00eb t\u00eb hershme, shihet edhe nj\u00eb pik\u00ebpamje m\u00eb shum\u00eb kolektive, pra k\u00ebndv\u00ebshtrim popullor. M\u00eb von\u00eb v\u00ebrehet se autori i pasuron k\u00ebto forma t\u00eb poezis\u00eb popullore edhe me krijime t\u00eb mir\u00ebfillta origjinale, duke g\u00ebrshetuar, n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, tradit\u00ebn popullore me risit\u00eb e talentin e padiskutuesh\u00ebm q\u00eb jet\u00ebsuan vepr\u00ebn e k\u00ebtij poeti.<\/p>\n","protected":false},"excerpt":{"rendered":"

Shkruan Prof. Zymer Mehani Motivi i dashuris\u00eb Motivi i dashuris\u00eb z\u00eb nj\u00eb vend t\u00eb gjer\u00eb n\u00eb poezin\u00eb e Serembes. N\u00eb thelb poeti e sheh dashurin\u00eb si forc\u00eb jet\u00ebsore, si burim lumturie. \u201cMotivi i dashuris\u00eb \u2026 \u00ebsht\u00eb nj\u00eb nga motivet qendrore t\u00eb poezis\u00eb s\u00eb Zef Serembes\u201d. Nj\u00eb mendim i till\u00eb pasqyrohet n\u00eb vjershat q\u00eb i k\u00ebndojn\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,8,10],"tags":[],"class_list":["post-9994","post","type-post","status-publish","format-standard","category-artikuj","category-histori","category-letersi","category-poezi"],"yoast_head":"\nLIRIKA E DASHURIS\u00cb E SEREMBES - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/lirika-e-dashurise-e-serembes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LIRIKA E DASHURIS\u00cb E SEREMBES - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Shkruan Prof. Zymer Mehani Motivi i dashuris\u00eb Motivi i dashuris\u00eb z\u00eb nj\u00eb vend t\u00eb gjer\u00eb n\u00eb poezin\u00eb e Serembes. N\u00eb thelb poeti e sheh dashurin\u00eb si forc\u00eb jet\u00ebsore, si burim lumturie. \u201cMotivi i dashuris\u00eb \u2026 \u00ebsht\u00eb nj\u00eb nga motivet qendrore t\u00eb poezis\u00eb s\u00eb Zef Serembes\u201d. 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